Posts Tagged ‘ufo

09
Apr
20

Evils of the Night (1985): Invasion of the Platelet Snatchers

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“Why you touchin’ my nipples like that?” – Jerry Butler as Eddie in Evils of the Night (1985)

a Primal Root written review

Man, the 1980’s seemed like a magical time when I was a child. I was born into them, 1982, as a matter of fact. The world was new to me, a bright, Technicolor spray of vomit filled with wonder, excitement, lessons and ideas that would boggle my mind and shape me into who I am today. Of course, later you lear the 1980’s were fucking terrible to huge, wide ranging section of our American society and the world abroad. You had the AIDS epidemic, the war on drugs, intense poverty rather than the prosperity Ronald Reagan’s trickle down economics gave us, the Iran Contra scandal, the shameful treatment of our Vietnam veterans…It was just was basically the pre-show entertainment before 2020. But  through the eyes of a fresh faced youth, the world was all Hi-C, chicken nuggets, movie monsters and big bouncy boobs.

But were you also aware that far off in distant galaxies they had it just as rough in the 1980’s? And, no, I’m not talking about Star Wars, besides, that happened a long time ago. No, I’m talking about the severe platelet shortage of 1985 that affected whatever planet John Carradine and Julie Newmar are from. What are platelets you ask? I’m glad you asked!

plate·let
/ˈplātlit/

noun

PHYSIOLOGY
plural noun: platelets
  1. a small colorless disk-shaped cell fragment without a nucleus, found in large numbers in blood and involved in clotting.

 

As we all know, the best platelets of all come from humans in their late teens, early 20’s which is why back in 1985 vast intergalactic civilizations were landing their UFO’s at local Lover’s Lanes, taking over abandoned hospitals, hiring sociopathic mechanics by paying them in gold coins to kidnap and deliver them captured kids, so that their platelets could be removed and beamed up to their Mother Ship for the survival of their species. Only, these brilliant civilizations with their space age technology never considered the one flaw in their planning…summer vacation!

“Network men analyzed many places and they decided that this was the ideal secluded college town. Well, Network was correct up to a point, but research didn’t know about summer vacations. College is closed until September which is too late for our purposes.” – Dr. Kozmar (John Carradine); Evils of the Night

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Okay, maybe that wasn’t ACTUALLY happening in the 1980’s but it sure as shit was going down at the Drive-In’s and Indoor Theaters of the time thanks to one of the strangest, most absurd and, to my amazement, thoroughly engrossing low budget amalgams of slasher horror, sci-fi and teen sex comedy I’ve ever witnessed, Evils of the Night.

Before the credits even roll we see the landing of a UFO from a far flung galaxy. No narration, no clue the what, when or where, and the credits unspool over two unlucky couples who decided to get it on under the cover of darkness in the woods surrounding the local lover’s lake. One couple gets right to it deep in the woods, where the couple next to the lake decides to smoke some of The Devil’s Harvest, before swimming and THEN plan on pummeling the her love piñata. “Great, now we can get HIGH!” the young man exclaims as the young bikini vixen pulls a dank joint from her thong clad crotch region. In a matter of second we are treated to some full frontal nudity from the sex starved co-ed in the woods before they start banging away doggy style after she lick lubes his rump splitter, while another cute couple gets high and goes swimming. She even gives him the rarest of sexual acts, the under water oral. Gang, I do not understand the logistics here. Then again, I am a severe asthmatic, so I can’t hold me breath all that long, especially not long enough to truly deliver any kind of memorable oral pleasure. But I guess it’s the effort that’s really endearing. Perhaps it’s different for you folks with normal, healthy, designer brand lungs. Feel free to let me know of your beneath the surface sexual encounters in the comments.

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Anyhoo, it all feels like the beginnings of  genuinely lovely evening, when all of a sudden some elderly gents wearing ski masks and grease stained mechanic work shirts…with their names on them, descend upon the young couple and leads to one of my favorite kills I’ve ever seen. You know that couple that is going at it with the fella burrowing from behind? Well, one of the masked mechanics sneaks up behind him and strangles him to death while his lascivious lover continues to pound out the veil! It’s fucking fantastic, she has no idea he is dead and continues to ride the fuck trolly to Mr. Fleshpod’s neighborhood! She steadily slows her motion as she realizes something is wrong, turns around, and is abducted. It is one of the funniest, perversely sexiest and simultaneously disturbing kills I’ve seen in a while. I know there’s something similar to this in Adam Green’s bland 2010 slasher film, Hatchet II, but Evils Of The Night did it to much greater impact, if you ask me.

Wait a minute, that’s 80’s porn star Crystal Breeze fucking the strangled corpse of her lover playing “First Girl Having Sex!” Would you believe this is the same year she starred in The Sperminator, Flaming Tongues and Cummin’ Alive as well as nineteen other porn flicks? Man, 1985 was a busy year for Crystal! Not only did she deliver the EXCEPTIONAL full frontal female nudity, but she also knocked her brief roll out of the park. Crystal, you are a legend and us sleazoids are forever in your debt.

One of the abducted teens, the stoner boy in tiny shorts, comes to in the abandoned hospital now inhabited by sexy ALIEN nurses wearing tiny glittery skirts and and several damn pounds of hairspray and make-up. He manages to escape while the two nurses, I shit you not, begin suggestively fondling one another. Huh? So, tiny shorts manages to overhear Dr. Kozmar (John Carradine) and Dr. Zarma’s (Julie Newmar) plan to extract as many platelets as possible from their victims before they die, any extracted after death, contaminates the whole batch. The platelets are used to stop bone deterioration int he elders of their kind and ALSO allows for them to live for hundreds of year. So, would it be accurate to call these platelet snatchers from beyond infinity intergalactic vampires? Feels accurate to me! Tiny Shorts then escapes into the woods only to be blasted to death with neon green lasers from one of the nurses. In his final moments, he gives one of the most spastic and wonderful laser guided death performances I’ve ever seen.

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Cut to the next day at Lover’s Lake where all the cool kids are sipping on Pepsi, swimming, playing pranks, spying on two topless girls covering one another in tanning oil which, in turn, inspires your girls friend to take her top off and try to fuck you on the beach, which you turn down. Seriously, it looks like this Lover’s Lake is happening with a bunch fun loving kids. The stand out amongst them, and who the poster art seems to be featuring, is the blonde in a tight, white and red horizontally striped shirt named Connie (G.T. Taylor, this is her only film role) who is incredibly sweet and kind of a dunce, but is a genuinely fun and charming character to be around. She’s out camping with her friends Brian (David Hawk, in his only film role), Heather (Bridget Holloman from Slumber Party ’57 and Stoogemania) and the engaged to be married love birds Ron (Keith Fisher from Cyberon and an episode of Diff’rent Strokes) and Nancy (Karrie Emerson, the raven haired beauty from Chopping Mall and White Dog). They spend their days frolicking in the sun and at night they put their hands in their campfire to see who is the better man (hint: It’s the man smart enough NOT to injure himself to prove his manhood) and talk about penises.  “Why make a big deal out of such a small thing?” Connie asks as Brian and Ron debate sticking their dicks in the fire to prove their manhood.

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From Left to Right: Ron (Keith Fisher), Nancy (Karrie Emerson), Connie (G.T. Taylor), Heather (Bidget Holloman) Brian (David Hawk)

There’s another unrelated couple who break into the cleanest, most well kept abandoned home I’ve ever seen. There’s no shit stains on the fuck mattress, the floors looks to be freshly swept and mopped, none of the windows are busted and there’s narry a cigarette butt, beer can or crusted over used condom in sight! What kind of abandoned, haunted fuck shack is this? Anyhoo, the couple Eddie (Jerry Butler as Paul Siederman, prolific porn actor from 1987 to 1995. You may have seen him the XXX films Snake Eyes (1985) or Star Angel (1986) and Joyce (legendary porn actress, Amber Lynn, who is STILL working in the adult industry to this very day, which is remarkably long career in pornography. She has won to AVGN Awards, one for best Sex Scene in a Feature Adult Film in 1986’s Ten Little Maidens and one in 2018’s Humanitarian Achievement Award) strip down and start going to town on the incredibly posh mattress at this crab shack. Well, she strips nude anyway, he actually keeps his jeans on, which I will never understand in slasher films. Fellas, have you EVER fucked with your pants on? Are you afraid of losing them? It’s so much easier just to take them off, I cannot even imagine the zipper burn one would inflict on their wang doodle. Also, I would be remiss if I did not mention Eddie’s dog lick form of smooching. This guy licks Joyce like a canine going after piece of Beefaroni. It’s probably the most energetic moment in the film as he licks all over Joyce’s tits and neck and chin and sucks on her chin, and it’s kind of…kind of gross. Perhaps that sort of tongue bath thing was the height of eroticism in 1985, but for me in 2020 it’s kind of gross.

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Joyce gets a tongue bath from Eddie in the nicest abandoned house I’ve ever seen.

Soon we learn that the masked mechanics are actually two great elderly screen actors who turned to horror cinema as soon as the choice rolls stopped coming their way. The two murderous morons for hire are chunky yet fleet-footed Fred (Aldo Ray from many classic films of the 50’s like 1955’s We’re No Angels and 1958’s The Naked and The Dead and would later be featured in 1986’s Star Slammer and his final film, 1991’s Shock ’em Dead) and the intensely perverse and sociopathic Kurt (Neville Brand from the Oscar winning 1959 film Stalag 17, Birdman of Alcatraz from 1962. He eventually went the horror route with Tobe Hooper’s Eaten Alive in 1976, Without Warning in 1980, and Evils of the Night would be his final screen roll.)  These two are introduce as playful lunk heads as they maintain their auto repair shop, but that playful, dopey demeanor can turn on a dime as they strike without warning, cracking your skull with a tire iron, and putting you out with some either, and then dragging you to the abandoned hospital under the promise of gold coins so you can be sucked dry by the vampires from outer space!

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Kurt and Fred: The Burt and Ernie of Space Vampire Murder for Hire! Gold Coins only, please.

 

Let me tell you, Evils of the Night is one exceedingly fun and effective b-movie. It actually takes the time to get you invested in the teen characters, who are actually fun, sweet, kind and adorably dopey. They more often than not fight back with all their might against the aggressors and you cannot help but root for them, especially when it comes down to Connie, Heather and Brian who end up tied up in the clutches of the perpetually horny and blood thirsty Kurt. I’m not going to spoil anything, but anyone can die at anytime and it can be genuinely heart breaking because these characters are so much fun to be around. Not only that, but the reactions of friends watching friends die is deeply effective, too, and that goes a long way to making slasher film murder really impact the audience.  David Hawk, who plays Brian, deserves some recognition for really going above and beyond in his grief stricken, rage fueled performance. His is not the norm for such Trash Cinema, where the emotion feels greatly genuine and I found deeply unsettling. I began Evil of the Night laughing my ass off at the cheesiness of the proceedings, but by the films final act I was surprised to find myself rooting on characters in scenes that are actually suspenseful. It goes from laughably cheesy to legit horror out of nowhere and it’s enough to give you whiplash.

Evils of the Night (1985)

 

Evils of the Night was directed by first timer Mardi Rustam, who shows an affinity for low budget horror, which makes since, since he worked in some capacity as a producer on such legendary no budget horrors as Tobe Hooper’s Eaten Alive and Al Adamson’s Dracula vs. Frankenstein.  That’s one Hell of a schlock horror pedigree! It’s a shame he only directed one other film, James Dean: Race With Destiny in 1996, because Trash Cinema really could have used more films exciting, weird, and uncompromisingly unique as his debut feature. I know the gentleman is still alive, so who knows? Maybe he has a few filthy films left in him.

Evils of the Night  is an honest to goodness Trash Cinema treasure and one well worth checking out. It has a little something for everyone including fans of classic actors and actresses from the 50’s and 60’s as well a hard working porn stars of the 80’s! Whre the Hell else are you going to find the likes of Crystal Breeze porking a corpse while celebrated character actor Neville Brand drills holes (literally, with a drill, that’s not a sexual metaphor) into nubile young women?  It’s unpredictable, filled with fun, no budget science fiction tropes, great goofy characters, gore, one liners, gratuitous female nudity, awesome villains, awesome 80’s soundtrack and plenty of scenes that will either leave you laughing, scratching you head or actually hoping the characters you like survive…the EVILS OF THE NIGHT!

I am awarding Evils of the Night FIVE out of FIVE Dumpster Nuggets.

Stay Trashy!

-Root

WARNING! THIS EVILS OF THE NIGHT TRAILER CONTAINS MASSIVE SPOILERS! I HIGHLY RECOMMEND YOU DO NOT WATCH IT UNLESS YOU’VE ALREADY SEEN THE FILM!

Honestly, this trailer gives away the last third of the film and there are some awesome surprises and genuine shocks. Go see the movie first. I guarantee you won’t regret it.

 

 

 

 

07
Nov
09

The Fourth Kind – The Owliens are not what they seem…

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a Primal Root review

Watch out Nome Alaska! You are being besieged by evil Owliens who are attacking you in your sleep, taking you to spaceships, probing you and erasing your memories. For what purpose? I guess so you can kill yourself and your family? But that doesn’t matter! This is some scary shit and  it’s ALL REAL and we have tons of audio and visual footage to support this case!

Yeah…

I really don’t know where to begin…the obviously faked “real” footage? The terrible performances? The sloppy script? The hackneyed editing? The strange decision to break some segments up into layered four framed split screen? The Fourth Kind is the kind of Trash Cinema it just hurts to sit through.

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What I saw did disturb me. Probably not in the way the filmmakers intended.

The film opens just like the trailer with Milla Jovovich looking into the camera and spinning around the woods informing us that what we are about to see is 100% real and based on real accounts by real people in the real town of Nome Alaska and you will be “really” disturbed. She fails to mention that her acting skills are completely fake.

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"I Has Serious Face."

The Fourth Kind features Milla (Resident Evil) Jovovich as the allegedly “real” psychologist, Abbey Tyler. Abbey’s husband was murdered sometime before the beginning of the film and she is left a widow raising their tweenage son and little daughter who went blind after Daddy kicked the bucket. (Huh?) Through her clients Abbey begins to uncover some kind of  epidemic of really scary owl spottings through hypnosis sessions which she video tapes. These tapes are used to annoy the shit out of the audience during split screen segments featuring the “real” footage and the reenacted footage. Sometimes featuring four shifty frames alternating between shots and moving all over the screen. I am all for edgy editing but, man, when one shot is just a shot of a patrol car’s lights flashing how do you justify this decision?  This is just poor filmmaking.

Anyhoo, soon after one hypnosis session goes hilariously awry (Freak out and hoping over the couch breaking a table)  the patient promptly goes home, murders his family and himself in a standoff with the police. Abbey’s professional, rational, intelligent explanation? The Owliens are responsible. That’s right…Owls from outer space… And she ain’t gonna stop till she gets to the bottom of it, by golly!

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Abbey harming one of her many patients.

So she puts some more patients through horrible hypnosis sessions where they end up either dead or scarred for life. Soon she is contacted by an Owlien and has no recollection of it other than what she taped on her hand held tape recorder that I am sure she was planning to send to Diane over at FBI headquarters to inform her that “The Owls are Not What They Seem.”

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I get the feeling someone was watching their Twin Peaks box set when they wrote this sucker.

So, uh, we eventually find our the aliens speak Sumerian and really have no agenda other than abducting people and scaring the shit out of them. Abbey goes through her own gut bustingly funny hypnosis session in the hopes to get her daughter back from the evil Owliens. Abbey air humps off of the couch, unhinges her jaw and starts shouting Sumerian about God and the truth. Be warned, the footage of Abbey going all whacky is screwed up and hardly visible. Which is a shame because it looks highly entertaining. The Fourth Kind has the irritating habit of building up to something really cool and then cutting to the “real” footage which is all messed up and hardly visible. See, at least the Demon in Paranormal Activity knew not to fuck with the tapes! These Owleins are just assholes!

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Speaking of assholes, the Owliens have some probing to do! Abbey, meet my friend Ben Dover.

By the film’s end there are no answers, which is fine with me, but after two hours there’s no real conclusion either. The film just kind of stops. The scariest thing in the film is the face of the woman who is supposed to be the “real” Abbey Tyler who is interviewed throughout the film. I laughed through this entire movie but anytime the movie cut to the “real” Abbey and quieted down I got scared. Her face is horrifying and I kept waiting in suspense for an Owlien to rip out of her face or something to give us one final jump scare. Alas, she is just creepy looking and that’s all.

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"I need to find a better agent."

The Fourth Kind actually resembles something one might create out of scrapped pieces of film found in a dumpster. There are some talented people involved here including character actors Will Patton and Elias Koteas but they are given next to nothing to work with. Koteas plays one of Abbey’s friends and fellow psychologists by the name of Abel Campos. His main purpose in the film is to set up the compact little Sony camcorder, look smug and be skeptical. Patton plays the local Sheriff  who realizes all this Owlien stuff is complete bullshit and Abbey is just totally crazy. I got the feeling the Sheriff is meant to be the villain figure of the piece but I couldn’t help but root for the guy. Abbey is obviously two nuggets short of a Happy Meal and an endangerment to her chilrden and her patients.

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Some of the "real" footage.

But no amount of supporting cast talent could save this film. It’s just terrible. Maybe if the filmmakers had decided to go with either all filmed footage or fake “real” footage the movie would have been better than trying to fit both into one feature film. The result is muddled, confusing and pretty boring. The Fourth Kind is a film that not only falls short of hitting the bullseye, it flies past the board, off the brick wall and impales itself in the eye of the audience. It’s a vehicle without a map and a completely shit faced driver behind the wheel. It’s inept, stupid, pointless, plotless and has as many redeeming qualities as Spider-Man 3. Seriosuly. It’s that bad.

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The Eyes of the Owlien.

I cannot recommend The Fourth Kind to anyone but the bravest and most tolerant of us Trash Collectors. I’ve seen more than my share of poorly made Trash Cinema and I can find redeeming qualities in just about all of them. But in the case of The Fourth Kind it simply feels like a cheap, half hearted attempt at making something similar to The Blair Witch Project and we had to endure one of those already this year. I got a few chuckles out of the melodrama and the goofy abduction scenarios but I spent most of the movie looking at Jess and wondering how much longer could they possibly drag this movie out? Will this ever end? Is this real life?

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The Fourth Kind is a failure of the First Order. None of it works, none of it sticks, it’s not mindlessly fun, and it’s not even worthy of being called Trash Cinema. This is just pure cinematic monkey spunk.

Stay Trashy,

-The Primal Root

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Milla Jovovich. Much hotter than The Fourth Kind.




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