Posts Tagged ‘radiation

03
Apr
20

Uninvited (1987): Kitty Carnage On The Open Sea!

Uninvited poster

 

“Nothing’s going to stop me from getting to The Caymans!” George Kennedy as Mike Harvey in Uninvited

a Primal Root written review

Man, what I wouldn’t give for a trip across the deep blue sea in an enormous private yacht with a few bikini clad women by my side taking us all the way to the Cayman Islands for a bit of the old social distancing from a world falling apart at the seams. But, as it turns out I’m not a wealthy criminal scum bag, so this will have to remain a fantasy rather than beautiful reality. Thank goodness there are movies like 1987’s direct to video schlock classic, Uninvited, to help indulge me in this minor dream of paradise. Well, except there happens to be a radioactive mutant cat on board that’s vicious and has a bite that’s fatally poisonous and there is a trio of criminals running the yacht as fast as possible to the Cayman Islands in order to pick up a ton of money they garnered from their illegal white collar crimes…Okay, besides the boat, the trip and the bikinis…and possibly the fresh fruit platter in one of the early scenes, there’s very little this movie has in common with my current quarantine fantasies.

Anyhoo, Uninvited was directed by none other than the legendary master of low grade cheese, Greydon Clark, who is a familiar name to any trash cinema connoisseur or Mystery Science Theater 3000 fan, having lended is immeasurable skills to such classics as 1979’s Angel’s Brigade aka: Angel’s Revenge, the 1985 Joe Don Baker vehicle Final Justice, the 1983 arcade sex comedy Joysticks and the 1977 Satanic classic, Satan’s Cheerleaders, so you know what you’ve signed up for if you’re sitting down for a viewing. The rest of you better hold on to your pussies.

uninvited

The film begins with the opening credits unspooling over some guys in lab coats waving a syringe around a fluffy British Shorthair kitty. They inject the cat with some mysterious radioactive elixir and can makes a break for it out the OPEN DOOR to their top secret experimental laboratory. The kitty makes it’s way to the stairwell where it barfs up a monstrous, bigger, poisonous version of itself, which lays waste to a half dozen gun toting security team guys sent to capture the kitten, leaving the stairwell walls covered in blood. The mad scientists grab their guns and try to track the cat down in the parking garage only to be ripped to pieces before the cat gets into the air duct, unscrews a grate and escapes to the streets.

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Meanwhile, two incredibly fuckable young ladies, Suzanne (Shari Shattuck from 1989’s Death Spa) and Bobbie (Clare Carey from 1988’s Waxwork) show up to a fancy pants resort and are immediately spotted by wealthy criminal business man, Walter Graham (Alex Cord, probably best known for the TV series Airwolf) who buys the two ladies dinner then invites them to a private party on his yacht. Of course, the guy has money and has bought them food, so they are more than eager to slob his knob and live the highlife for a bit until Captain Moneybags grows tired of them and throws them overboard for a younger model. First, Graham must have a business meeting with his goons, Mike (George Kennedy, from The Naked Gun and Just Before Dawn) and Albert (Clu Gulager, from Return of the Living Dead and A Nightmare on Elm Street part 2: Freddy’s Revenge, who is wearing a really goofy set of Bubba teeth in this role which really sells his…colorful character) so they can drown a business associate in the yacht’s hot tub.

In the meantime, our poisonous mutant cat is roaming all over town murdering assholes, which seems to be the plague cat’s M.O. The kitte seems friendly to those who feed it, but takes pleasure in dealing out violent, bloody radioactive death to those who hurt those who are kind to it. Several scum bags end up shredded to ribbons, poisoned an/or exploded in their cars before the kitty makes it’s way towards the marina where Graham is docked…

Cut to the next morning where we are introduced to three dorky guys sitting at the same marina where Graham has his yacht and Suzanne and Bobbie are staying. These three dorks are Martin, Lance and Corey.  Martin is a biologist, Corey a yuppie and Lance is just a huge dork in a Hawaiian shirt looking to get laid. They sit around sipping orange juice until Suzanne and and Bobbie show up in their fetching bikinis and invite them to join them onboard Graham’s yacht for some fun.

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Okay, I have a few issues with this already. Not with the cat barfing up a furry, fanged, radioactive monster, but with the human interactions on display.

Number One: When does this ever happen? Two women make a b-line straight to three obviously horny doofuses and invite them to party with them? No names exchanged, no greetings, just “Hey, you’re cute, want to party and protect us in the case a millionaire criminal might possibly decide to assault us? ” They actually mention that, by the way. “You look like you’ll be able to protect us if Graham tries anything.” Huh? Who are you and what are you talking about?  Are you paying us? Are you prostitutes and we’re having to pay you? What is the situation, here? At least tell me your name before we head to some strangers yacht! Which brings me to…

Number Two: Who in their right mind invites strangers to the abode of someone you’ve just met? Without even clearing it with them! This is the epitome of shitty manners which shows no consideration and total disrespect for the person who extended their hand and invited you and your friend, and only the two of you, aboard their yacht. Imagine you’ve invited just a friend or two over and without telling you they invite a group of folks over to your house that you do not know and just show up with them. Not asking you, just showing up at your house with strangers. It’s a fucking jerk thing to do and I already can’t stand anyone in this movie.

Number Three: WHAT ABOUT THE PRIVATE PARTY! There’s all this talk and build up to the awesome party on this yacht and WE NEVER GET TO WITNESS IT! Apparently it’s going to be this blow out event on the yacht, probably with booze, debauchery, topless ladies, donkey shows, etc. But the audience is not important enough to join the festivities. We just weren’t sexy enough to invite. Fuck these guys.

Anyway, on with the review.

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Of course, the eager young guys accept the invitation and head out to the rich guy’s yacht with the two bikini clad beauties, one of which discovers our dangerously cute and cuddly radioactive science experiment monster cat at the marina. Suzanne clutches the kitty against her ample bosom and decides the kitty is coming aboard Graham’s yacht for the pleasure cruise, despite the cat obviously not wanting to go anywhere, let alone be held, as it squirms desperately trying to get out of Suzanne’s bubble blonde clutches. Young biologist Martin notices the kitty has a testing facility tag on it, but tosses it aside assuming the cat is fit as a fiddle and SURELY hasn’t been experimented upon with some terribly virus or toxic chemicals that will kill himself, his friends and these bodacious babes. We’re young, YOLO, let’s get this party started!

I-Mockery.com | Uninvited - A Horror Film About A Mutant Killer ...

We learn quickly from the yacht’s young captain, Rachel (Toni Hudson from Leatherface: Texas Chainsaw Massacre III and School Spirit) that during the party we never witnessed, Graham lost his temper, berated the crew, and they all quit except for her. Which works out well, since these new, uninvited guests climb aboard THEY can earn their keep by being the new crew as they flee for The Cayman Islands as Albert delivers the news that The Feds are closing in on the yacht! So, this motley crew or young kid who just want to eat, dance and fuck, the old geezer criminals who cannot stop talking about getting to “The Caymans” and the poor little captain with heart of gold and a deep desire to own the yacht that once belonged to her Father but was purchased away from the family by the evil, greedy, Graham, tries her best to keep all this shit under control.

Cat Rifftrax Uninvited GIF by RiffTrax - Find & Share on GIPHY

 

But it doesn’t take long for it all to go right to shit as Albert takes over Captain duties for about fifteen minutes in which time he manages to get wine drunk and take the whole voyage way of course before spitting wine all over the monster kitty and paying the ultimate price for his rudeness when the little kitty opens it’s jaws and lets out the malicious mutant cat…living in it’s stomach? The science really made abundantly clear, but Albert gets a good potion of his throat stripped out, but what remains begins to pulsate violently before he falls overboard to become shark food. Soon, the trip to The Cayman’s has been delayed as Rachel makes the call to go back and look for Albert, which lead to Mike pulling a gun on all these”young punks” and proclaims “NOTHING  IS GONNA STOP ME FROM GETTING TO THE CAYMANS!” before the vicious monster cat nearly bites his foot off. Mike lays on the couch for a while as everyone screams at each other, which is hysterical, because all through the scene you hear George Kennedy’s deep voice moaning and groaning as everyone else argues and it sounds just like he’s getting an incredibly good blow job just off screen. That is, until his stomach starts pulsating and something starts emerging just beneath the skin. The entire group gathers and huddles real close over Mike’s warped body as something inside his stomach begins rising up like an eternal boner, and it looks like we’re about to get another Alien chest burster sort of scene, but Mike dies, the internal stomach boner subsides and we are left wishing we had gotten to see a blood geyser and head into the rest of the film feeling more disappointed than we were when we missed the yacht party earlier in the film.

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The monster cat is known, the remaining crew of the SS Evil Pussy is dead in the water after the engine over heated and shut off, emotions are running high, food and fresh water are running out and it’s only a matter of time until the Toxic Kitten…starts to get hungry…

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Uninvited is a shockingly fun little monster movie which relies heavily on it’s great cast of talent who genuinely make the film way better than it has any right to be, selling a killer rubber furry cat monster puppet like it we JAWS. It’s goofy fun that doesn’t make a lick of sense, but as the characters grow more desperate an unhinged aboard their stranded, doomed yacht, their performances really come to life and they totally sell their dilemma, which I know few of us have ever experienced in real life. The effects are rudimentary, but add the charm of the overall experience, which I can guarantee, you will never go through outside of Uninvited. It’s a one of a kind horror of the high seas survival film with an obviously minimal budget, but a cast and crew willing to go the distance to deliver. Only drawback, and it’s one of the greatest detriments to the film, the are absolutely no tits in this film. None of the actresses are willing to bare anything in this low rent straight to video horror film. I turned to my wife about three quarters of the way through this flick and mentioned it, “Man, I honestly don’t think we are going to see a single bare breast in this thing!” Sure, the girls tease the boys and the audience with the promise of tits to come, but the moment never occurs. And honestly, I almost didn’t notice because the movie is such a strange voyage into absurdist horror that I was thoroughly entertained to the point of not really caring. I wanted to see where the story was going and what was going to happen to this lively group of teeny boppers and AARP members with the pussy punisher roaming freely aboard the ship. For a films to have me nearly forget about boobs is a pretty amazing feat. Plus, there is something eternally endearing about watching cats terrorize and kill people.

I am awarding Uninvited with THREE AND A HALF out of FIVE Dumpster Nuggets.

Uninvited is a furry, slimy, straight to video trash schlock fest well worth the voyage. I do recommend if you’ve got a fondness for puppets, great character actors and sense of adventure. A sense of humor will also help you out tremendously. Half a nugget eduction for lack of nudity.

Stay Trashy!

-Root

 

 

 

 

 

03
Jan
20

(NSFW) Return to Nuke ‘Em High Volume 1:My So-Called Toxic Taco

 

nukem

 

“You just fucked with the wrong post-apocalyptic hell bitch!” – Tara E. Miller as Rachel Ruysch in Return to Nuke ‘Em High Volume 1

a Primal Root written review

Since the very beginning of my life Troma films has loomed largely in my life. As a child of the 80’s I saw their movies on the video store shelves. Titillating, perverse and imagination fueling titles like The Toxic Avenger, Bloodsucking Freaks, Rabid Grannies and Surf Nazis Must Die immediately drew my burgeoning Trash Cinema hungry eyes to them. The vividly colored box art promised over the top gore, none stop dick and fart jokes and a plethora of nekkid women. What these videos promised was everything my eight year old heart longed for. Who the Hell am I trying to kid, it’s everything my 37 year old heart still longs for with every beat of my filthy horn dog little heart.

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Writer/Director and Troma’s co-founder and lovable mascot, Lloyd Kaufman, has gone back to the well again with a sequel to his video rental store mega hit Class of Nuke ‘Em High (1986), with Return to Nuke ‘Em High (2013), and Kickstarter, fan funded toxic goop soaked tit and gore filled epic that was apparently so massive in scope it had to be stretched into two separate volumes like a fucking Harry Potter film.

What I am happy to report is that Return to Nuke ‘Em High Volume 1 is a homecoming WELL worth the wait. After the events of Class of Nuke ‘Em High, which saw Tromaville High School and the the Tromaville Nuclear Power Plant blown to smithereens, Tromaville High is rebuilt and sleazier than ever, where school shootings happen just about every day to point students yawn while they happen, AND they are the testing ground for the Tromaorganic Foodstuffs Conglomerate, which just so happens to be built over the site of the old, demolished, tainted soil where the nuclear power plant once stood.

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We are introduced to the new motley class of Nuke ‘Em high. With a ludicrously tone deaf and nerdy glee club, blind security staff, a gym shower chock-full of naked, laughing, bouncy breasts nubile young women, the overweight, over enthusiastic, little pierced penised Zac (Zac Amico), the psychotically horny and self absorbed white boy, Eugene (Clay von Carlowitz) and an highly animated, bug eyed Principal Westley (Babette Bombshell) who is in the pocket of Troma organic Foodstuffs’ president, Lee Harvey Herzkauf (Lloyd Kaufman). All this is established before the camera moves into the janitor’s closet where two students are porking away on the janitor’s cot, when an overhead pipe explodes, green, toxic goo falls all over their feet (to which they are un-phased and and keep squeeshing pissers) and a slithery, slimy, toxic cock monster falls out of the pipe, slides into the guys ass , causing his actual penis to explode off and melt into a puddle of goo before his fuck buddy begins melting (tits first) into a puddle of putrid green and red slop. The janitor enters, sits down, notices the gory puddle of death now napping on his cot, shrugs with disinterest, and our movie begins on just the right Tromatic note.

 

Rich new girl to Tromaville High School, Lauren (Catherine Corcoran), who has a deep love for her pet duck Kevin (Kevin the Duck) becomes is an instant outcast at school, butting heads immediately with fellow classmate, Chrissy (Asta Paredes), who maintains a hardly noticed investigative blog uncovering the corruption and dangerous contamination coming out of Tromaorganic.

Before you can say “Go Green” the glowing green toxic waste contaminated foodstuff is passed off as guacamole and served to the guinea pig students of Tromaville High School under the guise of Taco Tuesday and transforming the tone deaf glee club into the mutated hyper violent second coming of THE CRETINS! Their reign of terror begins without hesitation as they shoot down pedestrians, and throw teachers and dogs over the railing at Tromaville Falls to their chunky, splattery demises. The Cretins look better than ever in their new duds and awesome makeup. Not only that, but they now sing beautifully together, belting out barbershop quartet ditties while viciously mutilating and killing everyone in their path.

Cretins

It’s not long before Lauren runs afoul (hehe) of The Cretins who “Duck Rape” her by lodging the recently irradiated Kevin the Duck down her throat. Lauren runs around Tromaville looking for someone to help dislodge Kevin from her gullet as Kevin shoots eggs out of his tiny pink duck vagina (huh?), but alas, duck dislodging is not covered by Obama care. It isn’t until Lauren runs across Chrissy that they work together and get Kevin out of there, although he now has glowing green eyes, a beak full of sharp teeth and if foaming at the mouth. Chrissy and Lauren end up the recently foreclosed upon house of one of their friends and their attraction to one another cannot be repressed. They begin writhing together in bikinis on the dance floor to erotic sounds of Rapedoor’s toe tapper “Last Song,” before Lauren takes Chrissy’s hand, leads her up to a squatter’s lair and they begin a wonderful and exceedingly long sex scene, where the two get nekkid, munch some toxic tasty taco and exchange nuclear goo as they slide one another the tongue, a side effect of prolonged irradiated duck rape, I imagine.

The fun is interrupted when The Cretins show up and toss a couple Molotov cocktails through the windows and burn the place to the ground. That night, Chrissy and Lauren have the very same dream…Lauren’s belly expands and her tots begin to spray toxic waste where Chrissy grows a massive toxic cock that she can wield as a weapon that also feasts of flesh. With their new toxic powers they head to The Cretin’s hideout to exact some revenge.

When Chrissy and Lauren meet up at school the next day, they aren’t sure if it was all a dream or not…but their “good friend” Zac, the fat and worthless ginger in the Alfred Packard: The Musical shirt, is tasked with finding a way to black mail Chrissy in order for her to take down her blog so there will no longer be anyone airing out Tromaorganic’s dirty laundry and Zac can join The Cretins so he can finally have some place he belongs. So what does Zac do? He gets a shot of Chrissy and Lauren locking lips at school, which if shown to the homophobic public, could prove fatal. The film ends on a cliffhanger in the girl’s locker room shower with an homage to Brian de Palma’s Stephen King adaptation, Carrie and a big ‘ol “TO BE CONTINUED…” popping up before the end credits. Needless to say, I was left chomping at the bit for more.

Man, Return to Nuke ‘Em High feels like Uncle Lloyd has been sitting on a powder keg of ideas that just sort of exploded in front of the camera. There are plot stops and starts, characters brought up that we never see again, narrative dead ends a plenty, but the manic energy of this flick never lets up even if it does feel totally lopsided. It’s a celebration of bad taste, political incorrectness, human anatomy, absolute carnage and anarchy wrapped up as one sloppy green slobbery smooch of an adolescent subhumanoid fever dream.

Like all Troma movies there are it’s strengths and it’s weaknesses. I was worried the Troma feel might be missing as soon as I noticed it looked to be shot on digital as opposed to film, which according to Lloyd Kaufman’s book Make Your Own Damn Movie, is something he would never EVER do. But, here he is, shooting in digital. I asked him at DragonCon once why he decided to shoot on digital after deriding the format so thoroughly in his book. His answer? “It’s so much cheaper!” Proving the old saying, “Don’t knock it till you try it.” Thankfully, the digital element honestly works in the films favor, lending the film a sleek, pristine sheen not typical of Troma films, coming across as the birth of a new era for the company.

One thing that annoyed the shit out of me were the title cards introducing every character and giving a bit of backstory. It felt lazy and like a last minute attempt to cover up a typically haphazard Troma screenplay. Usually the bizarre characters are left to establish themselves without us having to be directly told with text on screen. These characters fill a certain niche in a cinematic high school story, something we are all familiar with. So, I guess my one gripe is that it feels like they didn’t shoot enough coverage to make everything in the story work and shoved some sort of funny text explaining this, something I can’t recall Troma ever doing in the past.

But, all in all, Return to Nuke ‘Em High volume 1 is a fine return to form for these long time, ever present purveyors of filthy, grotesque and highly enjoyable Trash Cinema. The cast is a top notch rag tag team of Troma style performers, all willing to give their all and then some and, like always, add a screwball charm that is undeniable. The effects are as cheap and gnarly as ever with lubed up gore effects are deployed and freakish monsters come slithering out of and into every orifice. And there’s boobs a plenty, all shot with a close eye for bouncing, jiggle fondle potential, as we have all come to love and expect from Troma. What I wasn’t expecting at all was a genuine attempt at an effective love story between Lauren and Chrissy. You see it coming, but you always expect this shit to just be a lowbrow set up for someone to make queef joke, and of course there are queef jokes, but the love story is developed over time and amazingly sweetly, gently. I haven;t seen Troma try to actually pull off ‘sweet’ since Lloyd Kaufman and James Gunn’s Tromeo & Juliet. It was a pleasant surprise and one I really admired. Especially when it got to that lesbian sex scene. It made the whole sequence infinitely more boner inducing. There’s even some cameos that, when watching in 2019, are kind of heartwarming and heart breaking, Namely Stan Lee as the stories’ opening narrator and Lemmy Kilmister as The President of the United States. Rest in peace, you two, it was fun getting to spend time with you again.

 

What I’m saying is The Return to Nuke ‘Em High is a class reunion WELL worth attending. Can the Troma team keep this level of excellence up in Volume Two? Stay tuned, you Cretins!

I’m awarding The Return to Nuke ‘Em High FOUR out of FIVE Dumpster Nuggets.

Stay Toxic!

-Root

15
May
14

Godzilla (1954) My Favorite Monster

Gojira_1954_Japanese_poster

a Primal Root written review

His career spans sixty years. His exploits are legendary. The casualties? Countless. The property damage? Immeasurable. The beast’s name? Of course, we’re talking Godzilla (or, Gojira, as many folks are always at the jump to correct me because otherwise they would have no idea who I’m talking about) the radioactive, prehistoric, fire breathing titan who, on one hand, is a deeply horrifying monstrosity intent on wreaking as much havoc as possible, and on another, might be regarded as a complete innocent and product of our own insidious nuclear testing. No matter hoe you slice it, we brought this gigantic, people broiling, city crushing mother fucker down on us through our own technological advancements in ways to kill one another.  A good message to take home, you fuck with nature and nature will gladly fuck you right back in the brown eye with a Godzilla sized strap that breaths fiery death from it’s scaly plastic dick hole.

Sure, over the years Godzilla eventually became a hero of sorts, coming to the aid of our planet earth and all it’s inhabitants when bigger, badder monsters showed up on the scene the dominate. He fought such intimidating foes as Megalon, Destroyah, Mechagodzilla, Hedorah, King Ghidorah, and countless others head on, without fear, without hesitation. Surely, in Godzilla’s later career, we would have been totally fucked without his help and support.  But in the beginning, Godzilla was the ultimate in radioactive monster terror. Especially when it comes to the 1954 original Toho production.

Out at sea, military vessels and fishing boats are vanishing, being burned to embers by what seem to be blinding white flashes of heat emanating from the ocean itself. The mystery grows as soon, terror strikes the rocky beach shores, demolishing houses and crushing people into meat patties during a violent storm in the middle of the night. The reports come in and survivors testify to seeing some enormous, living, terrifying creature stepping on their humble abodes and their families within. The government is at a loss as the casualties in and around Tokyo begin to pil up, but soon, during a daylight attack, the people of Tokyo come face to face with what’s been causing this devastation. a 164 foot tall, fire breathing lizard spoken of in legend as…GODZILLA (or Gojira, right, right)!

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Thanks to mankind’s penchant for testing their nukes in the Pacific Ocean, this radioactive shit-kicking reptile from the Jurassic Period is back on the scene and looking to reestablish itself as master of all he tramples under foot and roasts to an ember. It doesn’t take long before this guy rises from the depths of the ocean and reduces Tokyo to a pile of smoking rubble during a terrifying, grueling, none stop violent attack on Tokyo where men, women and children flee for their lives, many to no avail, as Godzilla stomps his way through every damn thing that stands in his way.  Sure, this stuff has been parodied to Hell and been used for laughs over the last fifty years, but watching it now, and keeping in mind the recent history in Japan, more specifically Hiroshima and Nagasaki as well as the detonation of15-megaton American H-Bomb on Bikini Atoll…which irradiated 7,000 square miles of ocean, what Godzilla represents, and the scars Japan was still coming to terms with at the time, these scenes of mass death and destruction are no laughing matter.  In one harrowing moment we see a mother comforting her young daughter as the city burns and collapses around them, no help on the way and no escape. She tells her daughter that they will be with Father soon and that everything is okay. Gang, this is some dark shit and far cry from those days in the seventies when Godzilla was teaming up with dip-shits like Jet Jaguar or playing basketball against Charles Barkley to sell Nikes. This is the real deal. The foundation that would establish one of the most iconic monsters we will ever have. Godzilla. Or Gojira , if you want to get all anal about it.

The original 1954 film still stands as a titan of horror filmmaking. Filmmaker Ishiro Honda manages to harness the horror and tragedy of  Japan’s recent past and uses that as the very root of his creation.  Bringing to life a deeply meaningful and fantastic story that brought those harsh memories it’s audience recently captured to the surface.  Godzilla serves as a warning in the atomic age, that mankind has open a Pandora’s Box of horror with such technology. One that, as the film suggests through the character of Serizawa, can only be closed by individual choice and sacrifice.  Serizawa has created a new weapon of mass death and destruction he has named The Oxygen-Destroyer, a weapon more deadly than the H-Bomb, a weapon sure to have world governments drooling over and eventually becoming the love-baby in a new arms race. At film’s end, he chooses right over wrong, Godzilla is stopped,  and a new age of atomic war is averted by Serizawa’s heroic final actions.

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But we are warned at film’s end, that not all of humanity is as brave and noble as Serizawa and as long as nuclear testing persist, Dr. Yamane warns us, other monsters could rise to threaten civilization. Godzilla ponders some pretty big philosophical questions as Godzilla lays waste to Tokyo and burns images of the scorched, dying city and it’s populace into our mind. This is what man’s inhumanity towards man looks like. Giving these images the fantastical backdrop of a giant monster lizard only provides a modicum of escape. Because behind this horrific monster a more devastating and shameful reality is revealed.  Godzilla is a film of fire, suffering and death, and remains a remarkable and harrowing viewing experience.

I give Godzilla aka: Gojira (1954) Five out of Five Dumpster Nuggets. This film is a masterpiece.

 

Stay Trashy!

-Root

27
Jun
11

Rotten Reviews Episode 19: Welcome Home, Brother Charles

Hey Gang,

The ‘Revenge Film’ is something that has been with us since the dawn of cinema. Who doesn’t enjoy watching a person who was previously wronged rise up and punish those who have transgressed against them? Sure, it’s all kinds of wrong to take justice into your own hands but that doesn’t stop us from living vicariously through these films and imagine taking out that boss that laid you off, the spouse that cheated on you…or in the case of Brother Charles, the psychotic, racist cop who tried to castrate you in the back of an unmarked police car.

‘Welcome Home, Brother Charles’ (aka: Soul Vengeance) is one very unique chapter in the annals of revenge film history. I’ve seen a damn good number of these films but never have I seen vengeance dealt out in quite the same way as it is here and been asked to take it seriously. “Welcome Home, Brother Charles” is an incredible dark, sad, film about racism and injustice but it’s also a film about how when someone tries to cut you, or your cause down, many times it just…grows back…um, bigger and…stronger and more deadly.

ANYWAY, before I give too much away,  enjoy this latest Rotten Review for  ‘Welcome Home, Brother Charles’ (aka: Soul Vengeance) a strange and unique bit of our Trash Cinema Heritage.

Stay Trashy!

-Brother Root




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