Posts Tagged ‘immortal

12
Oct
16

(NSFW) Mistress Veronica: October Devil Girl of the Month (2016)

Well hello, Gang! The Primal Root here and preparing for another fun and filth filled Trashyween at The Collective! And nothing gets me in the spirit for the season faster than some good old fashioned blood, breasts and sexy, sultry scantly clad beasties of the night! Lucky for all of us, it is my absolute honor to announce that the gorgeous, ravishing ghoul of your dreams, Mistress Veronica HAS RETURNED as our October Devil Girl of the month in a vampiric, seductive, blood drenched spread sure to get your heart pounding like a stake through the ticker! Before you feast your hungry eyes, let’s catch up with out lovely lady of the night…

The Primal Root: Mistress Veronica, before we begin, may I just mention how thrilled beyond the pale I am to have you back as our October Devil Girl of the Month, and again, with such a gorgeous, no holds barred, spread that blends both class and trash so seamlessly.

Mistress Veronica: Aww thanks! I could not be happier to be back, so thank you so very much for the opportunity! I think I’ve become addicted and I have a crazy number of ideas for future spreads. lol If you don’t mind, I’d like to take this time to insert a shameless plug for myself. 😉 Since my last Devil Girl spread I’ve started working in the burlesque scene as Sapphire Sultana and would like to invite the members of The Trash Cinema Collective to find, like, follow, etc. on Facebook and Instagram. I have yet to Twat, but I’m sure that will change in time. 😉

TPR: What was your inspiration for the Countess Bathory set?

MV: A few months ago I was trying to think of what might make for an interesting number for some upcoming burlesque shows and thought a blood bath as the countess could be fun. My plan was to use an old wooden tub, but the fan building it for me won’t be able to get to it for a few more months so a lot of my original plans had to change. I was lucky to find someone who didn’t mind loaning out their tub for such a strange event. Since the tub was modern and black, the set just went a bit more light modern goth and less historic. In the meantime, I’m still searching for a portable, drainable tub I can use in my burly acts. Any Trash fans out there able and willing to help a gal out? 😉

TPR: What was it that drew you to the legend of The Blood Countess?

MV: I’ve always been a nerd for vampire stories (they’re usually pretty dark and sexy), and Bathory (aka: Countess Dracula and The Blood Countess) is the first vampire-like female I knew of. I also found her story intriguing and sad and wish there was a way to know how much of the legend is true.

TPR: How was the blood bath? Also, could you share your recipe with the rest of us, or is it a secret?

MV: The blood bath was positively delectable! Still a bit warm, a little sweet, and very rejuvenating. I would have liked a few more virgins, but that probably goes without saying.It’s an old Hungarian family recipe: 1 blonde, 2 brunettes, and 1 redhead. 😉 If you can’t seem to find any virgins where you are, you can substitute with Karo syrup, peanut butter, and red food coloring.

TPR: Any fun stories from the set you can share with us?

MV: Oh man, I wish I had written down all of the things that made me laugh during the shoot! One thing I remember is another person gagging any time I drank the “blood,” and then we’d giggle over it and one time I straight up laughed out blood. #lob ? 😉

TPR: Since Halloween is fast approaching, I have to enquire as to what you’re planning on dressing up as forHalloween. Of course, I must suggest that you wearing nothing but blood seems like a viable option at this point…

MV: Oh, why thank you! It would certainly be more comfortable and less work. Actually, I’m still debating between a pin-up style lady Beetlejuice or DC comics’ Zatanna Zatara. Going the simple and easy route this year.

TPR: What are some of your favorite Trashy horror flicks sure to get you in the mood every Halloween?

MV: Adding on to my last list: Creepshow, Trick R Treat, Frankenhooker, and Elvira, Mistress of the Dark (happy 35 th anniversary!)

TPR: If you could go out on a date with any fictional character from horror cinema, who would it be and why?

MV: First to come to mind is Ash Williams. He’s funny, resourceful, sexy, and not afraid to kill a loved one who’s been possessed by demons. And did you get a load of that boomstick?!

TPR: Any words of wisdom from our October Devil Girl of the month to our Trash Cinema Collective?

MV: When bathing in blood, be sure to keep your eyes closed! (By the end of the shoot my contacts were completely stained from the blood. It wasn’t too comfy and suddenly everything was a pink haze).

TPR: Finally, what song would you like our viewers to have ringing in their ears as the feast their eyes on your gore drenched Devil Girl spread?

MV: Hmmm…how about “Vampire Empire” by Kristen Lawrence

Photography by Kayla King of Rewski Photography: 

https://www.facebook.com/Rewski.Photography/?fref=ts

Hair by Jennifer Ansley

Follow Saphire Sultana on Facebook:

https://www.facebook.com/Sapphire.Sultana/?fref=ts

 

 

10
Feb
16

Phantom of the Paradise (1974): Salutations from the Other Side

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a Primal Root written review

I’ve long held that the golden age of American horror cinema stretched from the late 1960’s to the end of the 1970’s. It was an age when turmoil, violence and change was in the air. Filmmakers of the day were shaken and inspired by the horrifying, nightmarish world around them, internalized this terror and in the end brought it out of the darkness as some of the most devastatingly influential horror films the world will ever witness.  There is one other genre that happened to thrive in the 1970’s, one I know far less about, and that is the Rock Opera.

Flicks like Tommy, Jesus Christ Superstar, Grease, The Wiz not to mention, The Rocky Horror Picture Show would either garner rave reviews and great success or go on to become beloved cult films the world over. However, some fell by the wayside and are just now starting the reemerge and find recognition as beautiful cinematic oddities they are. And there is none I am more proud to see finally garnering the praise it has long deserved, Brian de Palma’s 1974 film, Phantom of the Paradise.

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Phantom of the Paradise blends the horror trappings of The Phantom of the Opera and Faust together and give it a glam rock makeover serving as a dark comic satire of the entertainment industry. Phantom tells the tale of Winslow Leech (William Finley in an awesome performance) a young and naive composer looking to make it big with his life long work, a cantata based on the legend of Faust. No sooner does the the owner of Death Records, an utterly charming, smooth talking, calm, collected and utterly malevolent man who has sold his soul to The Devil and goes by the name of Swan (Paul Williams) hear Winslow’s music does he find a way to steal it, exploit it and turn it into pop music garbage to open his long delayed rock palace, The Paradise, with. Swan frames Winslow and has him sent to jail where he is volunteered for an experiment which requires him to have all his teeth removed and replaced with new metallic chompers.  It isn’t long before Winslow hears his own composition on the radio, recreated as a turd of a pop song, and flees from prison. In a psychotic rage Winslow breaks into Death Records, ends up getting disfigured in a vinyl record press, vanishes into the night and is presumed dead…But soon after his disappearance a masked phantom begins stalking the darks hallways and backstage at The Paradise, determined to rain murderous vengeance upon all of those who have hurt and betrayed him.

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Along the way, The Phantom ends up becoming infatuated and falling in love with a young, inexperienced but quite talented singer named Phoenix (Jessica Harper), the only person The Phantom permits to sing his work. Anyone else who tries, he promises, will be killed. Of course, Swan makes the decision to have The Phantom’s music performed by what he considers to be the future of music, a glam rock monster who goes by the name of Beef (Gerrit Graham, who is funny as shit in the role). Despite mid shower plunger to the gob warning from The Phantom, Beef is convinced to perform as scheduled…

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Phantom of the Paradise functions as great piece of anti-establishment satire against the soulless corporatization of art and artists alike. Not only this, but Phantom is also a full on musical, complete with song and dance routines, with every song written and composed by Paul Williams. These elements together do nothing but accentuate the strangeness of the film, it’s so bizarre, so daring and so breathlessly creative, it leaves the viewer’s mind reeling. All this quirky genre blending and tonal shifts leaves us with an unexpectedly heart wrenching musical tragicomedy. I can think of few other films that achieve this level of absurdity and poignancy.

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Still with me? I know the description above may sound a bit overwhelming, and indeed, there is a whole lot to take in with Phantom of the Paradise. It is sensory overload, but in the best possible way you can imagine. Despite the film’s litany of references to other cinematic greats, (Touch of Evil and Psycho, to mention just the tip of the iceberg) Phantom of the Paradise is among the most singular and unique films ever made. Any attempt at synopsis can only do Phantom so much justice, because the heart of the film lies in the experience of watching it. It is very often compared to The Rocky Horror Picture Show, released a year after Phantom of the Paradise, and if I am being honest, the two couldn’t be more different. I suppose it is more inviting to spend time with a group of people basking in their own carnal desires than with a group of tortured artists who sold their soul for rock and roll. It’s just a damn shame Phantom of the Paradise never quite caught on in the states. Of course, I’ve heard the film is fucking HUGE in Canada. And, in face, the two fellows from Daft Punk, according to Paul Williams, met at a screening of Phantom of the Paradise! But that has nothing to with anything…just a cool bit of trivia.

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However, in a way, I kind of hope it remains a hidden gem that exists just below the radar. This way it will never be over exposed to the point of nausea or run into the ground to the point of tedium. Phantom of the Paradise is much beloved by those drawn to it’s peculiar story, dark, comedic, enchanting characters, beautiful songs and unchained artistry. Phantom is a film every bit as much for the misfits as Rocky Horror, but with a much more tragic and lyrical fantasy narrative. You cannot help but feel pity and sympathy for Winslow and righteous indignation once he is transformed from sweet Winslow to the pained and murderous Phantom and finds his revenge. One cannot find something darkly funny about Swans form of easy going, suave, laid back evil as he knowingly manipulates those around him to his bidding, feel sadness as Phoenix is corrupted by fame and absolute astonishment at the the radical comedic performance of Gerrit Graham as Beef.

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Phantom of the Paradise is a marvel of a film. Brian de Palma, Paul Williams and company have crafted something so different, so daring that mainstream audiences had no idea what to make of it. A film so beautiful, poetic, energetic and well played is obviously becoming relic. A thing of the not too distant past, when artistry, creativity and taking chances we heralded above ticket sales and domestic box office grosses. I suppose it’s no big surprise at this point for me to reveal Phantom of the Paradise would rank as one of my top 5 favorite movies of all time. It’s a story of love, passion, betrayal, revenge and possibly redemption set to some of the grooviest goddamn songs to ever be featured in a motion picture. A story of how monsters are created and the good guys and bad guys we all have the potential to be. For those who have never seen it, I recommend highly recommend checking it out, but keep in mind it is not everyone’s cup of glitter. For those of us who adore the film, it;s always worth heading over the The Paradise from time to time and witnessing one of the funniest, most lyrical, most enjoyable tragic love stories ever told.

I’m awarding Phantom of the Paradise 5 out of 5 Dumpster Nuggets.

Stay Trashy, Gang!

-Root




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