Posts Tagged ‘horror

03
Mar
18

(NSFW) Tanya’s Island (1980) : Monkey Trouble In Paradise

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A Bootsie Kidd Review

Tanya’s Island is a love story like so many others, fraught with jungle wilds and imaginary gorilla lovers. Girl meets boy. Girl falls in love with boy. Boy spurns girl. Girl turns to primal nature in pursuit of independence, passion, and fulfillment. Boy changes mind, decides he wants girl and that girl needs him. Girl decides she’ll stick with primal nature in pursuit of independence, passion, and fulfillment.

We open with Tanya going for a run. She is the very picture of strength, independence, capability, hard work, and happens to gorgeous as fuck. This is THE Vanity we’re talking about here, so you know she’s a creature like no other. Tanya is an actress starring in a new King Kong film when her director, Kelly (Mariette Lèvesque), approaches her to state how tired she looks, that her career is more important than her personal life, and to get her shit together, but Kelly’s all smiles and warmth so we’re meant to take it as well-meaning pressure and polite disinterest in Tanya’s personal needs. Distressed, Tanya turns to her artist lover, Lobo (Richard Sargent), who greets Tanya with a pretty brutal goodbye saying he won’t let her “own him”. Tanya seems so wholly unaware of how spectacular she is, in and of herself, seeking love, acceptance, and support from people who have no clue of how nor inclination to give it to her. If it was beauty that killed the beast, Tanya plays roles as both.

Suddenly, a sensationally bizarre b&w scene pops up momentarily within a shower depicting Tanya and Lobo covered in blood while Tanya screams and clammers to escape. The scene ends as suddenly as it arrived, and the next moment we’re in a lavish, morbidly decorated home where Tanya seems to be packing for an escape from this shit when another presents itself. She hears heavy panting coming from up the stairs. As she travels a hall lined with footlights, we hear waves crashing, and upon handling an illuminated seashell, the music crescendos, Tanya opens a door flooded with light and fog juice, and we’re whisked away to sepia-toned, butt-neked Tanya fondling and fake-jogging for the duration of the opening credits.

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Tanya has imagined herself to an island that seems to be her own paradise. And hey! Lobo’s there, but he seems enthralled with her and they live, and fuck, and love their days away. She even has her own beach pony to ride around on just in case it wasn’t obvious enough how sexy she and this island are. Only Lobo still isn’t happy. He gets bored and wants to keep exploring the island. Okay, fair enough. It’s a show strength and character when a movie is realistic enough to concede that even paradise has potential for monotony. Lobo’s an artist in want of new inspiration, a yearner, and this is Tanya’s Paradise not Lobo’s, after all, so let’s give the guy the benefit of the doubt, for now.

Once they move their tent and relentless chimes to another part of an island, Tanya begins to suspect there’s something on the island with them, tells Lobo of this fear, and Lobo mocks, tricks, and scares the shit out of her. Goddamnit, Lobo! Tanya has had it, y’all, trekking back into the jungle finding herself alone in the wilds of her own imagination. The landscapes are breathtaking, and the further she ventures the more brave and secure she becomes, adorning herself with a crown of flowers as if finally fucking realizes she is the queen of all she surveys. It is an especially gratifying, albeit, simple sequence. As Tanya wanders even deeper in the caverns of her paradise, she comes upon the creature lurking in trees. A gorilla with sterling blue eyes that she befriends and names Blue (Don McLeod).

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Despite Tanya reuniting with fuck boy Lobo, he gets butt-hurt over not having Tanya’s undivided attention and the now-apparent fact she doesn’t need his sour-grapes ass for fulfillment, and he attempts to rape her while mocking her desires and affection for Blue. However, Blue is there to thwart that stank dick allowing for Tayna’s escape. But, of course, this Gauguin wannabe motherfucker HAS to win. Despite Tanya’s constant compassion and tenderness, he literally cages her primitive nature, entrapping Blue, demanding that “my rules” are to be obeyed. Lobo barks orders while Tanya tries to salvage what remaining happiness she can in her own fantasy. Her rage intensifies with Lobo’s upgrading abuse until she frees Blue inciting Lobo to construct ANOTHER literal fucking prison around he and Tanya, claiming it as protection. Now it is up to Blue, Tanya’s manifestation of her own wild spirit and independent nature to free her from the colossal douchewad’s clutches.

Watching Lobo’s transformation from everyday self-involved smugness into the filthy, primitive, insecure, patriarchal, rapist piece of shit that was lurking just beneath his surface with Blue taunting Lobo from outside the cage makes for an intense ride. In a frantic sequence of what-the-shit, Blue breaks Tanya free, Lobo is left crying out in fear of loneliness, Tanya fleas deciding she doesn’t need Blue or Lobo resulting in her primal savior Blue eventually catching and beating her to death rather than letting her live independent of them.

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And wouldn’t you know, it was all just a dream! Ugh. She wakes up to the starkly empty room realizing wounds from her nightmarish encounter. She has a blank canvas to work with from here, but scars remain and need time and care to heal. Our minds construct prisons within prisons as well as the villains and heroes to navigate them, and circumstances idealized in the mind that may have been some pretty unhealthy shit can be overcome for living to fight and love another day.

All in all, Tanya’s Island has a lot more substance than expected given other’s reports! Moral of the story for us and Tanya, listen but, in the end, rely on your own judgement and experience. Sure there’s sultry sexin’ and plenty of bare-backin the beach pony, but all of it fits within the context of Tanya’s frame of paradise. It’s thoughtful AND evocative which is especially remarkable given that these two things are never mutually exclusive though typically treated as such in cinematic critique.  Director Alfred Sole and the solid performances from Vanity, Sargant, and McLeod creatively reimagined important subjects, and it is one that I hope eventually receives the nods it deserves. Check it out for yourself at Cap City Video Lounge or your local movie rental store!

 

28
Dec
17

New Year’s Evil: Dropping the Ball

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“It’s been a really bad year for me.” – Richard Sullivan, New Year’s Evil

a Primal Root Review

New Year’s Eve! That oh-so special night when we all come together to celebrate the passing of another year of set backs, horrible crimes against humanity and affronts to moral decency as we fill our bellies and blood streams with excessive amounts of alcohol in the hopes we can some how kill away the pain we feel in losing a portion of ourselves to such a godawful twelve months of our lives. That is, before we wake up New Year’s Day and roll out of our crusty, cold, puddle of puke from the night before, pluck the used condom from out of our assholes, we hope, that maybe…just maybe…, to quote The Counting Craws, this year will be better than the last.

You think of the multitude of traditions associated with this yearly world wide party and all the festive goings on and one wonders how an early 80’s slasher film could go so wrong with using this year end hedonistic smorgasbord go wrong? Well, the makes of New Year’s Evil has found a way!

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It’s New Year’s Eve in Los Angeles and the supposedly “sexy” host of a rock n’ roll call in show called Hollywood Hotline, Diane “Blaze” Sullivan (Roz Kelly), who looks like a Christian soccer Mom got accosted by Hot Topic,   is hosting an all night television New Year’s party where they are celebrating new year’s in every time code. But one caller tells her to call him “Evil” and that he is going to kill someone at every stroke of midnight. Blaze ignores her troubled actor son and focuses on her live telecast responsibilities while trying to get the local police to do their jobs and halt Evil before he kills someone close to her, as he has threatened. This will not be so easy, as the killer is a MASTER OF DISGUISE! Implementing fake mustaches and priest outfits that do very little to change his appearance at all!

As the corpses begin to mount, the cops deduce that Evil is killing one person every hour from 9 to midnight. Will the police be able to track down the killer before the final stroke of midnight and Blaze get snuffed out and is there any hope that they can make this movie the least bit exciting or entertaining?

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Okay, New Year’s Evil is one of the greatest letdowns I’ve ever forced myself to sit through. Where does one even begin? The movie is all over the damn place, and not in a good way. It feels like the filmmakers were scrambling to find ANYTHING interesting to thrill us with but are constantly coming up short. There is absolutely no gore to speak of, literally, non. Zip. Nada. Not only that, but there is hardly any nudity to seduce us with. Listen, if you hardly have a story and don’t have a budget for any kind of gore effects in your mother fucking SLASHER movie, at least throw us a bone and feature some nekkid flesh, because watching shitty bands play terrible music in between people talking on the phone, exchanging clunky, passionless dialog, and literally just waiting for something to happen does not an fun, entertaining, or so-bad-it’s-good piece of Trash Cinema make.

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Kip Niven as Richard Sullivan who we know is Evil from the very beginning does his very best with the material he is given, with varying results. It goes from being dull as a dog turn to unintentionally comical, but he never quite settles on a tone. Grant Cramer as Blaze and Richard’s ignore son and struggling actor is actually pretty fun to watch, although his screen time adds up to about five minutes. One scene that stands out is when he takes some pills, dons a red stocking over his head and begins angrily pulling rose buds off a bouquet he gave his mother.  It’s nothing really special, but in this snooze fest, it actually passes as mildly intriguing. Then there’s Roz Kelly as Blaze, who might be the most poorly cast and most ill equipped actor in the film. The whole films rest squarely on her shoulders, it is her’s to carry and she simply is not up to the challenge. She is supposed to be energetic, down and dirty and fun to be around! She dresses the part but comes off as tired, bewildered and completely out of place during her New Year’s Eve call in television party.

Really, there’s not much to recommend…the scenes meander along and go from one to the other out of duty but you never once sense any kind of passion of the project. You get the vibe that everyone involved is sort of just going through the motions to collect a pay check. There’s no fun to be had, it’s an utterly toothless, literally bloodless feature length film that has nothing to offer even the most easy to please fright fan.

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Okay, well, there is kind of one thing I enjoyed. When it’s “Revealed” that Richard is Evil and he explains his motives to Blaze it’s pretty damn funny. He hates that his wife is so busy and doing so well and flirts with other men and ignores her son. I mean, was a divorce out of the question? He HAD to kill several people who had nothing to do with his shitty marriage? “You’ve castrated me and that is not nice.” Richard explains, like the loser he is. Because his wife is successful and he and their son feel left behind, there just had to be a killing spree… “Women are manipulative and deceitful and immoral and very very selfish” And this is coming from a guy who just killed a half dozen people while is disguise and lying to them simply because he doesn’t like his marital situation.  Not only is this moment a nice little peek into a dark and slimy world of late 70’s misogyny, but a reminder that these kind of guys are still very much a part of the fabric of our loves, just like cotton, here in modern day America. Only they typically resent women for playing leads in remakes of Ghostbusters and are pissed that women are badass Jedi’s now in their Star Wars sequels.

Also, there is one line of darkly brilliant comedy dialog when Richard chains Blaze to the bottom of an elevator, “Enjoy your farewell party tonight. Get smashed!” BWAHAHAHAHA! Oh man, that was good. If only the ENTIRE movie could have been this witty or darkly comical.

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Okay, Richard’s Laurel (of Laurel and Hardy) mask is kind of creepy…

 

In all honesty, this might be the most boring slasher film ever produced. How fucking sad is that? I think I will commence to getting shit faced now. I cannot wait till New Year’s Eve after watching New Year’s Evil…

ONE 1/2 out of FIVE Dumpster Nuggets.

Stay Trashy!

-Root

 

 

21
Nov
17

Blood Rage (1987): This Thanksgiving, put the Fun Back in Dysfunctional!

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a Primal Root written review

“That’s not cranberry sauce…” – Terry, Blood Rage (1987)

Well, the festive holiday season is well underway! First there was Halloween with it’s copious Trash Cinema offerings, soon there will be Christmas with all it’s Yule Tide Trash…BUT FIRST…we must observe our nation’s tradition of celebrating the genocide of the Native American’s be gathering with our closest ken and devouring a roasted dead bird with bread rammed up it’s gaping asshole! Ah yes, THANKSGIVING! We sure love our traditions here in the Land of the Free, but older than even the tradition of Thanksgiving, is the tradition of family tensions, resentments, anger and good, old fashioned violence. Now, Thanksgiving horror films are few and far between. Sure, we all are thankful for Eli Roth’s blood drenched gratuitous mock slasher movie trailer for THANKSGIVING featured in the 2007 Grindhouse Double Feature, and fewer still recall Home Sweet Home from 1981, starring Body By Jake himself, Jake Steinfeld as a sweaty, body building maniac with eyes bulging out even further than his elephant balls sized biceps…which could possibly take place on Thanksgiving, but no one ever mentions the holiday they are celebrating by name. Thankfully, Arrow Films restored a long lost gem of a Thanksgiving slasher film from 1987 entitled Blood Rage aka: Nightmare at Shadow Woods.

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Blood Rage begins with a Mom hot to trot on a date at the Drive-In theater. Her twin boys are in back fast asleep, oddly enough in one shat a child has a double barrel shot gun nestled between his legs pointed at the business end of his junk (WTF?), I;m not sure what this signifies, but it is gone in the very next shot. Mom is fixing to slob knob when the two boys wake up and sneak out of the back of Mom’s station wagon. One young boy, Terry,  finds a hatchet and begins peeping on a young couple doing to forbidden polka in the front seat of their car. The man doing the fucking looks up, sees this creepy blonde kid and promptly freaks the fuck out at him but not NEARLY as hard as Terry freaks out back him. You better believe Terry buries that hatchet into the young man’s skull repeatedly, spraying blood all over the dash, steering column, popcorn bucket and his nekkid and nubile young fuck companion who runs away screaming, bloody and nekkid into the night never to be heard from again. The commotion gets the entire drive-in’s attention and as everyone rushes over to catch a peek of crater face and his dead dong, Terry pulls a past one on his twin brother Todd, smearing blood on his face and handing him the hatchet, effectively framing him.

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And wouldn’t you know it, the ruse works! Everyone buys the story hook, line and sinker and stick Todd in a mental asylum for ten years! Todd constantly proclaims his innocence, but no one listens. They just keep medicating the poor dope and just hope he never kills again. MEANWHILE, over at Shadow Woods Apartment Complex, the now young adult Terry is alive and thriving and living the active lifestyle with his posse of friends and living at his Mom’s place.  During Thanksgiving dinner Mom makes the big announcement that she’s going to marry the landlord of the apartment complex. This apparently triggers Terry who becomes very cold and menacing over the course of the meal. To make matters worse, Todd has escaped from the mental asylum where they hid him away and is heading home.

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Before the leftovers have even begun to cool Terry has started rampaging through the Shadow Woods apartment complex all while laying the ground work to frame his brother Todd yet again. There are some fantastic over the top kills in this flick, but my absolute favorite has to be Terry cutting Todd’s therapist in half with a machete. We do not actually see the cut happen, only a POV shot from Terry’s perspective as he rushes the doctor. We cut to another scene, then back to the doctor who is coughing up bright red cherry Kool-Aid and laying there on the muddy ground in two bloody, drippy, meaty chunks. It’s really a well done little effect and will put a smile on any gorehound’s face.

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The bodies begin to pile up as Terry trots around the complex with ever increasing sick, malicious glee,  killing just about anyone who opens their door all while poor Tood tries to piece his doctor back together, tells little girls to not answer the door for anyone, and actually takes care of his staggeringly drunk mother who passed out int he hallway of her apartment after downing a bottle or two of red after Thanksgiving dinner. It’s a pretty brutal affair as people fucking on the diving board are hacked into pieces, gold diggers find their date’s heads hanging from the stairwell and countless Thanksgiving turkey serving utensils are used to break countless kosher laws! It all ends with a desperate chase around the complex between Terry’s on again,off again flame Karen who is running for her life from Terry who is now intent on killing her and chuckling through every last second of it and Todd, who is trying desperately to stop Terry’s reign of horror! Not only that, but Mom, totally shit faces and a little psychotic herself, as grabbed a gun and is looking to put down the bad twin once and for all!

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Blood Rage walks a really fine line between a kind of sleazy tongue in cheek hilarity and truly heartbreaking and disturbing family drama. To watch the film directed by John Grissmer and written by Bruce Rubin, it certainly has a very quirky and alternating vibe to it. One moment you’re laughing at the situation and the pretty impressive practical gore effects, and the next scene you are asked to take the bizarre family situation seriously and feel the deep tragedy of the events that are unfolding for these three mentally unstable people. Not only that, but the leads honestly throw themselves into their roles, often they go a little over the top, but it’s never unbelievable. Many kudos to Mark Soper who plays both Todd and Terry and manages to make these two characters so distinctly different in both character and physicality, I had to look it up to see if these were actually twins or just one guy. I mean, it becomes apparent by the conclusion when they need to be in the same shot together and there’s obviously a guy in a shitty fright wig with his back turned to the camera posing as either Todd or Terry. Still, Mark’s maniacal portrayal of Terry and sympathetic turn as Todd is pretty impressive and makes up for many of those goofy bad wigged short comings. Also, a standout, is Louise Lasser as Todd and Terry’s Mother, Maddy. We get the impression that Maddy might just be insane herself early on in the film, but I initially choked it up to high anxiety. As the movie progresses and her odd behavior escalates and Maddy’s dependency issues become clear, you begin to realize where Todd and Terry may have inherited their instability. There are scenes where Maddy is simply trying to get in touch with her fiancee which are just brutal and anxiety provoking as she continues to lose her mind trying to figure out the right number to contact her dead-at-the-twenty-minute-mark fiancee. But, if you want to talk about a bone crusher of a performance, the finale revelation which comes at the end, will either have you laughing or gasping at the absurd tragedy of it all, but one cannot say that these performers id not give it their all trying to make the material really sing.

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Blood Rage is a true rarity, the seldom to be found Thanksgiving holiday slasher that is not only trashy entertainment, but a flick strives to rise above it’s own admittedly cornball material. To watch a piece of Trash Cinema fully embrace it’s filthy B-Movie Drive-In aesthetic, delivering the goods and then still giving it the old college try to bring an even deeper, more horrifying psychological aspect to the proceedings is a facet I greatly admire in Blood Rage.

So, undo your belt, fix yourself a second plate and gather those you love around the old boob tube for one of the finest Trash Cinema Thanksgiving Slasher Films ever made, Blood Rage. You can thank me later. ❤ Did I mention you can rent Blood Rage on DVD & Blu-Ray at Tallahassee Florida’s own Cap City Video Lounge?

I reward Blood Rage FOUR out of FIVE Dumpster Nuggets

Stay Trashy!

-Root

 

 

 

 

 

 

31
Oct
17

(NSFW) Bootsie Kidd: Halloween Devil Girl 2017

Hello Gang, and HAPPY HALLOWEEN! Better known around this neck of the woods as TRASHYWEEN! A day in which we celebrate all manner of devious, lustful and mischievous activities! And it just so happens, our Halloween Devil Girl of the month, is keeping that spirit very much alive, not only today, but year round in honor and in league with all of us grotesque, gnarly, perverse Trash Cinema Collective members. And I ought to know, because this Hellishly sexy, demonically gorgeous and sinfully sensuous Hell spawn is, in fact, The Queen of The Trash Cinema Collective, the muse of The Primal Root, the lovely, talented, badass Ms. Bootsie Kidd! Now, before you go popping your popcorn lusting over her mouth watering treats she’s so graciously put together for you, ladies and gents, let us take a moment to get to know our Halloween Devil Girl of the Month 2017, Bootsie Kidd, just a bit more intimately

 

Root: Oh, Ms. Bootsie Kidd! Happy Trashyween to you! I am absolutely enamored with your devious, playfully sinful Trashyween Devil Girl spread I’ve got to say, you strike a very lovely figure in bright red. Now is this an homage to anything specific? Because this incredibly sexy visage you’ve brought to life looks strikingly familiar…

Bootsie: Why thank you, Primal Root! You’re quite the handsome devil, yourself… But now that you mention it, yes! This character is drawn from none other than the new & improved Trash Cinema Collective Devil Girl emblem!! I’m so incredibly proud to flesh out the artwork of Crimson S. Ramsey (Tallahassee local legend, creative genius, and supreme goddess) who also created the artwork for Trash Cinema’s HQ Cap City Video Lounge’s emblem; that big, hulking, beefcake of a gorilla climbing Florida’s Capital with yours truly!

Root: Also, holy smokes, where is our Devil Girl hanging out, checking out ‘Nude for Satan’ and getting her racy ideas from? It certainly looks like a lively and colorful locale…

Bootsie: Better believe it, buster! The location is Cap City Video Lounge, cult movie rental store and independent theatre!! With CCVL coming up on its one year anniversary as the only video rental store anywhere near Florida’s capital, we thought we’d spice it up with a hot-as-hell tribute with its very own Devil Girl in the flesh!

Root: What prompted you to bring The Trash Cinema Collective Devil Girl to such lovingly rendered, vivid life for us this Trashyween? What is the story behind the spread?

Bootsie: I have a love for and connection with The Trash Cinema Collective that goes beyond the usual. Trash has always been a love of mine, but ever since my first Trash Cinema Night at Bird’s Aphrodisiac Oyster Shack (every first Saturday of the month!) in November 2011, I’ve been a part of this family, and, given its full-throttle evolution in 2017, this felt like the perfect moment to bring her to life to spread the good gospel of Trash Cinema to Tally and far beyond! We bring life, color, imagination, blood, breasts, and beasts to a world that, frankly, is in obvious desperate need of it!

Root: As I am SURE you are more than well aware, TODAY is Trashyween! What are some of your absolute favorite Halloween movies that you just cannot not watch as you carve jack-o-lanterns and roll around in pagan orgies before a wild, autumn blaze on a cold Autumn’s eve?

Bootsie: Oh, honey! Well, frankly, Cap City Video Lounge is showing some of my absolute favorites tonight; WNUF Special (trust me, this thing is a deliciously bizarre, utterly unique tribute to 80s cable T.V.), Halloween, Halloween III, and Trick R Treat (for the best werewolf scene of. all. time.) Other than those bad boys, Exorcist III is my all-time favorite horror, Prince of Darkness is my favorite John Carpenter, Ernest
Scared Stupid is my favorite horror comedy, and Near Dark is my favorite country-fried vampiric cinema which I’m going to have to INSIST you do a Devil Guy spread of Severen as soon as is inhumanly possibly, Mr. Root!

By the way, all of these can be rented via Cap City Video Lounge. Jus sayin.

Root: Now, a question about the red skin color, is that makeup or was that lovely shade added later in post? Like I said earlier, it looks amazing on you.

Bootsie: Let me tell you something, mister. My makeup is to die for thanks only to the endless talents of Kayla King of Rewski Photography. That woman worked her voodoo and made magic happen with this utterly spectacular color and composition you see before you, and she does the same with every project she takes on. On top of that, I had the time of my life!! Kayla was patient, easy to work with, enthusiastic, kind, helpful, creative, wildly experienced, and a professional to the core bent on making the shoot everything I wanted it to be. You want a photo shoot done better than you could’ve imagined it? You want Rewski Photography, baby.

Root: Any big plans for your Trashyween evening tonight, Bootsie? What’s happening down in the bowels of Hell?

Bootsie: Darlin’, there’s only one place in the world I’d want to be for Halloween tomorrow night; behind the bar at Cap City Video Lounge in all my Devil Girl glory!!! We’re showing some of the best horror has to offer with the WNUF Halloween Special, Halloween, Halloween III, and Trick R Treat! On top of that, IT’S BYOB, BABY!!! Only $5 at the door, special Halloween drinks brewed and candied popcorn crafted by yours truly will be available! Whether you wanna cut a rug, talk cinema, or chill and get chilled with a killer movie in our Phantomas theatre or to rent and take home while you greet trick-or-treaters, Cap City Video Lounge is perfect for getting you into the Halloween spirit!

Root: Any words of wisdom for our Trash Cinema Collective Members out there and any possible upcoming, possible Devil Girls?

Bootsie: Honey, do it! Whatever creative flair you want to bring to the table, we would love to have you! You control it all, and we’ll be there to help in any way we can to make it one of the best creative experiences of your life! All genders welcome!! (must be 18 years or older)

Root: What song would you like your admirers to listen to while feasting their eyes on your tasty treat of a Devil Girl spread?

Bootsie: I would say either Man or Astro-Man’s ‘Defcon 5’, Queens of the Stone Age ‘The Way You Used To Do’, AC/DC’s ‘If You Want Blood’, Puscifer’s ‘Rev 22:20’, and Jace Evertt’s ‘Do Bad Thing’s With You’. What can I say, I’m a Devil Girl who likes the spice of variety!

Photography by Rewski Photography

https://rewskiphotography.smugmug.com/

 

06
Sep
17

(NSFW) Little China Brawl: September Devil Girl of the Month

Hello there, Gang, The Primal Root here and I am chomping at the bit to introduce to you our September Devil Girl of the Month, Little China Brawl! Back with another bloody, beautiful and badass spread this time inspired by the 2002 Lucky McGee horror film, May. 

The Primal Root: Little China Brawl, first off, let me just say it is an absolute pleasure and quite the honor to have you back as a Trash Cinema Collective Devil Girl of the Month. May has always been one of this movies I’ve deeply adored and I am so damn happy you were the individual to bring this disturbing scenario to life. Can you tell us you thoughts on Lucky McKee’s 2002 horror flick and what drew you to the subject?

Little China Brawl: I remember sneaking this movie when I was young and watching it and thinking how different and kind of painful it was to watch and it kind of stuck with me.

Root: With October fast approaching, and May being such an exceptionally unique Halloween film, could you name some flicks you like to put on this time of year as a kind of primer for Halloween?

Brawl: Halloween always makes me think of Hocus Pocus and Trick R Treat

Root: I am witnessing a whole lot of yarn in this photo spread. 😀 What made you decide to go this route and is all of that yarn your personal stash?

Brawl: May lives to sew and I live to knit. The knitting we used is all stuff I’ve made in the last year. I have an entire dresser and closet full of yarn. My goal is to reach SABLE levels (Stash Acquisition Beyond Life Expectancy).

Root: Little China Brawl, tell us a little bit more about yourself and what you’ve been up to since we last saw you being attacked by Freddy Krueger?

Brawl: Mostly knitting with beautiful speckled colors and vending locally and at conventions. Also, being arrested.

Root: Digging your tattoos, Little China Brawl, tell us, do you have any favorites or are they like your babies where you love them all individually? Also, do you have plans for any new ink in the not to distant future?

Brawl: My favorites kind of depends on my mood, but probably my absolute favorite is the baobob trees from the Little Prince (my favorite book) on my arm/elbow. I really want to get an elephant tattoo based on my favorite joke by a local comedian.

Root: As has become tradition, do you have any words of wisdom for The Trash Cinema Collective members viewing your Devil Girl spread?

Brawl:If this is something you are drawn to, please give it a try. These are a lot of fun to do. Shooting with Exotic Zombie always involves a large amount of giggling and silliness.

Root: Finally, what song would you like our viewers to have ringing in their ears as the feast their eyes upon your spread?

Brawl: Shivers by Margot & the Nuclear So and So’s

 

30
Jul
17

(NSFW) Malabimba: The Malicious Whore (1979) The Spirit Wants Inside You…DEEP Inside You.

 

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“You have to look. You have to.” – Malabimba, Malabimba, The Malicious Whore (1979)

a Primal Root written review

You know, some movies you have to wait for them to really warm up and get moving. You’re introduced to characters, you learn who they are, their motives and the roles they play in the narrative, then around the twenty minute mark we get to the inciting incident that sets the thrust of the plot in motion and we continue going through the motions from there. You know what I;m saying? Snooze-A-Rama. Malabimba, the 1979 Italian genre blender flick of supernatural horror and pornography does not suffer from any such issue. No, it hits the ground running and does not let up till the final goddamn frame. Whoever coined the term, “All killer, no filler” might have been talking about Malabimba: The Malicious Whore, because holy fuck is thing a full throttle psycho sexual taboo bending fuck fest like few I’ve ever had the pleasure to endure zipper burn watching, hot diggity dog!

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Young, shy, nubile teenager Malabimba’s (Katell Laennec) mother, and matriarch of a once influential and prosperous (they live in a goddamn CASTLE!) Caroli family, has just recently passed away due to a slight case of MURDER under mysterious circumstances.  The film opens on a seance where the family is attempting to contact her spirit for reasons that are not made clear.   Unfortunately for them, but fortunately for the viewing audience, their medium starts flipping the fuck out before becoming possessed by the perverted, malicious, absolutely vicious spirit of the decadent late cousin Lucrezia who immediately begins berating, insulting and sexually assaulting the family. Pop’s  (Andrea played by Enzo Fisichella) has his pants yanked open and his party favor yanked upon before Bimba’s Aunt/Andrea’s voluptuous sister-in-law, Nais (Patrizia Webley) gets her dress torn off exposing her for the entire family to admire then begins making the medium writhe all over the floor in orgasmic screams of horrified ecstacy. As the family carries on with the half nekkid ghostly shenanigans downstairs,  the spirit soon flees to other area of the house, first dropping in on the House Nun/Nurse Sofia (Mariangela Giordano, Peter Bark’s mother in Burial Ground), and gets her masturbating a bit before being forced out of Sofia via Sofia’s strong faith in the big boss man in the sky. NOT TO WORRY!  Quickly after this rejection, the ghost of Lucrezia lays her eyes upon Malabima…who makes the perfect vessel for her rude, perverse, sexually charge atrocities to be acted out upon her family…

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It’s the perfect goddamn set up and Malabimba has it ALL. Incest, profanity, teen sexuality, Nunspolitation, hypocrisy, softcore pornography laced with heavy duty penetration inserts, demonic spirit possession, cock grabbing,  pussy munching, unholy seduction, good vs. evil conflict, murder by oral sex, just to name a few. This is what Malabimba has to offer in a none stop sleazefest that must be seen and experienced to believe. It’s the kind of film that will leave your mind blown out of the back of your head and splattered against the back of your LA-Z-BOY. This is not a sweet, kind, romp in the sheets, no, there is no safety net in any of the unholy love pumping on display in Malabimba, this is a film which boldly charts a moral destroying course to create a filthy, disturbing, highly atmospheric, creepy and erotically charged nightmare unlike any you’ll ever see again.

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Directed by the highly underrated and often overlooked purveyor of many fine Italian Trash Cinema classics as 1981’s Burial Ground, 1976’s Strip Nude For Your Killer and 1972’s What the Peeper Saw, filmmaker Andrea Bianchi has crafted a powerfully nasty, sacrilegious, taboo busting masterpiece in a career built upon such giddy sleaze and exploitation.  Seriously, less than ten minutes in Malabimba’s run time and you already have a 90 minute film worth of drippy, sexual naughtiness. And I am not overstating the facts, it IS this loaded with skin and horror. It feels as if the film is always trying to top itself scene for scene by upping the horror and sex ante, and for this lover of fine filth, it is something I truly admire. This film is all you could ever want and I loved every second of it.

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Honestly, the horror elements are somewhat fleeting as they are generally used as a means to an end leading to sexual encounters which range from disturbing and awkward to down right erotic, sensual and titillating . What really impresses is the fact that the story, as it is, and the characters are not just defined by their salacious nocturnal activities I found myself wondering through the entire film just what will become of the young Malabima and the target of her evil seductive prowess, Sister Sofia, will she stay on the righteous path or end up pulled down to the bowels of Hell by giving in to the cruel sex kitten? Malabimba: The Malicious Whore is sexploitation cinema at it’s down and dirty trashiest, which is it’s grandest form, if you ask me. If you think you might like your sexploitation tasteless and over the edge, and you are not offended by the sight of penises entering vaginas and/or mouths, I highly recommend Malibaba: The Malicious Whore. But you don’t have to take my word for it!

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I PROUDLY award this Grade A slice of filth FIVE out of FIVE Dumpster Nuggets!

Do not miss this suckers! By the way, this puppy is available to rent on DVD at Cap City Video Lounge in Tallahassee, Florida. 😉

Stay Trashy!

-Root

16
Jul
17

(NSFW) Lady Zatanna: July Devil Girl of the Month

Hey Gang, The Primal Root here, and we are in the thick of summer. Time to get away on a relaxing vacation and escape the doldrums of your every day life and it’s mundane hassles. Just remember, it’s best to stay away from those damn tourists traps running up and down every stretch of Florida’s highways and bi-ways or you might end up losing time, money or your mind. Or…in the case of this month’s Devil Girl, the gorgeous and sultry Lady Zatanna, you could end up losing a whole lot more… Before you feast your eyes on Lady Zatanna’s sexy, alarming, cautionary spread and homage to one of the true classics of cinema, let’s get to know our Lady a bit better.

The Primal Root: Lady Zatanna, it is a pleasure to welcome you as Trash Cinema Collective’s July 2017 Devil Girl of the Month. What a gorgeous spread and you look phenomenal in it. What inspired you to recreate the shower scene from the Great Grandfather of slasher cinema,  Alfred Hitchcock’s classic Psycho?

Lady Zatanna: I recently got interested in modeling. I have always loved Jeremy’s style of photography (Dark Apple Photography) . I had never saw the movie prior to planning for this shoot.He asked me to get the feel for the scene so he let me borrow the movie; the original movie, the ’98 remake, and the biopic Hitchcock. It really got me prepped and pumped for the shoot.

PR: You know, my Mom always used to tell me that Psycho scarred her for life and that to this day she still gets creeped out when she takes a shower. Are there any horror films that traumatized you for life? 

LZ: The Ring. Anytime i see the tv go to that static it always reminds me of her crawling out of the tv. I have to rush over and turn it off. 

PR: Well, it is the middle of summer in Florida and it has been sufficiently stormy for some horror marathoning. Do you have any favorite summer time horror flicks or Trash Cinema picks?  

LZ:  Some of my favorite horror movies are The Blob, The Exorcist, and all of the Saw movies. They never get old to me.

PR: Three questions about this spread I have gotta ask: 1. Are you really screaming? 2. If so, did it freak out the neighbors? 3. Did you use chocolate syrup for blood like good ol’ Hitchcock did when he shot that scene?

LZ: I was not actually screaming. We shot this in a duplex apartment. So the silent scream was the only way to go. Trying to hold that pose led to constantly laughing. As you can see we eventually got it though. – We did in fact use chocolate syrup. Jeremy and I tried to find every behind the scenes on Psycho. That is where we found that chocolate syrup looks significantly like blood in black and white

PR: Lady Zatanna, tell us a little bit about yourself. What are your hobbies, passions, and plans for the future? 

LZ: I plan on working my ass off to get more shoots out in the open. I want to thank you Trash Cinema for giving us this opportunity. My passions include being a great mom, cooking bomb ass food, making money, and of course modeling.

PR: I see you have some gorgeous tattoos. Any plans for some in additions soon? 

LZ:Unfortunately with this shoot you couldn’t tell that i have eyes on the backs of my knees. It is my newest edition. I plan on being pretty much covered eventually.

PR: As has become tradition, do you have any words of wisdom for The Trash Cinema Collective members viewing your wet, bloody, sexy and horrifying Devil Girl spread? 

LZ: My words of wisdom would be to make sure you keep up with Dark Apple Photography because we have allot of new sets coming out that you wouldn’t expect. Stay positive and true to yourself.

PR: Finally, what song would you like our viewers to have ringing in their ears as the feast their eyes upon your spread?

LZ:  The song that I would choose to listen to while looking at this set is Somebody’s watching me by Rockwell.

Photography by Jeremy Strenth

http://www.facebook.com/mrjsphotos

 




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