Posts Tagged ‘finger

10
Jan
16

Phantasm (1979): All that we see or seem…

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a Primal Root written review

“First he took Mom and Dad, then he took Jody, now he’s after me.” – Mike, Phantasm

I never planned on writing a review for Phantasm. However, with today’s passing of the beloved horror icon, Angus Scrimm, who breathed life into one of my all time favorite cinematic boogeymen, I felt compelled to take a look back at not only of the most enduring and admired horror films, but one I hold very dear to my heart.

Let me start off by stating that there is no real way to create a summary of Phantasm that honestly does the film any justice. It’s the kind of film that takes place inside between the conscious world and that of the subconscious, the the realm of primal, deep, dark human emotions, and at that, from the perspective of a young boy in his early teens who has lost so much he’s having trouble coming to terms with it. Well, Hell, okay…at least let me TRY to tell you what the film’s about.

Young Michael (Michael Baldwin) is living with his older, adult brother Jody (Bill Thornbury) after the untimely death of their parents. Michael is already having trouble coping with the sudden lose of his parents, when he comes to the realization this Jody is considering leaving town and handing custody of Mike over to their Aunt and Uncle. The thought of not only losing his parents, but being a burden on his older brother, who is thinking of leaving him behind, is adding to Mike’s pain and turmoil. There’s a fantastic, heart breaking sequence where Jody rides his bike down the street as Mike chases after him on foot unbeknownst to his old brother. Mike can’t keep up and eventually, begrudgingly, gives up. It’s a pitch perfect moment that visualizes the dreaded feeling of abandonment and the inevitability of change.

To make matters worse, Mike witnesses some very strange goings-ons at the local Morningside Cemetery and Funeral Home. At the funeral of one of Jody and Mike’s friends, Tommy,  Mike witnesses a shadowy, sinister Tall Man (Angus Scrimm, Rest in Peace) lift up up Tommy’s corpse filled coffin all by his lonesome…and load it back into the hearse rather than lowering it into it’s grave.

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As young Mike investigates further he discovers there seems to be a sudden infestation of tiny, brown robbed creatures haunting the cemetery, a knife wielding blonde, big breasted seductress intent on poking every man she can lure into the cemetery to death and the mortuary is guarded by brain sucking, high velocity flying killer spheres. And who looks to be behind it all? The black suited Tall Man who has set his evil sights on Mike.

It takes quite a bit of convincing to get Jody to believe that what is happening over at Morningside is true. With the crazy stories Mike keeps spouting, who can blame the guy for chocking it up to a kid’s imagination? But when Mike comes home with a living, moving, nasty little momento from his last encounter with The Tall Man, Jody hops on board as does their ice cream selling buddy Reggie (Reggie Bannister). The three lay siege to Morningside cemetery int he hopes of uncovering The Tall Man’s true purpose in their small town and send him back to whatever Hell this monstrous being came from. However, as is the case in Phantasm, nothing is exactly as it seems…And the final revelation of Phantasm is devastating, beautiful and deeply disturbing.

**** SPOILERS AHEAD ****

Okay, I am going to discuss the film a bit and I recommend you see Phantasm first before reading further.

One of Phantasm‘s greatest strengths is it’s respect for a child’s perspective. To try and make sense of what is happening int he world around you. It plays almost like an episode of Are You Afraid of the Dark? that pulls no punches. There is something evil and sinister happening in their small town, and it is up to Mike to convince his older brother and for them to solve this horrible problem. There’s a great since of mystery and wonderment as well as mounting dread and tension, but it’s all handled with a real sentimentality and heart that is hard to find in most popular horror cinema of the 70’s era.

Now, before I start making this film sound like the ultimate bummer, Phtasm also has an excellent sense of adventure and fun on it’s surface. Jody, Mike and Reggie are a damn funny trio and their reactions to the ludicrous happenings around town and pricless. Darkly hysterical moments like Michael finding an enourmous flesh eating bug tangled in his hair, Jody asking Mike is the strange breathing sounds he heard was the “retard” up the street and, my personal favorite, when Mike is confronted inside the mortuary by The Tall Man who stands several passes down the hall from him, Mike, speechless utters in complete My-Goose-Is-Cooked fashion, “Oh, shit…” Phantasm is a damn good time about one darkly sobering mother fucking subject matter.

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Phantasm is a horror movie about the sad but honest fact that everyone we love will die. That those closest to us will have to eventually leave us one day and that no matter how hard we fight, or try to hold on, or battle against it, we will ALWAYS lose. I understand the notion that we carry these people with us forever in our hearts and memories, that they live on forever in the tales we tell of them and the ways that they’ve touched us. But we will never get to sit down and hold their hand, feel the comfort of their presence of enjoy a glass of whiskey with them ever again. They are gone. Gone. And so shall we be. And that’s something we all must face.

At the end of Phantasm Michael and Jody do battle with The Tall Man and end up trapping him in an abandoned mine shaft and dropping a dozen or so gigantic boulders on top of the sucker. Our last glimpse of Jody is from onto of a high hill from where he rolled the boulders on top of The Tall Man, sealing his fate. Mike sees his brother, bathed in light with his arms held high over his head in triumph. Mike and Jody have one. Then the film reverses on Mike and he awakes in his bedroom. He is comforted beside the living room fireplace by he and Jody’s good friend Reggie. Reggie explains that not only are Mike’s parents dead, but Jody is also dead, killed in a car accident.

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This is a moment of true horror, a devastating moment that still breaks my heart just thinking about it. And this is where Phantasm succeeds so well, in making us care for the characters that are part of this tale. You can sense the brotherly love between Jody and Mike, their sense of camaraderie and their shared feelings of grief and confusion over the loss of their parents and the prospect of both their uncertain futures. To find out that Mike has lost the entirety of his immediate family, the people he has known and loved since birth, is a crushing blow.

Phantasm is a horror film that dwells in the dark, most assuredly, but it also has a great deal of heart and warmth to it, which as I stated above, is something of a hard commodity to come across in 1970’s era horror cinema. Just look at Tobe Hooper’s Texas Chainsaw Massacre, John Carpenter’s Halloween and Wes Craven’s Last House on the Left. It was a bloody horrifying decade for horror. Phantasm, too, explores the shadows of human nature. But, as odd as it might sound, Phantasm reminds us of what makes life worth living and that life is fleeting and serves as a reminder that we must cherish each moment of happiness we have. To show those we hold close that we love them, that we care and that we are here for them. Because one day, as we all know, they will be gone and we will never get that opportunity to hold them near and tell them we love them again.

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Phantasm is a masterpiece, plain and simple. From it’s unique story penned and directed by a very young Don Coscarelli, it’s unforgettable, dreamlike score by Fred Myrow, and it’s natural, engaging performances by everyone involved,  Phantasm is a type of dark fairy tale about the inevitability of  change and loss which digs deep into our most horrifying childhood fears about death. It takes us right back to the time when we were children and had to make sense of this adult world, a real world we were just beginning to become acquainted with. Phantasm is an audacious film which dares to take a trip through the mental landscape of a deeply scarred, traumatized child. By film’s end, Mike and Reggie decide they must leave their small town and find a new start. Mike begins packing his bag so that they can hit the road and head into a new day, a new future where they can begin to come to terms with their pain. Mike closes his closet door revealing The Tall Man in his mirror. “BOOOOOOOOY!” The Tall Man growls…and Michael is caught. Pulled through the mirror and into darkness.

One day you and I will face Death. Inevitably, as The Tall Man says, “The Game is finished. Now, you die.” And when that day comes, that unavoidable day when we reach our ultimate fate, we can only hope that in death we will fine peace and comfort. Not a brutal Hell made up of our most nightmarish childhood fears.

Phantasm and it’s iconic boogeyman, The Tall Man, would live on with many colorful, imaginative, bonkers sequels that pick up and continue the story admirably well. But, if you were to ask me, the tale begins and ends with the original 1979 classic Phantasm. One of the most poetic and lovely horror stories ever told.

I award Phantasm FIVE out of FIVE Dumpster Nuggets.

Stay Trashy!

-Root

16
Mar
14

Trannysaurus Wrecks; March Devil Girl of the Month (2014)

Hey Gang! Well spring is in the air here at the Trash Cinema Collective, bringing the promise of warm weather, the return of colorful, vibrant plant life, bears come out of hibernation to maul hikers and The Devil Girls start wearing even less clothes than usual! But, I am getting ahead of myself, it is my great pleasure to introduce to you one very cool, alluring and downright provocative Devil Girl to kick off your Spring Fling, Trannysaurus Wrecks! Before you feast your eyes, let’s get to know Trannysaurus a bit better…

The Primal Root: Tell us a little bit about yourself. What are you into? What are your passions, your hobbies, favorite Trashy movies. Working on any projects The Collective should keep their eyes peeled for?

Trannysaurus Wrecks: First and foremost, I am a reader. Since I learned to read at the tender age six, I have been reading anything I could get my hands on, whether or not it was ‘age appropriate’. I devoured tons of comics, fantasy, science fiction, and non-fiction growing up. I’ve developed an appreciation of great literature, but I have never lost my taste for the genre stuff–especially comics. If I’m not reading, I’m probably practicing music. I’ve been beating the drums for about four years now, and I’ve just started to play guitar. My drumming may not be very good (I’m no judge of these things), but it’s certainly passionate. I play for myself, really–I know of no better release for my frustration and anger. I have no attention of ever performing for the public as a musician–but if there ever was an audience for the way I play, it’s The Collective. The Trashy movies I like the most are the ones that just seem to come from left field. I mean those rare gems made by people with no knowledge of how to make a movie, but a completely original vision nonetheless. The best example I can think of is True Stories, a film by the Talking Heads. It’s pretty bad, as movies go, but it is completely unlike anything else I have ever seen.

PR:  Tell us a bit about how you went about putting your photo spread together? What was your inspiration?

TW: When I was asked to do this, I was both honored and intimidated. The women featured here are truly beautiful! I knew there was no way for me to measure up, so I decided to embrace the Trash Cinema aesthetic of celebrating imperfection. I chose a theme: Rock and Roll in rawest, raunchiest, most rebellious form: the Devil’s music. No planning other than that was involved. Then we just ran with it quick and dirty using what was at hand. I told Mina not to photoshop anything. We were going for a raw feel–hopefully it shows!

PR: What song should The Gang listen to while checking out your spread?

TW: “Offend in Every Way” by the White Stripes.

PR: Are there any cinematic characters you feel represent you as a person?

TW: I have never really felt represented by anyone on film. To be honest, I think this has to do with my stubbornly idiosyncratic nature. I define myself in contrast to people, rather than in comparison to them.

PR: What film would you love to see at Trash Cinema Nights at Bird’s Aphrodisiac Oyster Shack?

 TW:Forbidden Zone by the Mystic Knights of Oingo Bongo. Man, that film has it all. Cheap, raunchy, and bizarre, Forbidden Zone is a great example of a film that celebrates the strange and imperfect. It’s also a bit of cinematic history, being the first film ever to be scored by Danny Elfman.

PR: Excellent suggestion, Trannysaurus! We shall certainly put Forbidden Zone into consideration and we need to get you booked to play for us at Trash Cinema Nights!  Well, Gang, I feel we’ve  kept you in suspense long enough. Behold, the remarkable, the ovely, the one and only Trannysaurus Wrecks! Be sure to give Ms. Wrecks a warm welcome, Gang!

Stay Trashy!

-Root

Photography by Mina Ford

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