a Primal Root review
Anthology movies, like Creepshow, Tales from the Darkside, and VHS, are so often a mixed bag of the mediocre, boring and sometimes genuinely outstanding, which is why I am happy to report the majority of VHS 2 is a pretty horrific and entertaining ride. That is, if you can make it past the the wrap around segments which are just as dull as they were in the original VHS, and the very first story entitled “Phase 1 Clinical Trials” which is a cure for insomnia, you will be okay because it all picks up from there.
See, in “Phase 1 Clinical Trials” we are shown the story of a young man who loses and eye and gets it replaced with a…bionic one that not only allows him to see, but records everything to a VHS recorder I’m assuming the doctors implanted up his ass. Now, why a hi-tech procedure like this would end up having the recordings of it’s clinical trial dubbed to something as defunct and rarely used as VHS is beyond me, but at least the 15:9 aspect ratio kind of makes sense, I guess. Anyhoo, the new allows this guy to see dead people meandering around his posh house out in the suburbs. He is befucked by a young woman who explains what going on and exposes her lovely tits in the process. Things go from bad, the worse, to I;m going to gouge my bionic eye out with a three pronged kitchen utensil because I’ve seen a couple ghosts over the span of 12 hours. It’s dull/ Even by my standards, I just could not muster up the effort necissary to be interested, that is, until that fleeting moment when the read head takes her top off. Otherwise, this entry is on par with the wrap around, it fails to engage and feels like it’s there to fill up time. Eye implants have been done (Tobe Hooper’s segment in Body Bags, that terrible movie with Jessica Alba that featured a truly inspired title, etc.) and this one was not an impressive entry into that sub-genre.
DO NOT DESPAIR! I nearly did, too. Trust me, things get better.
Goddamn zombies. Those fucking things are everywhere. Prime time television to baby bibs and lunch boxes, those undead fucks are as inescapable as Mickey Mouse and Ronald McDonald. Enter “A Ride Through the PArk” the story of a young gentleman who goes on, you guessed it, a ride through the park. Things take an interesting turn when a bloody and bitten young woman collapses onto his bike trail screaming for help. Our fellow goes into help her and gets his neck chomped for his trouble. Soon he dies and transforms into a shambling, bloody, undead zombi himself and is able to record his sticky, gruesome, blood soaked escapades via the camera attached to his helmet. What makes this entry somewhat interesting is the use of POV, it’s expected, but this is the first time I have seen it happen from a flesh eating corpses perspective and it actually proves to be an interesting and darkly comical experience. Our protagonist undead biker guy ends up devouring a couple who stop to help him out, transforming them into zombies in the process. Things hit a high note as soon as the zombies meander upon a little girls birthday party in the park. It’s one of the funniest and wildest moments in a franchise that has seemed overwhelmingly beholden to the morose and ugly. Sure, this is tragic, but my God, it’s fun watching parents scatter and children scream as they flee into the woods and mini-vans. The zombies are doing their jobs and doing them well as the living constantly fuck up, you know,m throwing baseball bats at creatures intent on stripping the flesh from your bones rather than hanging on to it, you know the type. Well, some of our undead biker’s humanity still remains and it leads to a sad and, again, guiltily comical finale. This entry has energy, creativity and is a hoot AND a holler. When I found out Eduardo Sanchez directed this puppy, it made me all the happier. The man was half the creative mind that brought us 1999’s “The Blair Witch Project” which helped blaze a trail for all the found footage horror film that followed. He’s also had a hand in numerous damn fine horror and sci-fi films over the past decade or so under the radar. It only makes sense that he would join The Collective who brought us he VHS franchise. Well done, sir!
“Safe Haven” may just be my favorite short film in this batch. It tells the story of a a news crew doing an investigative piece about an Indonesian cult. The leader of this cult is small, wide eyes fellow who, it is implied, sleeps with all the little girls in his cult so that they may be “purified.” At the cult’s headquarters, which are located far off in the sticks, the news crew is thrust headlong into a very important ceremony for this cult. The tension swells as we the viewers know this is not going to end well for anyone. This segment keeps you on your toes to the very end, turns every convention on it’s head, and manages to actually be shocking and horrific in it’s Jim Jones styled story. It’s no surprise, seeing as it was directed by Gareth Evans, the gentleman who delivered one of the best, bobe crushing, martial arts films in sometime “The Raid: Redemption” in 2011. The man understand staging, suspense building and character payoff. “Safe Haven” is one very strong, stiff drink and I don’t want to spoil a damn thing, you really need to see this short.
And the final segment “Slumber Party Abduction” is another entry that manages to knock it right out of the park. This entry involves a step brother and sister spending a weekend together as their parents head out of town for a vacation. The older sister invites her arrogant boyfriend over and the younger brother invited his buds and all manner of hijinks ensue. There are water balloons, interrupted sex acts and masturbation caught on doggie cam. It’s a ll pretty sophomoric and stupid as this kind of shit always is, but THANKFULLY there’s some insidious shit going down that the hardly register to the kids until it’s literally right outside their door. What we end up with a siege film caught on tape and once the chaos begins, the action and horror never lets up until the final, frenetic moment. you know how the second tale was told from the zombie perspective? This tale is told almost entirely from “Doggie Cam” since the dog has had a waterproof camera attached to his head. The poor little dog, Tank, captures every last terrifying moment on tape and ends this episode on a brilliant, downbeat and heartbreaking note. Jason Eisner takes advantage of his set up by presenting terror through the eyes of several helpless children and their pint sized pooch. The kids are very natural and easy to believe, and once the shit hits the fan, each loss is felt. Damn fine piece of horror film making.
And then the movie ends with the shitty, uninspired conclusioon to the wrap around story which involves murder, crab walking, a bloody, wagging tongue and a well times thumbs up. Come on guys, give me a fucking break.
At the end of the day. VHS2 is an upgrade over the original anthology which almost felt like an excuse to expose an ample amount of female flesh rather than present any truly affecting horror stories. Three out of four stories are solid gold which is more than I could have ever hoped for. I was braced for disappointment and found myself surprised and fairly impressed. It cool to have a new anthology franchise out there, especially one to feature found footage, it seems like the possibilities are limitless and could produce more great horror stories and bring unappreciated filmmakers some well earned limelight.
3 1/2 out of 5 Dumpster Nuggets. Worth checking out!