Archive for April, 2020

09
Apr
20

Evils of the Night (1985): Invasion of the Platelet Snatchers

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“Why you touchin’ my nipples like that?” – Jerry Butler as Eddie in Evils of the Night (1985)

a Primal Root written review

Man, the 1980’s seemed like a magical time when I was a child. I was born into them, 1982, as a matter of fact. The world was new to me, a bright, Technicolor spray of vomit filled with wonder, excitement, lessons and ideas that would boggle my mind and shape me into who I am today. Of course, later you lear the 1980’s were fucking terrible to huge, wide ranging section of our American society and the world abroad. You had the AIDS epidemic, the war on drugs, intense poverty rather than the prosperity Ronald Reagan’s trickle down economics gave us, the Iran Contra scandal, the shameful treatment of our Vietnam veterans…It was just was basically the pre-show entertainment before 2020. But  through the eyes of a fresh faced youth, the world was all Hi-C, chicken nuggets, movie monsters and big bouncy boobs.

But were you also aware that far off in distant galaxies they had it just as rough in the 1980’s? And, no, I’m not talking about Star Wars, besides, that happened a long time ago. No, I’m talking about the severe platelet shortage of 1985 that affected whatever planet John Carradine and Julie Newmar are from. What are platelets you ask? I’m glad you asked!

plate·let
/ˈplātlit/

noun

PHYSIOLOGY
plural noun: platelets
  1. a small colorless disk-shaped cell fragment without a nucleus, found in large numbers in blood and involved in clotting.

 

As we all know, the best platelets of all come from humans in their late teens, early 20’s which is why back in 1985 vast intergalactic civilizations were landing their UFO’s at local Lover’s Lanes, taking over abandoned hospitals, hiring sociopathic mechanics by paying them in gold coins to kidnap and deliver them captured kids, so that their platelets could be removed and beamed up to their Mother Ship for the survival of their species. Only, these brilliant civilizations with their space age technology never considered the one flaw in their planning…summer vacation!

“Network men analyzed many places and they decided that this was the ideal secluded college town. Well, Network was correct up to a point, but research didn’t know about summer vacations. College is closed until September which is too late for our purposes.” – Dr. Kozmar (John Carradine); Evils of the Night

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Okay, maybe that wasn’t ACTUALLY happening in the 1980’s but it sure as shit was going down at the Drive-In’s and Indoor Theaters of the time thanks to one of the strangest, most absurd and, to my amazement, thoroughly engrossing low budget amalgams of slasher horror, sci-fi and teen sex comedy I’ve ever witnessed, Evils of the Night.

Before the credits even roll we see the landing of a UFO from a far flung galaxy. No narration, no clue the what, when or where, and the credits unspool over two unlucky couples who decided to get it on under the cover of darkness in the woods surrounding the local lover’s lake. One couple gets right to it deep in the woods, where the couple next to the lake decides to smoke some of The Devil’s Harvest, before swimming and THEN plan on pummeling the her love piñata. “Great, now we can get HIGH!” the young man exclaims as the young bikini vixen pulls a dank joint from her thong clad crotch region. In a matter of second we are treated to some full frontal nudity from the sex starved co-ed in the woods before they start banging away doggy style after she lick lubes his rump splitter, while another cute couple gets high and goes swimming. She even gives him the rarest of sexual acts, the under water oral. Gang, I do not understand the logistics here. Then again, I am a severe asthmatic, so I can’t hold me breath all that long, especially not long enough to truly deliver any kind of memorable oral pleasure. But I guess it’s the effort that’s really endearing. Perhaps it’s different for you folks with normal, healthy, designer brand lungs. Feel free to let me know of your beneath the surface sexual encounters in the comments.

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Anyhoo, it all feels like the beginnings of  genuinely lovely evening, when all of a sudden some elderly gents wearing ski masks and grease stained mechanic work shirts…with their names on them, descend upon the young couple and leads to one of my favorite kills I’ve ever seen. You know that couple that is going at it with the fella burrowing from behind? Well, one of the masked mechanics sneaks up behind him and strangles him to death while his lascivious lover continues to pound out the veil! It’s fucking fantastic, she has no idea he is dead and continues to ride the fuck trolly to Mr. Fleshpod’s neighborhood! She steadily slows her motion as she realizes something is wrong, turns around, and is abducted. It is one of the funniest, perversely sexiest and simultaneously disturbing kills I’ve seen in a while. I know there’s something similar to this in Adam Green’s bland 2010 slasher film, Hatchet II, but Evils Of The Night did it to much greater impact, if you ask me.

Wait a minute, that’s 80’s porn star Crystal Breeze fucking the strangled corpse of her lover playing “First Girl Having Sex!” Would you believe this is the same year she starred in The Sperminator, Flaming Tongues and Cummin’ Alive as well as nineteen other porn flicks? Man, 1985 was a busy year for Crystal! Not only did she deliver the EXCEPTIONAL full frontal female nudity, but she also knocked her brief roll out of the park. Crystal, you are a legend and us sleazoids are forever in your debt.

One of the abducted teens, the stoner boy in tiny shorts, comes to in the abandoned hospital now inhabited by sexy ALIEN nurses wearing tiny glittery skirts and and several damn pounds of hairspray and make-up. He manages to escape while the two nurses, I shit you not, begin suggestively fondling one another. Huh? So, tiny shorts manages to overhear Dr. Kozmar (John Carradine) and Dr. Zarma’s (Julie Newmar) plan to extract as many platelets as possible from their victims before they die, any extracted after death, contaminates the whole batch. The platelets are used to stop bone deterioration int he elders of their kind and ALSO allows for them to live for hundreds of year. So, would it be accurate to call these platelet snatchers from beyond infinity intergalactic vampires? Feels accurate to me! Tiny Shorts then escapes into the woods only to be blasted to death with neon green lasers from one of the nurses. In his final moments, he gives one of the most spastic and wonderful laser guided death performances I’ve ever seen.

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Cut to the next day at Lover’s Lake where all the cool kids are sipping on Pepsi, swimming, playing pranks, spying on two topless girls covering one another in tanning oil which, in turn, inspires your girls friend to take her top off and try to fuck you on the beach, which you turn down. Seriously, it looks like this Lover’s Lake is happening with a bunch fun loving kids. The stand out amongst them, and who the poster art seems to be featuring, is the blonde in a tight, white and red horizontally striped shirt named Connie (G.T. Taylor, this is her only film role) who is incredibly sweet and kind of a dunce, but is a genuinely fun and charming character to be around. She’s out camping with her friends Brian (David Hawk, in his only film role), Heather (Bridget Holloman from Slumber Party ’57 and Stoogemania) and the engaged to be married love birds Ron (Keith Fisher from Cyberon and an episode of Diff’rent Strokes) and Nancy (Karrie Emerson, the raven haired beauty from Chopping Mall and White Dog). They spend their days frolicking in the sun and at night they put their hands in their campfire to see who is the better man (hint: It’s the man smart enough NOT to injure himself to prove his manhood) and talk about penises.  “Why make a big deal out of such a small thing?” Connie asks as Brian and Ron debate sticking their dicks in the fire to prove their manhood.

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From Left to Right: Ron (Keith Fisher), Nancy (Karrie Emerson), Connie (G.T. Taylor), Heather (Bidget Holloman) Brian (David Hawk)

There’s another unrelated couple who break into the cleanest, most well kept abandoned home I’ve ever seen. There’s no shit stains on the fuck mattress, the floors looks to be freshly swept and mopped, none of the windows are busted and there’s narry a cigarette butt, beer can or crusted over used condom in sight! What kind of abandoned, haunted fuck shack is this? Anyhoo, the couple Eddie (Jerry Butler as Paul Siederman, prolific porn actor from 1987 to 1995. You may have seen him the XXX films Snake Eyes (1985) or Star Angel (1986) and Joyce (legendary porn actress, Amber Lynn, who is STILL working in the adult industry to this very day, which is remarkably long career in pornography. She has won to AVGN Awards, one for best Sex Scene in a Feature Adult Film in 1986’s Ten Little Maidens and one in 2018’s Humanitarian Achievement Award) strip down and start going to town on the incredibly posh mattress at this crab shack. Well, she strips nude anyway, he actually keeps his jeans on, which I will never understand in slasher films. Fellas, have you EVER fucked with your pants on? Are you afraid of losing them? It’s so much easier just to take them off, I cannot even imagine the zipper burn one would inflict on their wang doodle. Also, I would be remiss if I did not mention Eddie’s dog lick form of smooching. This guy licks Joyce like a canine going after piece of Beefaroni. It’s probably the most energetic moment in the film as he licks all over Joyce’s tits and neck and chin and sucks on her chin, and it’s kind of…kind of gross. Perhaps that sort of tongue bath thing was the height of eroticism in 1985, but for me in 2020 it’s kind of gross.

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Joyce gets a tongue bath from Eddie in the nicest abandoned house I’ve ever seen.

Soon we learn that the masked mechanics are actually two great elderly screen actors who turned to horror cinema as soon as the choice rolls stopped coming their way. The two murderous morons for hire are chunky yet fleet-footed Fred (Aldo Ray from many classic films of the 50’s like 1955’s We’re No Angels and 1958’s The Naked and The Dead and would later be featured in 1986’s Star Slammer and his final film, 1991’s Shock ’em Dead) and the intensely perverse and sociopathic Kurt (Neville Brand from the Oscar winning 1959 film Stalag 17, Birdman of Alcatraz from 1962. He eventually went the horror route with Tobe Hooper’s Eaten Alive in 1976, Without Warning in 1980, and Evils of the Night would be his final screen roll.)  These two are introduce as playful lunk heads as they maintain their auto repair shop, but that playful, dopey demeanor can turn on a dime as they strike without warning, cracking your skull with a tire iron, and putting you out with some either, and then dragging you to the abandoned hospital under the promise of gold coins so you can be sucked dry by the vampires from outer space!

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Kurt and Fred: The Burt and Ernie of Space Vampire Murder for Hire! Gold Coins only, please.

 

Let me tell you, Evils of the Night is one exceedingly fun and effective b-movie. It actually takes the time to get you invested in the teen characters, who are actually fun, sweet, kind and adorably dopey. They more often than not fight back with all their might against the aggressors and you cannot help but root for them, especially when it comes down to Connie, Heather and Brian who end up tied up in the clutches of the perpetually horny and blood thirsty Kurt. I’m not going to spoil anything, but anyone can die at anytime and it can be genuinely heart breaking because these characters are so much fun to be around. Not only that, but the reactions of friends watching friends die is deeply effective, too, and that goes a long way to making slasher film murder really impact the audience.  David Hawk, who plays Brian, deserves some recognition for really going above and beyond in his grief stricken, rage fueled performance. His is not the norm for such Trash Cinema, where the emotion feels greatly genuine and I found deeply unsettling. I began Evil of the Night laughing my ass off at the cheesiness of the proceedings, but by the films final act I was surprised to find myself rooting on characters in scenes that are actually suspenseful. It goes from laughably cheesy to legit horror out of nowhere and it’s enough to give you whiplash.

Evils of the Night (1985)

 

Evils of the Night was directed by first timer Mardi Rustam, who shows an affinity for low budget horror, which makes since, since he worked in some capacity as a producer on such legendary no budget horrors as Tobe Hooper’s Eaten Alive and Al Adamson’s Dracula vs. Frankenstein.  That’s one Hell of a schlock horror pedigree! It’s a shame he only directed one other film, James Dean: Race With Destiny in 1996, because Trash Cinema really could have used more films exciting, weird, and uncompromisingly unique as his debut feature. I know the gentleman is still alive, so who knows? Maybe he has a few filthy films left in him.

Evils of the Night  is an honest to goodness Trash Cinema treasure and one well worth checking out. It has a little something for everyone including fans of classic actors and actresses from the 50’s and 60’s as well a hard working porn stars of the 80’s! Whre the Hell else are you going to find the likes of Crystal Breeze porking a corpse while celebrated character actor Neville Brand drills holes (literally, with a drill, that’s not a sexual metaphor) into nubile young women?  It’s unpredictable, filled with fun, no budget science fiction tropes, great goofy characters, gore, one liners, gratuitous female nudity, awesome villains, awesome 80’s soundtrack and plenty of scenes that will either leave you laughing, scratching you head or actually hoping the characters you like survive…the EVILS OF THE NIGHT!

I am awarding Evils of the Night FIVE out of FIVE Dumpster Nuggets.

Stay Trashy!

-Root

WARNING! THIS EVILS OF THE NIGHT TRAILER CONTAINS MASSIVE SPOILERS! I HIGHLY RECOMMEND YOU DO NOT WATCH IT UNLESS YOU’VE ALREADY SEEN THE FILM!

Honestly, this trailer gives away the last third of the film and there are some awesome surprises and genuine shocks. Go see the movie first. I guarantee you won’t regret it.

 

 

 

 

04
Apr
20

Don’t Mess With My Sister! (1985) Stanky Lad’s Junkyard For The Human Spirit

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a Primal Root written review

“YOU FUCKED A BELLYDANCER, YOU BASTARD!” – Clara, Don’t Mess With My Sister!

There’s no denying Meir Zarchi’s I Spit On Your Grave aka: Day Of The Woman from 1978 is a milestone is exploitation cinema. Among the most notable in the brutal rape/revenge genre that is, for obvious reasons, incredibly divisive. With it’s legendary ad campaign, “THIS WOMAN HAS JUST CUT, CHOPPED, BROKEN AND BURNED FIVE MEN BEYOND RECOGNITION…BUT NO JURY IN AMERICA WOULD CONVICT HER!” and it’s taboo nature, it has become a legendary dark destination in our American Trash Cinema landscape. It’s what Meir Zarchi will go down in history for.

However…There is another.

Oh yes, 1985 Meir Zarchi finally came out with a sophomore effort entitled, Don’t Mess With My Sister! A film that answers the burning question of what would happen if Martin Scorsese got in a horse riding accident, suffered severe brain damage, but once recovered decided to craft a movie for Lifetime Television. It was not the explosive action revenge film I had imagined in my head looking at the poster art, no, far from it. It’s instead, a heavy clunkster of a marital drama about an immensely unlikeable dipshit named Steven (Joe Perce from 1987’s The Hidden and 1989’s Black Rain) who is married to his sweet wife Clara (Jeanine Lemay in her only acting credit), has a little daughter named Candy, is about to graduate from the Columbia Business School in New York and moonlights as the accountant at his brothers-in-law Roberto (Jack Gurci, who went on to never act again) and Dino’s (Peter Sapienza whose only other film credit is 1986’s Osa) junkyard “Stinky Lad’s Salvage (okay, that’s just a name I made up, but it feels fitting since these guys never change their all denim wardrobes), who we find out, are PAYING Steven’s college tuition. Not only that, but we meet Steven on his birthday and his brothers-in-law surprise Steven with a $20 dollar raise! Steven bitches, they raise it to $30! Steven still bitches because he wants to be a partner and it nearly breaks down into a fist fight. Yes, this movie takes place in New York and the characters are all New Yorkers.

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So, Steven is a little bitch with dark rings around his eyes, talks like he took several blows to the head with a lead pipe and gives off the most unsympathetic creeper/ghoul vibes I’ve ever come across outside a vampire film and we, as an audience, I assume are meant to root for this horse’s ass.

His wife throws him a surprise birthday party where it’s apparent there are some animosities between the mothers from both sides of the family, the brothers-in-law and Steven, and Steven’s Mom and Steven’s wife. Anyway, everyone is complaining, drinking and at each other’s throats until the belly dancer Clara hired, Annika ( Laura Lanfranchi, again, her only on screen appearance), who manages to entertain everyone, even manages to get Steven’s wine swigging ancient mother up and dancing like it’s Spring Break on Panama City Beach, and catches the illicit gaze of dipshit Steven.

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The very next night, Steven returns Annika’s costume bra to her at school after receiving the worst advice ever from his shrimpy man best bud, Jerry, who tells Steven that girls leave bras behind so that men will sleep with them and that he shouldn’t let this one get away! Oh, brother, hunker down, because here comes the litany of terrible decisions and events that just pour over till the end credits roll. Steven returns the costume bra to Annika and offers her a ride to a private gig of her’s where she performs the dance of the seven veils, or what have you, for an over weight millionaire with NO BACK, and NO ONE there to protect her if shit goes wrong. As wealthy men typically do, he attempts to force himself upon her, when she tries to shove him aside, he lashes out with the typical rapist catch phrases “What did you THINK I invited you here for?” Before Steve hears the struggle all the way outside, in his car, and rushes in the beat the shit out of the guy before Annika murders him with a well placed bottle of wine to the cranium.

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So, what to do after murdering an incredibly wealthy rapist, leaving your prints all over the fucking mansion and squealing out of his driveway in front of a woman walking her dogs? What else? You go back to your accomplices apartment, do a culturally insensitive African tribal dance in her living room replete with spear and soundtrack album then fuck in her shower.

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Steven eventually makes it home to find wife asleep and levels the excuse that his tire blew out and it took all night to fix. Of course, as these things do, people start talking, who saw what and where people actually were and the next thing you know Steve is getting his ass caved in by Clara, Roberto and Dino in the junkyard. Everyone continues to do violent, terrible things to one another, the murder makes the front page and is all over the news, Clara slices open a stuffed monkey, Steven shoots a shotgun at his brothers-in-law who, now that Steven is packing heat and trying to kill them, wants to make Steven a partner at Stanky Lad’s. It all ends as abruptly as it began and we are left with our heads spinning after witnessing an all-you-can-eat buffet of loathsomeness from a full cast of terrible fucking characters.

What lesson should we take away from Don’t Mess With My Sister? What exactly was this film even about? Who the fuck were these people and how was I supposed to care? It’s an exercise in the most heinous and selfish of human behavior where there’s no good guys and no real payoffs. It’s like an episode of Seinfeld directed by Lars Von Trier with no laugh track. I think it might be trying to say something about the greed of men and how it leads them to covet and do terrible things in the name of getting ahead and trying to seek pleasure where they can and how this lead to a world of hurt to everyone involved. Also, I can imagine that Clara is the sister of the title we should not be messing with? Basically, Don’t Mess With My Sister is a baffling slice of unfiltered shittiness that will leave you pondering what in fucking Hell you just experienced. You’re dropped into a world of scumbags and left with no meaning or ending.

Hey, at least Meir Zarchi was trying to shake the stigma of his greatest achievement and try something new. It really feels like he’s reaching for a Mean Streets vibe here, but he just doesn’t quite have the knack for it. If we were given more history for these characters, some kind of back story, perhaps the drama elements would have worked. It’s difficult to mix straight ahead drama with elements of exploitation and really make a tasty concoction. The drama elements don’t work because the focus is a bit to heavy on all the conflict, but without the base understanding of where everyone is coming from, it just doesn’t congeal and we are left with a bunch of raging, screaming, violent assholes spraying verbal diarrhea that is worthless, meaningless shit to the audience. And the exploitation cinema vibes are there, but there’s no fun to be had. No real over the top excess, besides the constant “fucks” and “Shits” this could easily be a Lifetime Movie of the Week.

Here’s to you, Meir Zarchi, for taking the risk. I only wish it had paid off better.

I am awarding Don’t Mess With My Sister ONE AND A HALF STARS out of FIVE.

Meir Zarchi would not dirrect another film until 2019’s I Spit On Your Grave: Deju Vu. I will get around to checking that one out soon.

Stay Trashy!

-Root

 

03
Apr
20

Uninvited (1987): Kitty Carnage On The Open Sea!

Uninvited poster

 

“Nothing’s going to stop me from getting to The Caymans!” George Kennedy as Mike Harvey in Uninvited

a Primal Root written review

Man, what I wouldn’t give for a trip across the deep blue sea in an enormous private yacht with a few bikini clad women by my side taking us all the way to the Cayman Islands for a bit of the old social distancing from a world falling apart at the seams. But, as it turns out I’m not a wealthy criminal scum bag, so this will have to remain a fantasy rather than beautiful reality. Thank goodness there are movies like 1987’s direct to video schlock classic, Uninvited, to help indulge me in this minor dream of paradise. Well, except there happens to be a radioactive mutant cat on board that’s vicious and has a bite that’s fatally poisonous and there is a trio of criminals running the yacht as fast as possible to the Cayman Islands in order to pick up a ton of money they garnered from their illegal white collar crimes…Okay, besides the boat, the trip and the bikinis…and possibly the fresh fruit platter in one of the early scenes, there’s very little this movie has in common with my current quarantine fantasies.

Anyhoo, Uninvited was directed by none other than the legendary master of low grade cheese, Greydon Clark, who is a familiar name to any trash cinema connoisseur or Mystery Science Theater 3000 fan, having lended is immeasurable skills to such classics as 1979’s Angel’s Brigade aka: Angel’s Revenge, the 1985 Joe Don Baker vehicle Final Justice, the 1983 arcade sex comedy Joysticks and the 1977 Satanic classic, Satan’s Cheerleaders, so you know what you’ve signed up for if you’re sitting down for a viewing. The rest of you better hold on to your pussies.

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The film begins with the opening credits unspooling over some guys in lab coats waving a syringe around a fluffy British Shorthair kitty. They inject the cat with some mysterious radioactive elixir and can makes a break for it out the OPEN DOOR to their top secret experimental laboratory. The kitty makes it’s way to the stairwell where it barfs up a monstrous, bigger, poisonous version of itself, which lays waste to a half dozen gun toting security team guys sent to capture the kitten, leaving the stairwell walls covered in blood. The mad scientists grab their guns and try to track the cat down in the parking garage only to be ripped to pieces before the cat gets into the air duct, unscrews a grate and escapes to the streets.

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Meanwhile, two incredibly fuckable young ladies, Suzanne (Shari Shattuck from 1989’s Death Spa) and Bobbie (Clare Carey from 1988’s Waxwork) show up to a fancy pants resort and are immediately spotted by wealthy criminal business man, Walter Graham (Alex Cord, probably best known for the TV series Airwolf) who buys the two ladies dinner then invites them to a private party on his yacht. Of course, the guy has money and has bought them food, so they are more than eager to slob his knob and live the highlife for a bit until Captain Moneybags grows tired of them and throws them overboard for a younger model. First, Graham must have a business meeting with his goons, Mike (George Kennedy, from The Naked Gun and Just Before Dawn) and Albert (Clu Gulager, from Return of the Living Dead and A Nightmare on Elm Street part 2: Freddy’s Revenge, who is wearing a really goofy set of Bubba teeth in this role which really sells his…colorful character) so they can drown a business associate in the yacht’s hot tub.

In the meantime, our poisonous mutant cat is roaming all over town murdering assholes, which seems to be the plague cat’s M.O. The kitte seems friendly to those who feed it, but takes pleasure in dealing out violent, bloody radioactive death to those who hurt those who are kind to it. Several scum bags end up shredded to ribbons, poisoned an/or exploded in their cars before the kitty makes it’s way towards the marina where Graham is docked…

Cut to the next morning where we are introduced to three dorky guys sitting at the same marina where Graham has his yacht and Suzanne and Bobbie are staying. These three dorks are Martin, Lance and Corey.  Martin is a biologist, Corey a yuppie and Lance is just a huge dork in a Hawaiian shirt looking to get laid. They sit around sipping orange juice until Suzanne and and Bobbie show up in their fetching bikinis and invite them to join them onboard Graham’s yacht for some fun.

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Okay, I have a few issues with this already. Not with the cat barfing up a furry, fanged, radioactive monster, but with the human interactions on display.

Number One: When does this ever happen? Two women make a b-line straight to three obviously horny doofuses and invite them to party with them? No names exchanged, no greetings, just “Hey, you’re cute, want to party and protect us in the case a millionaire criminal might possibly decide to assault us? ” They actually mention that, by the way. “You look like you’ll be able to protect us if Graham tries anything.” Huh? Who are you and what are you talking about?  Are you paying us? Are you prostitutes and we’re having to pay you? What is the situation, here? At least tell me your name before we head to some strangers yacht! Which brings me to…

Number Two: Who in their right mind invites strangers to the abode of someone you’ve just met? Without even clearing it with them! This is the epitome of shitty manners which shows no consideration and total disrespect for the person who extended their hand and invited you and your friend, and only the two of you, aboard their yacht. Imagine you’ve invited just a friend or two over and without telling you they invite a group of folks over to your house that you do not know and just show up with them. Not asking you, just showing up at your house with strangers. It’s a fucking jerk thing to do and I already can’t stand anyone in this movie.

Number Three: WHAT ABOUT THE PRIVATE PARTY! There’s all this talk and build up to the awesome party on this yacht and WE NEVER GET TO WITNESS IT! Apparently it’s going to be this blow out event on the yacht, probably with booze, debauchery, topless ladies, donkey shows, etc. But the audience is not important enough to join the festivities. We just weren’t sexy enough to invite. Fuck these guys.

Anyway, on with the review.

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Of course, the eager young guys accept the invitation and head out to the rich guy’s yacht with the two bikini clad beauties, one of which discovers our dangerously cute and cuddly radioactive science experiment monster cat at the marina. Suzanne clutches the kitty against her ample bosom and decides the kitty is coming aboard Graham’s yacht for the pleasure cruise, despite the cat obviously not wanting to go anywhere, let alone be held, as it squirms desperately trying to get out of Suzanne’s bubble blonde clutches. Young biologist Martin notices the kitty has a testing facility tag on it, but tosses it aside assuming the cat is fit as a fiddle and SURELY hasn’t been experimented upon with some terribly virus or toxic chemicals that will kill himself, his friends and these bodacious babes. We’re young, YOLO, let’s get this party started!

I-Mockery.com | Uninvited - A Horror Film About A Mutant Killer ...

We learn quickly from the yacht’s young captain, Rachel (Toni Hudson from Leatherface: Texas Chainsaw Massacre III and School Spirit) that during the party we never witnessed, Graham lost his temper, berated the crew, and they all quit except for her. Which works out well, since these new, uninvited guests climb aboard THEY can earn their keep by being the new crew as they flee for The Cayman Islands as Albert delivers the news that The Feds are closing in on the yacht! So, this motley crew or young kid who just want to eat, dance and fuck, the old geezer criminals who cannot stop talking about getting to “The Caymans” and the poor little captain with heart of gold and a deep desire to own the yacht that once belonged to her Father but was purchased away from the family by the evil, greedy, Graham, tries her best to keep all this shit under control.

Cat Rifftrax Uninvited GIF by RiffTrax - Find & Share on GIPHY

 

But it doesn’t take long for it all to go right to shit as Albert takes over Captain duties for about fifteen minutes in which time he manages to get wine drunk and take the whole voyage way of course before spitting wine all over the monster kitty and paying the ultimate price for his rudeness when the little kitty opens it’s jaws and lets out the malicious mutant cat…living in it’s stomach? The science really made abundantly clear, but Albert gets a good potion of his throat stripped out, but what remains begins to pulsate violently before he falls overboard to become shark food. Soon, the trip to The Cayman’s has been delayed as Rachel makes the call to go back and look for Albert, which lead to Mike pulling a gun on all these”young punks” and proclaims “NOTHING  IS GONNA STOP ME FROM GETTING TO THE CAYMANS!” before the vicious monster cat nearly bites his foot off. Mike lays on the couch for a while as everyone screams at each other, which is hysterical, because all through the scene you hear George Kennedy’s deep voice moaning and groaning as everyone else argues and it sounds just like he’s getting an incredibly good blow job just off screen. That is, until his stomach starts pulsating and something starts emerging just beneath the skin. The entire group gathers and huddles real close over Mike’s warped body as something inside his stomach begins rising up like an eternal boner, and it looks like we’re about to get another Alien chest burster sort of scene, but Mike dies, the internal stomach boner subsides and we are left wishing we had gotten to see a blood geyser and head into the rest of the film feeling more disappointed than we were when we missed the yacht party earlier in the film.

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The monster cat is known, the remaining crew of the SS Evil Pussy is dead in the water after the engine over heated and shut off, emotions are running high, food and fresh water are running out and it’s only a matter of time until the Toxic Kitten…starts to get hungry…

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Uninvited is a shockingly fun little monster movie which relies heavily on it’s great cast of talent who genuinely make the film way better than it has any right to be, selling a killer rubber furry cat monster puppet like it we JAWS. It’s goofy fun that doesn’t make a lick of sense, but as the characters grow more desperate an unhinged aboard their stranded, doomed yacht, their performances really come to life and they totally sell their dilemma, which I know few of us have ever experienced in real life. The effects are rudimentary, but add the charm of the overall experience, which I can guarantee, you will never go through outside of Uninvited. It’s a one of a kind horror of the high seas survival film with an obviously minimal budget, but a cast and crew willing to go the distance to deliver. Only drawback, and it’s one of the greatest detriments to the film, the are absolutely no tits in this film. None of the actresses are willing to bare anything in this low rent straight to video horror film. I turned to my wife about three quarters of the way through this flick and mentioned it, “Man, I honestly don’t think we are going to see a single bare breast in this thing!” Sure, the girls tease the boys and the audience with the promise of tits to come, but the moment never occurs. And honestly, I almost didn’t notice because the movie is such a strange voyage into absurdist horror that I was thoroughly entertained to the point of not really caring. I wanted to see where the story was going and what was going to happen to this lively group of teeny boppers and AARP members with the pussy punisher roaming freely aboard the ship. For a films to have me nearly forget about boobs is a pretty amazing feat. Plus, there is something eternally endearing about watching cats terrorize and kill people.

I am awarding Uninvited with THREE AND A HALF out of FIVE Dumpster Nuggets.

Uninvited is a furry, slimy, straight to video trash schlock fest well worth the voyage. I do recommend if you’ve got a fondness for puppets, great character actors and sense of adventure. A sense of humor will also help you out tremendously. Half a nugget eduction for lack of nudity.

Stay Trashy!

-Root

 

 

 

 

 




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