a Primal Root review
If you know me, you know my stance on remakes. It’s not something I am incredibly fond of but I will always give them a fair shot as from time to time I find myself surprised and impressed. This is why I gave the remake of one of the best slasher films ever made, ‘Silent Night, Deadly Night’, a run for it’s money. Would it be as heartfelt, tragic, disturbing and filled with campy, inappropriate jet black humor as it’s original source material? I had my doubts. I took a deep breath, popped this sucker in my DVD player and braced for impact.
. Seeing as the movie has little to nothing in common with it’s source material outside of it’s organizing principle (Christmas) the killer’s disguise (Santa Claus) and two of the original film’s most notorious and popular set pieces this thing hardly registers as a remake. It’s more of a springboard for an altogether new slasher film. ‘Silent Night’ adopts the narrative structure of Wes Craven’s ‘Scream’ franchise with a “Who-done-it?” premise and written in the often imitated style of one of cinema’s most acclaimed screenwriters, Rob Zombie. We are introduced to a crazed killer dressing up as Santa Claus in a urine soaked, filth caked bathroom as he puts together his Santa Claus mask and clips his finger nails, which I assumed at the time would be some clue to the killer’s identity and kept looking for some with well manicured nails. By the film;s end realized this shit had nothing to do with anything, really.
Our killer takes care of business, dispatching of a screaming woman in an adjoining bedroom and then unceremoniously electrocuting a man tied to a lawn chair with festive Christmas lights down in the basement. The guy shakes, screams, his eyes explode in geysers of blood…and our movie begins. Who were those people? Why should I care that they’re dead? Next thing you know, it’s Christmas Eve morning and it turns out the guy who just got electrocuted in the previous scene was the local deputy and a young woman is called in to work his shift by the over confident small town America British crime Sheriff, Malcolm McDowell, who plays his character for laughs and it just doesn’t work.
As bitchy, spoiled little girls are butchered, men are stabbed in the testicles and large breasted, half naked women are sent slowly through wood chippers, this crack team of police investigators zero in on large people in Santa suits, this being Christmas Eve, the town is overrun by fellows in Santa suits and several of them are disgruntled assholes and violent offenders, so they have their work cut out for them. Why do they not bring in some outside help? Because the Sheriff wants to solve this on his own. Eh, stupid is as stupid does, I suppose.
Just about every character we encounter is brutally slaughtered which I am sure will send us gore hounds off to bed with visions of woodchippered meaty chunks of nude photography models dancing in our heads. There’s not much of a moral compass present in this new Christmas slasher, but I guess that’s just fine fo0r the approach they;re taking. It’s a full speed ahead train of pain where buying a ticket insures a perversely gruesome ride. Mean spirited and full of self interested slime balls, ‘Silent Night’ is actually a fairly good modern Christmas horror, even if it pains me a little to admit it.
Jaime King as Deputy Sheriff Audrey Bradimore does a damn fine job of trying to give her character the gravity she deserves, but it’s all for not, as ‘Silent Night’ has other fish to fry and body parts to hack off. The rest of the cast play this film as the hamfisted piece of garbage it is and yuk it up with a wink and a nudge as they await their paychecks. You can literally feel the apathy these performers bring to the film.
The film even cherry picks two of the original ”Silent Night, Deadly Night”s most memorable moments. you know, the one where loony bin Grandpa warns his Grandson that ‘Christmas Eve is the scariest damn night of the year!”, only this time Grandpa’s voice turns demonic and is delivering this warning to a character who only has one other scene…where he receives some obligatory Holy Night oral before having his head pulped by one well placed whack of an axe. Also, extracted from the original ‘Silent night, Deadly Night; is the notorious ‘Antler Kill’, which seems puzzlingly less effective here. Oh yeah, and there’s a reference to it being “Garbage Day”. WOKA, WOKA, WOKA!
All in all, ‘Silent Night’ delivers the sloppy, gooshy, gory goodies but severely lacks the underlying message and heart that made ‘Silent Night, Deadly Night’ such a memorable and dare I say, classic of the 80’s slasher period. As I have mentioned in The Primal Root’s Rotten Review for ‘Silent Night, Deadly Night;, it is a film about the cycle of violence, the lack of care for the mentally ill, and the failure of our system and religious fundamentalism. Is it shocking? yes. Violent? Of course. Over the top? Most certainly! But it was all for a purpose as opposed to this remake which is happy to deliver nothing but carnage. Gore drenched kills and a town populated by halfwits, unapologetic assholes and sociopaths that serve no purpose other than axe fodder.
‘Silent Night’ is a bloody hot mess of a stocking stuffer. If you can get passed the annoying, unlikable cast of characters, there’s a wonderful mix of nasty kills (including one little cuntface of a child!) and gratuitous Tits and Ass for the old schooler purists. It’s trashy to the core and about as dumb as a box of coal but just might make a good stocking stuffer for the gore hound on your Christmas list.