Archive for September, 2009

25
Sep
09

The Primal Root’s Rotten Reviews presents Queen of the Damned

Hey Gang,

The latest episode of the show that brings you the best in trash is up and running for your viewing pleasure. That’s right, The Primal Root’s Rotten Reviews just posted a new episode, this time, Root’s taking a look at the EPIC Vampire Rock Opera, Queen of the Damned!

I’m also dealing with a nasty bite I received from one of my neighbors. So, this episode documents the aftermath of that encounter as well. Enjoy and let me know what you think!

Stay Trashy,

– Root

<p><a href=”http://vimeo.com/85098933″>Queen of the Damned (2002) The Primal Root’s Rotten Reviews Episode 5</a> from <a href=”http://vimeo.com/user24396091″>Kevin Cole</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

18
Sep
09

The Primal Root Takes The Drive Invasion

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On Labor Day weekend every year in Atlanta Georgia one of America’s last standing Drive-In theaters holds a festival  featuring incredible bands from across the country during the day and a cavalcade of classic Drive-In trash once the sun goes down. In the past the Drive Invasion has lasted anywhere from two to three days. However, this year only lasted one glorious day. And what a day it was.

My lovely lady, Jessica, and I got up with the sun and headed to the Starlight 6 Drive-In Theater for 24 Hours worth of great bands and trashy movies.  We arrived as the gates were opening and it paid off in spades as we got an excellent spot  in front of the screen at the Starlight 6 Drive-In Theater. About 100 acres of beautiful sprawling black top sizzling in the warm summer sun. Jess and I were sure to get there as the gates opened to secure such a great spot. Fourth row back on the hill so no one was in our way.

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As people began filing in, pitching the awnings and the PBR began to flow across this Trash Cinema Mecca, Jess and I took a nice long, sweaty stroll around taking in the sights of Rebel Flag Bullet trailers, rockabilly girls (my new thing) , artwork honoring the greatest Drive-In trash classics to ever grace the screen, and the awe inspiring Dixie Fried Car Show.

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The band mix was an eclectic one to say the very least. Gargantua was the first band I went up to rock out to. Never heard of them before but I am an instant fan. Tose guys represented the only taste of pure metal at the Drive Invasion. Afterwards I took in tThe Vendettas, The Woggles (another new favorite and localAtlanta band), Deadbolt, Detroit Cobras, and after the sun finally went down Los Straightjackets took the stage and started off the 5 Deep drive-in movie marathon with some excellent original surf rock and a beautiful rendition on the theme from The Munsters.

Gargantua the Drive-In Metal Gods

Gargantua the Drive-In Metal Gods

The Woggles work the crowd.

The Woggles work the crowd.

Detroit Cobras singing about hot dogs.

Detroit Cobras singing about hot dogs.

But who stole the show? Rock and Roll Hall of Fame Inductee and the Queen of Rockabilly, Wanda Jackson. The woman is 71 years old, had just flown to Atlanta from a performance in Toronto Canada the night before and put on a set that lasted about an hour and a half.

Talking to the audience, telling stories, and playing the acoustic guitar the entire time. They kept trying to get her off the stage but she kept playing and the audience just ate it up. She sounded clear as a bell and, for me, may have been the highlight of the entire Drive Invasion.

Wanda Jackson does her thing.

Wanda Jackson does her thing.

Blues Brothers

And then the movies began. Jess and I had made sure to load up on essential Drive-In snacks (Giant Coke, Tub-O-Popcorn, cheeseburger, nachos with extra cheese, etc.) before the first film began, The Blues Brothers. This flick was a huge success. People were laughing their asses off and even some guys were inspired put on their gorilla masks and run naked up and down the Drive-In parking lot screaming their heads off. At least I think they were men…


El Topo or El Buzzkill

El Topo or El Buzzkill

Anyhoo, the Drive-In seemed in high spirits and ready to rock but then…a crucial misstep. El Topo. Don;t get me wrong, I like El Topo, it’s quite an interesting film. But a Drive-In flick? A fun, raunchy, weird, funny, Drive-In flick? No way, Jose. This is strictly art house material. The gang of conservatives next to me began slurring Obama ( claiming he was responsible for the movie? Or that only liberals like El Topo? Your guess is as good as mine) and began freaking out at the image of a naked, prepubescent child claiming that the film was for pedophiles. Some people are just…uh, what’s the word? Oh yeah! Idiots. But really, this film had no business on the line up really. It scared the hell out of people…no one expected an pretentious art film from Spain to be a part of the festivities. 

Mustaches and Red Diapers. Are you not entertained?

Mustaches and Red Diapers. Are you not entertained?

Needless to say a good majority of the crowd packed their shit up and skipped the rest of the marathon. The film that followed didn’t help boost spirits much either even though, again, it’s a personal favorite of mine. That’s right, Zardoz, the John Boorman sci-fi epic about a giant floating head, a post apocalyptic world, and a race of hairy mustachioed men in red diaper outfits led by Sean Connery. It’s not a thrill a minute movie and is actually filled with some deep, ponderous human questions. Again, where is Humanoids from the Deep? Coffy? Re-Animator? I dunno, it was another film that drove people away. 

Once the Drive-In had all but emptied they pulled out their wild card. Shanty Trap. One of the funniest slices of total and utter trash cinema I have ever witnessed. It’s basically To Kill a

Shanty TrampMockingbird with a whole lot of tits, PBR, biker gangs, lecherous revivalists, incest , murder, explosions, and a ten minute dance scene that is so funny and awkward you’ll be laughing long after it’s moved on to the next scene. I’ve also been told that this film was taken to the supreme court as an example of indecency in cinema. Luckily, in a rare stroke of brilliance, the supreme court said “If you don’t like it you don’t have to look.” and the whole thing was thrown out. I cannot recommend this weird-o movie enough. I know it is available through Something Weird and I recommend you try and track down a copy. SHANTY TRAMP is what the Drive-In’s all about. 

Sam Elliot established his badass reputation by kicking the shit out of some frogs.

Sam Elliot established his badass reputation by kicking the shit out of some frogs.

Last, but not least, was the American International classic Frogs starring the coolest badass around, Sam Elliott. It’s a goofy nature revenge film I remember seeing when i was 5 or 6 on TBS or something. It’s a fun, trashy animal uprising movie. If you’re interested in checking out I know it’s gotta be on Netflix and I remember it floating and some 5 dollar bins a while ago. 

The sun came up during the conclusion of Frogs and by that point many people had either gone home or were passed out on the soon to be blisteringly hot asphalt. We had a great time, ate some excellent BBQ, nauseatingly scrumptious Drive-In cuisine, saw some killer bands and watched some damn cool movies. 

All in all it was an amazing trip. One we will be certain to make in 2010. And next time you all need to come with us. ;)

The sun rises on cheap white trash as Frogs reaches it's climax.

The sun rises on cheap white trash as Frogs reaches it's climax.

Stay Trashy,

-The Primal Root

12
Sep
09

Sorority Row: Out of the fire and Into the Tire Iron

Remakes aren’t my bag, man. Sure, I love the trend of horror remakes that took place in theSororityRowteaser late 70’s through the 80’s when they were thoughtful and well made. Stuff like Invasion of the Body Snatchers, The Fly and The Thing were all films that were improved upon and given the respect and dose of sci-fi reality they so deserved and the movie going public was willing to accept.

I’m talking about the current trend in horror remakes. Taking known horror franchises or one off slasher movies and making dumbed down (believe it or not, they managed to dumb down even the Friday the 13th formula)carbon copies. It’s a trend I’ve been waiting to die out for years now. Just like the Saw franchise.

And in walks Sorority Row, a loose remake of the 1983 all but forgotten slasher opus The House on Sorority Row, a pretty decent horror film in it’s own right at least in it’s first half. I went out tonight to see this remake with no real expectations high or low. I knew it was marketing itself as a slasher movie but this has lead me astray more than once into uninspired torture porn territory (check my The Collector review).

To my utter shock and amazement I had a friggin blast sitting with my lovely lady in a crowded theater watching a film that reminded me why I loved slasher flicks in the first place. This is by no means a masterpiece of the genre but it takes me back to the day when all it took to make a good slasher flick was an interesting inciting incident, some bare tits and a couple buckets of blood as a wet climax to ingenious bodily trauma.

Sorority Row delivers all these and a great deal of laughs. Some intentional and others I am not so sure about.  The characters aren’t what I would call well written but they are a hoot. My personal favorite was Jessica the sorority house uber bitch who gets her close group of sorority girlfriends in deep shit when their little prank goes hilariously wrong and one of their sisters ends up ventilated with a tire iron through the chest. This opening scene, I have to admit, is the slowest, dullest part of the film. They try and cram in all the exposition as to whom these girls are, what cliched slasher flick character they are playing (the slut, the follower, smart girl, head strong final girl, etc.)  and it feels like it takes forever but once you make it through this scene and the girls chuck their dead friend down a mine shaft Sorority Row picks up the pace and runs with it.

Some time later the girls are all graduating and still covering up the drop dead funny tragic death they are all responsible for. Soon, they’re receiving ominous texts and pictures that lead them to believe they are in mortal danger. But who has time to worry about getting poked and bled when there’s a party to be had? The girls go about  getting crap ready as the be-robed killer begins knocking them off one by one in extremely, brutal, bloody, and funny ways.

There’s hilarious dialog throughout the film, some of which I wasn’t sure was meant to be intentional or not, but had me laughing loud and hard throughout. Like a scene where two sorority girls find the decaying dead body of one of their sisters and one girl exclaims, “She looks terrible!” this is exactly the response you’d expect from a vapid, self centered sorority girl. It may be poor writing, but to this trash collector, this shit is brilliant.

I don’t want to spoil it for you by revealing who the killer finally turns out to be and I’ve read a lot of reviews that gripe about just who it turns out to be. All I can say is that some of these critics really need to lighten up. Because this killer and his/her reasoning is so funny, and played so well it should go down in trash cinema lore as a truly classic monologue.  As the killer lists off the reason why so many people had to perish it’s like hitting all that syrup at the bottom of a glass of  chocolate milk. It’s that sweet a reward. My favorite moment in this speech is the justification of killing one of the horn-dog frat boys. “He was a dick!” HAH, who hasn’t wanted to kill that guy?

At the end of the day this film isn’t even a remake, really. Besides the location and covering up a murder that sets off a spree killing there’s nothing else borrowed from the original. I mean, it may as well be it’s own film.

Also, this flick is really a story about love and responsibility to those you love and your friends and what you must do to keep them from being hurt…more or less. Who am I kidding, there’s no real moral compass to this hunk of garbage, but there are plenty of half naked girls, massive cleavage shots (Rummer Willis is packing some heat in this department despite playing the nerdy girl…which is right up my alley, really.) gratuitous nudity, plenty of dead bodies, and horrible people dispatched in fittingly horrible ways.  This is a fun slasher film straight from the 80’s ripped from it’s time period and given a new millennial make over, and by god, does she look beautiful.

In the mood for some incredibly tasty slasher trash cheese? Look no further than sorority Row. A fun, and bloody stab back to the glory days of on of the cinemas most enduring genres. The Slasher. Or in this case…the Tire Iron..er?

Stay Trashy,

-The Primal Root

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