Fine then, ahem, you know what it’s like when you.. when you eat a bunch of fucking daffodils and later when you’re trying to crap them out and the putrid, partially digested petals are sticking to the walls of your rectum like adhesive tape and you finally have to use the tweezers because tp won’t touch them? Well that’s what creative writing is like. Eh? …well fuck you too! I tell you it makes perfect sense, to me anyway,you just don’t ‘know’. Yeah. Well then for the rest of your lives you remember that pretty little mental image I just planted in your minds whenever you see a pot of fucking daffodils! Yeah, ha-ha! I’m starting to feel better!
Posts Tagged ‘Uncle
Fine then, ahem, you know what it’s like when you.. when you eat a bunch of fucking daffodils and later when you’re trying to crap them out and the putrid, partially digested petals are sticking to the walls of your rectum like adhesive tape and you finally have to use the tweezers because tp won’t touch them? Well that’s what creative writing is like. Eh? …well fuck you too! I tell you it makes perfect sense, to me anyway,you just don’t ‘know’. Yeah. Well then for the rest of your lives you remember that pretty little mental image I just planted in your minds whenever you see a pot of fucking daffodils! Yeah, ha-ha! I’m starting to feel better!
an Uncle Grumpyfuk Review
…(sound of feet running)…huff-puff, huff-puff…whew, I think I lost them…huff-puff, huff-puff … I’ll just -SHIT!… Oh, whew! Hey there folks, huff-puff,you startled me, thought you were..huff, someone else! Yer ol’ pal Uncle Grumpyfuk here, just been doing a little jogging, and sprinting, down the street, through the alleyway, down through the hole in the fence and across that sewer pipe, just trying to put as much distance between myself and that angry crowd from that mosque. Can you believe someone had the audacity to spray paint “Gabba, Durka, Hey! You fucking towelheads!” on the front of the building, and around back the scoundrel rendered an illustration of a group of cute little dripping vaginas holding Mohammed prostrate on the ground while the 220 lb. grandpiglet of Arnold from Green Acres ravaged his bleeding bunghole with it’s monstrous curly-cue weenie! (I myself thought that was an excellent observation of reality by the artist,er, vandal!) Now what kind of racist, blasphemous infidel would… (sound of angry voices close by increase in volume then fade into the distance) …would think of such a creative..I mean offensive act! – Sorry about the whispering but ol’ Grumpy’s going to chill in this refrigerator box for a little while until things cool down- I certainly wouldn’t want to be mistaken for the dashing,I mean dastardly villain responsible for such unconscionable vandalism! No siree, these testicles enjoy remaining attached right here!
Hmm, well now seems as good a time as any to review another classic piece of cinematic offal from 1977, “Drive-in Massacre” – one of Uncle Grumpyfuk’s many favorites!

Now, for you poor unfortunate youngsters who,when growing up, were deprived of enjoying an endangered American institution, the drive-in theatre, to which I can only say, “Ha,ha! It fucking rocked! Woo!” Drive-in theatres were,and the few that remain are, the fucking bomb! Taking in a double-feature of what are now iconic classics of the silver screen, such as “Bloodfeast” and “2000 Maniacs”, “Texas Chainsaw Massacre” and “I Spit on Your Grave”, “Eraserhead” and “Annie Hall”, or on special occasions you’d have film fests which would play until the late hours of the morning. In addition you had the privilege of watching the films in your own. or parents’ vehicle, the bigger the better! Why, you could smuggle in just about anything the imagination could come up with; coolers full of booze, large bags of drugs, at least one member of your party, explosives, movie cameras for filming couples or blackmailing workmates, sigh, what has happened to this poor land? How many wild smog-outs, popped cherries, murders and other unforgettable memories were made in the parking spaces of the drive-in one can only guess. However nothing good lasts with the brigades of control-freak do-gooders, fat-fuck cops and military zombies, slimy local politicians and church groups- the true scourge of this land, ready to tear down and destroy what little is left of anything that is truly worth keeping. Let this be a lesson and a message for all of those youths aspiring to be a member of one of these groups that are responsible for totally fucking up our society and planet with their girly sensitivities and sucker mentalities - Go fucking kills yourselves right now, I mean right now, or join fucking the hari krishnas,they’ll put you in your place. Uncle Grumpyfuk is serious…you think I’m not? …hmm, it smells like spray paint in here…
As our film begins with shots and scenes of the drive-in by day, empty, quiet, peaceful, a happy place but the tranquility is broken as the caption appears across the screen, ” On August 10 in a California Drive-in it all began…”, we figure someone got their girlfriend knocked up. As evening closes in the cars full of horny and soon-to-be intoxicated patrons begin to pour in. At the front gate a couple take tickets and the male, a bald guy in a jacket that could only have been worn in the 70s displays a negative vibe towards his young clientelle, go figure!
We’re then assaulted by one of the worst movie themes, some warbling hippie sloppily spewing garble about, you know, ‘nothing and everything’, it’s enough to make your teeth hurt, though it would make a good ringtone. As the spaces fill up we focus on a couple locking lips who actually decide to make a baby there and then, like, intentionally! That might be a first,the intentional part that is.. however before penetration the guy wants to listen to the beginning of the film for some odd reason – maybe listening to Gabby Hayes gives him a hardon or something,I don’t know. As he’s reaching out the window for the speaker which is about 6 ft away, a familiar thing at drive-ins,heh, a hand bearing a sword raises up and flashes down; whoosh, off goes Romeo’s head. His sex-slave inside notices that he suddenly feels 8-10 lbs lighter all of a sudden and wonders if he already shot his load but then sees why. “Not again!!!” she thinks, this being the fourth guy she’s dated that had his head chopped off and she wonders if she’ll EVER have a baby! As she let’s out a shriek of frustration and horror the sword cuts off her scream, literally and she falls partially out of the car, hanging upside down with her life’s blood oozing down her face. Nice touch, I like it!
We flash to the police station where a tubby officer reads a novelty newspaper with the headline “Couple slain in Drive-in!” -or something close to that, yer Uncle was momentarily distracted by a sudden methane seapage that went on for several seconds, two belt-holes worth! (Whew, you wouldn’t think Yorkie would be so gamey..burp!) The porcine policeman and his equally stout partner head out to the Drive-in to investigate.
When they arrive they talk with the manager Austin Johnson whom the chubby copper’s partner describes as a ‘perfect asshole’, high praise indeed, we’ll certainly have to be the judge of that! Actually he is just that, the actor portraying Austin has the asshole act down perfectly, “So a bunch of horny kids get themselves chopped up by some kook. So what?” … indeed! He also refers to teenagers as ‘zits with long hair’, I love this guy! Coincidentally he turns out to be the skinhead we saw earlier taking tickets and ragging on the customers- the cool guy, remember? He tells the cops all about what a shitfarm his job and life are, and as they’re about to retreat in revulsion they spot his janitor/security gimp, Gormy. Gormy tells the cops that his friends call him Germy, his friends who were elephants at the carnival that has once stood on the same premises. The fucking elephants called him Germy…oooook. ( circles forefinger around ear) Yeah. We learn ol’ Germy was the geek at the carnival- the brain-stunted individual who knew no shame and would demonstrate it by biting the heads off of snakes, chickens, other small animals, and committing other similar acts of depravity. Ah, the glorious days before PETA… anyway,that was entertainment folks, sigh. He also seconded as the carnival’s sword swallower, heh, no jokes folks, that one is too easy. Now poor Germy is a bit teched in the head after some kind of ‘accident’, we never get a clue on that one dern it! The imagination runs wild.
Germy babbles on and on to the cops, unwittingly giving them a few leads and I must say at this point the actor who plays Germy, Douglas Gudbye, I know,I know, anyway he’s really great. He’s got the simpleton act down pat,some really convincing simp acting, bravo. Actually the two actors playing the pigs were also well cast. They looked the part and are very convincing as well, hey, I’m trying to be all critical and shit,right? Uncle Grumpyfuck doesn’t mind giving credit where credit’s due… sometimes! Austin tells the filthy gimp to …whoa*…to get to work, but not before the cops tell Germy it’s cool to be a lousy rat-bastard, “..so squeal on one of the theatre regulars would ya?” Typical. * (geek + simp = gimp? could that be the origin of the term?!?)
written by Uncle Grumpyfuk
Welcome my fellow Gommorrahns to another episode of Uncle Grumpyfuk’s insightful and …uh, evinrude observations concerning …cinematic… intacies..intricies..intr.. …in-tri-ca-ci-ties… intricate stuff, whatever! FUCK! Sit d.. shove those poultry magazines and crusty tissues off the couch and throw that towel over the dark spot, NEVERMIND THE SMELL!!! ..sigh- and sit down. Shit, please stop my brain from spinning oh Crom.
I apologize folks, the tabs will be kicking in any minute and I’ll have some energy and get the peach fuzz off my brain- you know that Beatles (*) tune ;
Well she was just un-der-eight,
and it was tastin’ mighty great,
when I heard a knock,
a knock on my front door-or!
Yeah i-i-in came the cops and her pareeents! Ohhhh,
I was-still-holding-the-Mazola-
and she-was paaaassed-ooout aawwwn the-floor!
Well Uncle Grumpyfuk’s having one of those kinda mornings, I’m SURE you know what I mean.
(*) I’m sure you’ve recently heard of the lucky asswipe that hit an estate sale and found hand written lyrics by members of the Fab Four (**) amongst some old paperwork. He’s going to make some serious bank, lucky fucker – these are actually some of the alternate lyrics, released by stickyourgoddamncopyrightsupyouroozingrectum.com (***)
(**) In actuality the lyrics presented herein were NOT written by the Beatles. Neither the cute one or the wussie one, nor the good one or the lucky one had anything to do whatsoever with these lyrics, it was me. Seriously, it was…what? You think the Beatles could write lyrics that good?!? You are fucking insane.
(***) Actually no such website exists that I know of,I didn’t really check or anything, if there is it was a lucky guess- as far as I’m concerned I made that up too. Yes I did indeed! I know- O Henry, Saki, Shatner, Dickens, yep I know – thanks!
Whew, hell I haven’t even told you what movie we’re doing..oh, well I guess you read the title. Ok fine Monsieur Smartass! Ahem, today I’ll be reviewing a movie dear to Uncle Grumpyfuk’s heart, directed by the master Ray Dennis Steckler,with a title that deserves an Oscar in itself; “The Incredibly Strange Creatures That Stopped Living and Became Mixed Up Zombies” , top that Scorsayze.. Scoresasee…Scorsaysie…Coppola! You bitch!
Pat and Pat begin their routine as usual, unfortunately Pat, having gone to see Mme. Estrella, had neglected to down her required dose of Witch Hazel so she’s actually dancing ok when she turns around to face Pat, and there, looming, like the silent-film Nosferatu rising from his coffin, his eyes transfixing your gaze as icy terror tugs at the shoe-strings of your crappy-ass Walmart Nike ripoff sneakers, like turning on the radio to be confronted with the life-stealing, banshee-like wail of Glee, and when you lunge at the control knob to change the station it breaks off in your trembling hand…wait,what the fuck was I talking about? …oh, right, cough… as Pat turns there in front of her looms Cash, our beloved Cash, Ray Dennis Steckler himself, standing, raised blade in hand, with a look in his eyes that will haunt your mortal soul,( yeah that’s right, you ain’t going nowhere after you croak, suckers!), the intense helplessness, the visible inner struggle between the opposing forces of his two brains (wink!), the feral rage invoked by the vengeful gypsy..who’s still hot as shit, I don’t care I totally would, that crusty wart might feel good on the tip …sigh, anyway, all of this and probably less does Pat see in his frenzied stare as the knife flashes downward like the sword of Damocles itself into her.. cheekbone. ..( How is THAT for a run-on sentence my fellow miscreants? I coulda broken it up but fuck it, a new personal record! Yeah!) The wounded and stunned Pat hits the floor like soggy hamburger meat and Cash proceeds to stab her fallen body over and over, enjoying the delicious warmness of here life’s blood covering his hands,mmmm. Then he turns his basilisk gaze to Pat, who is standing there totally aroused and shitting himself, and again the blade slices down, in a downward direction, and Pat turns to show how a cheap bloody make-up job can look pretty darn cool. He hits the floor to join Pat and their running blood mingles together as the delighted audience howls for more! The zombie-like Cash, his mission accomplished, exits stage left and chaos ensues as the audience rushes forward to take photos and vids to post on youtube for a thousand bucks, and a couple of particularly savvy souls gather up the blood to sell on ebay – smart! Let that be a lesson to you all, don’t squander a perfectly good opportunity to profit off of the misfortunes of others! You snooze, you lose!
What a scene, you just want to hit the pause button, whip it out and go at it until a 2-ply sheet of Bounty simply ain’t enough, you know what I mean!?! ..and isn’t that what art is all about? Uncle Grumpyfuk says hell yes! You’re fuckin’a right it is! Groins! Woo!!!
Next our ingenious director and crew really strut their stuff and we see Cash thrashing about in his bead, haunted by the coolest dream sequence in all of film, I am fucking serious damn it! Super-imposed images flash across the screen, the dancing girls and Cash, played by Pat, with Darth Maul’s makeup, dancing and whirling around, smoke, fire, camel toes, Estella, Ortega’s dashing features, all choreographed and filmed by the future award-winning crew. It’s a haunting and totally addictive scene you just want to watch over and over, it’s like smack without the puking! Glorious.
The next morning Cash cruises over to his old lady’s house to see if she’s sorry for being such an uptight bitch, when, during the conversation she begins to spin an open umbrella which vaguely reminds us, and Cash, of the hypnotic cheese wheel. This pisses him off and he begins to throttle Angie Baby’ – she deserves some roughing up anyway for that crap attitude of hers. Gotta keep’em in line or before you know it they’ll want to start driving and voting and shit! Crazy times. He gleefully continues, enjoying the warm feel of her convulsing trachea in his cold hands when he sees the image of Pat’s face and squeezes Angie’s delicate neck all the harder, achieving a righteous boner in the process. Suddenly her brother Madison,who can’t wait any longer for his turn, throws Cash to the ground and as Angie stares with bemused curiosity at Cash, her brother takes over and finishes throttling her, living the dream.
Cash, meanwhile, flees the scene and wanders around the city, giving us some great camera shots of an LA lost in the past and eventually he makes his way back to the carnival for some serious payback for the playful gypsy duo. His mistake however was in not bringing along his one-man Greek posse for backup, and Cash is quickly hypnotized all over again and once more sent out to kill..someone, which turns out the be the dancer who was going to cook steak for the tre-cool barker. We arrive at her pad and she’s about to light up when she looks down her long poorly-lit hallway and spots Steckler, knife in hand, stalking down the hall towards her, knife again raised for action and dispatches her after a brief struggle. Then the barker knocks on the door, sees the light go out, smells that hot poon a-waiting’, or so he thinks as he enters,calling her name. WE see his silhouette and then Cash’s silhouette behind his, knife raised, end of scene. Spooky stuff folks – Hitchcock Shmitchcock, this is the shit right here!
Now we’re treated to the best of the dance/song numbers as Carol Kaye and the girls get ‘Shook out of Shape’! I fucking love this song so fucking much it’s almost criminal, and the addition of Carol in a hilarious but totally hot rooster tail outfit and the smoking hot dancing girls…whew, damn, settle down boy, settle down! Apparently the dancers had no rehearsal time for these numbers but those bare legs are a kicking and pumping, yea-howdy!!!

After dispatching the dancing girl at her house Cash mechanically heads back to the carnival to get his ‘reward’ from the gypsy couple, woo-hoo! However his reward,instead of a nice threesome turns out to be a bunch of acid in the face – I’d take the two gypsy bitches myself but to each his own! Our poor hero stand as the corrosive liquid dissolves his pristine features, though we don’t actually see anything, turning him into a ..mixed up zombie! somehow..or a reasonable facsimile thereof. Estrella and Ortega lead the helpless post-op teen to be put with the ‘others’,however as the cage door opens the mixed up zombies escape by..walking out of the door! I guess it takes mixed up zombies a while to figure things out, you know? They then attack Estrella and Ortega, can you believe it?!? After supplying the pathetic creatures with a filthy cage for a home, 2 bowls of gruel a day and hourly anal punishment this is the thanks they get? Talk about gratitude! Jeez! Outnumbered, the conniving couple quickly succumb to the zombies’ mixed up assault and we shed a tear; never again will we be dazzled by Ortega’s suave manner and good looks, or be turned on by Estrella’s mole,it’s almost too much to bear! Sniff.
Hearing the commotion Carmalita moves to investigate but is quickly dispatched by a zombie, then all hell breaks loose. The zombies wander into the cafe and then the last dance number, the now famous ‘Zombie Stomp’ begins. After the entertainment the cops burst in and start shooting everything that moves, followed by Harold, Angie Baby and Madison, who are searching for Cash to get their paychecks! Cash, seeing them enter, jumps out of the window and tries to take a powder, hoping to avoid paying any of the actors involved in the film now that the movies is ending, so the trio takes off after him, followed by the police, sounds familiar eh? Ha!
The chase moves to the ocean and when he gets a clear shot the cop raises his pistol. “Do it!” scream the actors, “The insurance company will pay us what he owed us!”,so he takes the shot. Poor Cash plummets onto the rocks below and into the ocean,but miraculously makes it back to shore, still hoping to escape- one tough motherfucker! Yet he finally collapses on the sandy ground and buys the farm, and a not terribly bright and rather lazy and cheap star has been extinguished, sniff, and the actors sue the insurance company and get their dough after 2 years of court appearances and Angie Baby blowing the judge. The End.

There you have it folks and just in the nick of time, Uncle Grumpyfuk just ran out! Time to go on the hunt if you know what I mean! (wink!wink!) So until next time my fellow ugnugs, this is your favorite little teddy bear all covered with mold and spunk reminding you, “There’s no such thing as too much lube or too small a hole!” Groins! Woo!!!
-Uncle Grumpyfuk
a Primal Root written review
Man, The Blair Witch Project feels like it was ages ago…Well, here we are with another quickie cash in on the current super cheap “found footage” trend. This time instead of a ghost, alien or witch we’re dealing with the ever freaky prospect of exorcisms. A found footage concept that’s been done before recently and a bit better in 2010′s “The Last Exorcism”. Hey, at least that film managed to be even remotely entertaining for more than 5 minutes of it’s run time…
The Devil Inside is the story of a young woman looking to close a chapter in her life that’s plagued her since she was a child. Her mother’s condition which led her to slay three clergy members during her own exorcism. Mom was shipped off to Italy in order undergo treatment for her mental illness but her daughter Isabella isn’t so quick to rule out demonic possession. This is the mock-doc of Isabella’s trip to Italy to visit her mother where she encounters real life exorcists who take her out on dates to watch them work their brand of incompetence on young ladies who can pop ‘n’ lock like none other! This is the true story of when demons stop being polite and start getting real…
Long gone are the days of the possessed spewing bile into preachers faces, no, nowadays they are more likely to spray you copious amounts of vagina blood like fruit punch squeezed forth from the little straw pocking out of the top of a Hi-C juice box. And that kind of shit is fun to watch. It’s freaky, it’s unnatural, and it is pretty gross (unless you’re into that sort of thing, in which case, this flick might get ya hot under the collar.) and it works. The strongest element of this film are these scenes of demonic possession and the battle to rid these folks of their hellish ailments. And these scenes are pretty captivating, the strongest of which, involves a priest performing a baptism on an infant.
The sad fact is, none of these scenes really mean much, because the filmmakers forgot the create interesting characters the audience could empathize with. Fernanda Andrade as Isabella seems completely void of emotion for the duration of the picture. During these intense, violent and over the top exorcism sequences (one of which involves her own mother) the camera every so often pans to Isabella for a reaction shot. And as the blood spews forth from splayed vaginas and priests that are as physically imposing as a five year old get tossed across rooms and into walls, Isabella’s typical reaction is utter boredom. This reaction pretty much sums up my reaction to the other 97% of The Devil Inside.
And in so lies the films ultimate weakness: dullness. There’s just nothing happening foe the majority of the film. We get some priests debating the whether exorcism is real or just mental illness (guess which debate wins out in the end!), people bickering, and montages of Isabella walking around Italy looking bored and uninterested. Now, I can;t be sure where the fault should really lie for such a boring film. I mean, this is supposed to be a documentary film gone wrong, correct? Depressingly enough, the guy behind the camera never comes off as a competent filmmaker to begin with. So do we blame the fictional documentary filmmaker? IS he supposed to suck at his profession? Or is it the actual filmmakers themselves who can’t put together a thoughtful, exciting, engaging film on the subject of mental illness, family ties, faith and possession? Why waste such a potentially good story on the same tired formula that Paranormal Activity has exploited for three movies?
Because people eat this shit up for some reason. 1. Have nothing interesting happen for 45 minutes of screen time. 2. Insert a loud dog barked 3. Watch everyone jump and scream in shock as your film takes the bold step of having something actually happen4. Profit. This is fucking LAZY film making, people. This is the kind of thing that gives the horror genre such a bad name. And this is the kind of vacuous, meaningless, fast food offerings the mainstream horror audience is fed and they slurp up as if it’s filet mignon. Mainstreamers, you have steadily acquired a taste for Grade-A dookie. Yes, you are being served heaping spoonfuls of shit. There’s nothing interesting here. Nothing thoughtful or truly horrifying nor is there anything campy or fun about The Devil Inside. It simply exists with just about nothing to offer.
Despite some relatively strong performances from supporting players Simon Quarterman and Evan Helmuth as two young renegade exorcists who aid Isabella in her quest and Suzan Crowley as Isabella’s Mother, Maria Rossi, who pretty much steals the show with every scene in which she appears. She, alone, nearly makes the film worth it. If only we had more time with her. The film also kicks it into high gear towards the end of it’s running time where it even hints at becoming interesting. Really. the final ten or fifteen minutes promise of some great rewards only for the movie to pull the rug out from under us and leave us with nothing but frustration and 90 minutes of out lives wasted.
I’m sure they are saving all that for the sequel, which is at this point certain, after this honking log of shit somehow managed to ingest 36 million dollars of hard earned dollars from the accounts of countless movie goers this past weekend despite terrible notices and an ad campaign that looked more like a warning. I guess it proves my old theory that pure evil always works when it’s far more subtle. Why drive the audience completely fucking insane with something truly horrific and mind altering when you can simply bore them to the point of crying in uncontrollable sobs of pain and suffering for 10 bucks a head?
That, my friends, is the true face of The Devil…
Stay Trashy!
-Root
an Uncle Grumpy Fuck recollection…
We’re taken back suddenly to the young Sodomite couple,still going at it hours later,and yet again our fun is ruined by the arrival of the fuzz..I swear to Manos if they ruin our potential fluid covered fuck scene one more time I will take a stick and draw unflattering caricatures of their 4 mothers in the sand and piss on them!!! Damn!..sigh…

Meanwhile Frank Zappa wakes up looking fresh as a daisy, gives Tunafish Sandwich Man a pupparoni, says his 10 hail Manos’s, and bids his snoozing slave chicks awaken. One minute they’re part of the decor,then quicker than OJ slicing white meat they’re babbling away like hens on robin eggs. Small surprise. They yammer and bicker over whether to sacrifice an unclean tardling to their loving demigod and finally a 6-vegan tag team of epic proportions begins. ..and much semen is spilled. Seriously, from Enter the Dragon to Gymkata you will never find choreography to compare to this dazzlingly arousing vag-battle. It’s just that good,damn, more peppermint for the grands! Heh!
Back home, as Torgo counts little hunchback sheep Frank arrives and after gaining control of his lust wakes the sleeping manservant with a tender tap on his hot curly weenie, with his staff. Whoa, settle down ladies. Torgo stirs and after an argument over missing dandruff on the slave chicks shoulders, Frank banishes him from the Junior League forever. The shock is too much and our hero swoons like John Waters at a Justin Beiber concert. Frank then delivers a demoniacal laugh and mesmerizing gaze that would chill the blood of ..I don’t know, something with a lot of blood I guess,I don’t know, a tick or something..no, a cow, it would chill the blood of a large cow,okay?

Back to the bound and still unconscious Mr W, the dingos have apparently smelled his young malformation’s stench upon him and have left him alone to die of exposure when one of Frank’s walking mushrooms sneaks up to him, then in a total confusion of emotion she passionately sucks his teeth clean then slaps the living crap out of him several times in an unsuccessful attempt to rid him of head lice.
Master Zappa in the meanwhile,with one of his trollops and the subdued Torgo return to their squatters camp to find the other nymphs STILL going at it! ..and we’ve been missing it all this time! Damn your eyes Jew directorproducterscreenplay guy! Shit! ..His personal strumpet leaps onto one of the combatants and smacks her fillings out before Frank immediately settles them down by holding up a bottle of xanax. Frank then orders the sweaty mosh crowd to do away with Torgo so they engage in a scene of group petting and tickling that makes your scrotum itch, until he suffers an aneurysm from an overabundance of shoulder pheromones. What a way to go for our hero,makes you wish you had large calcium deposits on your back too don’t it?! Over all of this Coletrane and Liberace just cannot get coordinated on the soundtrack music. Then suddenly the supposedly dead Torgo gets up and Frank turns his hand into another charred addition to the inside decor and Torgo escapes to Guatemala to found a new church in the name of his newest savior, Captain Beefheart.

Meanwhile Mr. W has woken up and escaped from the pretend bonds,rushing to get his lovely bride and their casualty of creation away from there before Frank gets his mic and amplifiers set up. We then see that Frank is killing some time slapping the dogshit out of his first wife,by Manos how many men wish…sigh,nevermind. One of his skags then informs him that the family has escaped and Frank orders them pursued and brought back before Sanford and Son begins,they scramble to do so. The family finally decides to go back to the abode,though they’ve eluded capture up to then, but as they return and approach the compound, Frank and Tunafish Sandwich Man emerge to go for walkies. Mr W whips out his pistol and fires away,intent on revenge for the Valley Girls movie,however Frank being dead as a doornail is unaffected by the simple blanks.
The movie closes with a couple of skanky prostitutes driving up into the sticks to hit up their meth dealer for some smoke when they come upon the compound and Mr. W walked out and starts delivering Torgo’s dialogue. Apparently Frank wanted to be in the sequel and offered Mr. W Torgo’s job in trade for his clinging vine wife and their stunted cabbage cub. Naturally Mr. W goes for it and we have a happy ending and the film closes with another awful number by Kitt,ugh, singing.
There you have it, an accurate and informative review and critique of a film that has grown like a lovely poisonous mushroom into the classic it deserves to be viewed as,praise Manos.
Hey Gang, The Primal Root here! I just wanted to introduce you to our latest contributor to the Trash Cinema Collective,the lovable little sleazeball, Uncle Grumpy Fuck! He will be joining us to muse about the most notable of dumpster nuggets from yesteryear in his own, trademarked, bizarro style. Note, this man doesn’t give a shit about our societies need for political correctness, the guy calls it like he sees it and never holds back. And this makes his writing incredibly funny to read. So without any further a due, enjoy Uncle Grumpy Fuck’s look back at the Trash Cinema Classic, “Manos”: Te Hands of Fate.
Stay Trashy,
-The Primal Root
an Uncle Grumpy Fuck recollection
…mmmm, yes, that’s good sweetie,the peppermint is just a little further down, just keep..oh.. hi! You’re old pal Uncle Grumpyfuk here- no-no sweetie just keep going- just babysitting the grands, heh,heh. Today we’ll be reviewing the masterpiece from the creator of Lassie, “Manos, Hands of Fate” …mmm oohhh yes sweetie,there’s your peppermint,now wipe your mouth and run along Billy,go find and play with your sister! Heh,kids!

The film begins with some light traffic,the blood begins to congeal. A convertible pulls over and we’re introduced to Mike…Something (Hal Warren,the director and producer,who also wrote the screenplay,talk about cheap, jeez,ah these Hollywood jews…), and his wife Margaret..Something(Diane Mahree,cute but possesses the acting talent of chloroform), we’ll call the couple Mr. & Mrs. W and their unfortunate daughter ‘Debbie’ who is apparently severely retarded,therefore she will be addressed as all retarded children should be addressed, with revulsion and nauseous contempt. Her little dog sucks too.
The family drives for a few moments when they get pulled by a pair of representatives of our police state for extortion purposes, however after the father rightfully blames everything on their retarded daughter the gullible swine allow them to leave unmolested, due to a moment of unaccustomed empathy for the couple’s shame. After a number by Urtha Kitt is abruptly interrupted by some shroomed out beatnik warbling about ‘doing a thing’ or some such thing, it sounded disgusting, we flash to a young Sodomite couple swilling alcohol and fornicating publicly,and just as we’re led to believe things are looking up, shit! Here come the Keystone ..Police ..Guys to break up their tonsil-rimming and send them on their way. This is one scene that truly reflects real life btw, Zig Fucking Heil America!!! Lousy Pigs!…pant,pant…
Anyway, back to Mr and Mrs W,with their little gimp and her crappy dog,they’ve become lost and hit a dead end, turn around and quicker than you can say ‘anal probe fapfest’ they come upon a compound…that wasn’t there before! Spooky, but there,framed in the doorway is the true lead of the film, Torgo the twitching spastic hunchback played with masterful grace and intensity by John Reynolds, esquire. It must be said that Reynolds portrayal of our tortured hunchback sets the new standard by which all hunchbacks have been graded since, Charles Lawton and Christy McNichol shall be forgotten forever more.

Though extremely reluctant, and understandably so due to their unfortunate daughter and her four-legged mangeloaf, and despite his warnings that his ‘Master’ will be displeased by their presence the gracious Torgo invites the family to stay. His convincingly painful limp and jittery mannerism are a quintessential study of the method style of acting. As they enter the adults immediately halt to admire the fashionable Layne Bryant Fall decor, notable the mantle decorations, some charred human arms and a bust of Spock, and above the mantle is a flattering portrait of the Master; apparently Torgo is a disciple of Frank Zappa and his faithful doberman pincher familiar, Tunafish Sandwich Man. As the couple stares stupidly at the painting,secretly gagueing it’s potential value on ebay, at least 14.00 surely, Debbie tries to …I’m sorry,I apologize but my disgust demands I refrain from using an undeserved human name for the couple’s genetic malfunction, therefore I will simply use the first syllable and henceforth refer to her simply as Deh, and as for her crappy little dog, he shall be known from here on as…Crappy Fucking Little Dog. That’s better…anyway she tries to cornhole the crusty pooch when it actually stands on two legs and begs to be taken to the gas chamber rather than spend another horrid day with their little tax writeoff.

Suddenly outside a castrated dingo achieves a righteous orgasm and Mr W and Crappy Fucking Little Dog rush out to watch and possibly participate,however the excitement is too much for Crappy Fucking Little Dog and his tiny inbred heart gives out. He croaks on the spot and Joy is ours, Manos be praised! The parents tell a convincing lie to Deh, that Crappy Fucking Little Dog ran away to find a normal,unretarded little girl to love. Her tears give us comfort. They decide to leave but the car won’t start, they whine at the patient Torgo for a minute,then again their attention becomes arrested by the hypnotic portrait of Zappa,and while thus enthralled Deh wanders outside to look for mealworms.
After realizing she’d disappeared and thoroughly searching the sparsely furnished room they try standing on the front stoop and calling in an almost convincing note of despair. They turn to see Deh with Tunafish Sandwich Man who tears away from the rancid smelling childling the moment the opportunity presents itself. Deh croaks out in her caustic tard language of some strange people (note irony), she then takes them to a nearby clearing to find Frank and some girls from his drum circle crashed out, no doubt wacked on wheatgrass goofballs and excessive masturbation.
The family of 2 1/2 rush back to Torgo’s abode and while the father tries unsuccessfully to start the car, Torgo and Mrs. W get busy, yeah. Torgo’s Bondesque technique and charm rival even Shields and Yarnell on demerol, lulling Mrs. W into a frozen figure of wanton desire (look for wet spot in front of dress, oh yeah) as Torgo masterfully pushes all of her shoulder buttons,Torgo you dog, you are the Man! His sensual afterglow recalls Paris Hilton after getting shagged like an alley cat on the web,meow! ..and, like a sated feline Mrs. W slaps him passionately signalling that the coupling is complete. No piggies to break up this raunchy porn scene,no-siree Bob!

Meanwhile Torgo has made his way to the glen and after cackling and babbling at everyone he gives one of the drum circle girls some sweet Torgo shoulder love, (going for the hat trick tonight, you dog!) then passes out from the effort, yeah, we know about that one eh guys? Heh,oh yeah! You go buddy!
Torgo heads back to the house and makes his way to the bedroom window where the still tingling Mrs. W is stripping in anticipation of more shoulder action. Our hero leers in from the window like Rosie O’Donnell at a cheerleading contest,in a truly classic scene for the ages. Mrs. W pretends to be surprised, yeah, nice ‘acting’ baby. Mr. W has gone back to the glade when Torgo puts a whippin’ on him with his hand stick, and an awesome duet by Liberace and John Coltrane begins, the saxophone virtuosity is amazing while Torgo kills 3 minutes of film time tying up the uncooperative director/producer screenwriter. He then leaves the unconscious father for the dingos to devour at their leisure…
UNCLE GRUMPY FUCK’S CONCLUSION COMING SOON!



































