Posts Tagged ‘sucker

14
Feb
12

Desda “Mae Q” Moana, Valentine’s Day Devil Girl of the Month

Primal Root:  Ms. Moana, please, introduce yourself to The Collective and tell us just what you’re all about. 

Desda “Mae Q” Moana: Hey there, Collective, I’m Desda “Mae Q” Moana. I’m a burlesque artist, theater and film actor, and vintage pin up/fetish model in Indianapolis, Indiana. I’m geeked to be the newest Devil Girl, as this kind of shit just melts my butter. Thank you for asking me to come and play in your little world. I like it here.

Root:  Well, Desda, it is an honor to play with you. Do you mind sharing with us what your inspiration was for your Valentine’s Day Devil Girl set?
Moana: The genius minds behind Firepuss Productions were the inspiration for this shoot. You said trash, they said “cheap ass hotel in nowhere, Indiana.” Well, first, we wanted to do a PBR and trailer park theme, but seeing as it’s January, we’re holding off till warmer weather. I’ll get you those pics in a few months. :) We wanted sex and blood. We wanted cheese. I approached Lady Riot, a fellow burlesque artist and photographer, with the idea to do a trashy horror shoot and she just ran with it. Her photog, Brian Hornbuckle, and loving husband, Jonny Voodoo were kind enough to come on the journey with us. Although Jonny got more nervous about my boobs in his face than the small knives near his carotids.

Root: I can understand, you do possess a very serious set of boobs, Desda. Now, I hope you don’t mind me getting a bit more intimate…What are some of your favorite Trash flicks?
Moana: I am a child of the 80′s so my favorites are slashers that attempt plot but fail miserably: My Bloody Valentine is my favorite of all time. So much so that for our Valentine’s Day show, I am currently developing a burlesque act as Harry. Gas Mask? Check. Pickaxe? Check. That’s my kinda Happy Heart day. I also loved anything with the words Camp, Sleepaway, Sorority, or Hell in the title. If sweet little things were going to their death, a psycho was stalking them, and there would be running in the woods in very little clothing? I was all about it. Even better if the plot included lesbian overtones, cross dressing, or gender confusion.

Root: Ms. Moana, you’re gonna fit in just fine around these parts.You;re a natural born Devil Girl. For the sake of The Collective, where can our followers go to see more of you? What projects are you working on and may we pimp any of your sites?

Moana:  Angel Burlesque is my hometeam: www.angelburlesque.com. I am a founding member, and part of the management team. If you’re in the Indy area, check us out. We perform in various venues several times a year. I will also be performing in burlesque festivals around the Midwest this year, and am always available to teach workshops or perform. I get to perform at Gen Con again in August with Chicago’s Glitter Guild…doing Geek burlesque makes my heart happy.

I have a few films being released this year: Scalene, with Margo Martindale is hitting Netflix soon, and Three Tears on Bloodstained Flesh, a Giallo styled horror, will be released later this year.

The biggest GEEK OUT I am anticipating is performing at the VIP party for Days of the Dead Con in Indy, July 6-8th. I am doing my Harry Tribute and a creepy doll routine to an ICP song. And? Kane Hodder and Gunnar Hansen seeing me do my thang? I may just pee a little, I’m just sayin’.

Root: I am you will pull a role reversal on those two boogeymen and have their hearts racing when they see you perform in July. Well, Desda “Mae Q” Moana, it is an honor and a privilege to have you featured as our Valentine’s Day Devil Girl. Thank your for your hard work and for keeping it Trashy.

19
Aug
11

Welcome to Fright Night…Just Kidding.

Wait...did Charlie even use that axe he's holding in this poster?

a Primal Root written review

My friend Sam wanted to see this movie. He was stoked. His enthusiasm lead me to go along with him. Hell, how bad could it be? As the songs goes. “I wish that I knew what I know now…when I was stronger.” We both left the theater in agony around 2:00 this morning…

I really had no interest in this remake. At all. Fright Night is one of my all time favorite horror films of the 80′s, Hell, it’s one of my favorite horror movies period. Under the masterful direction of Tom Holland, Fright Night was a vibrant, funny, spooky, gruesome love letter to horror’s Golden Age updated with many excellent in-camera effects and some down right awesome performances by everyone involved. Holland even managed to give all the characters involved (even those in supporting roles) back stories, the space to breath and in turn, gave the film a lot of heart. All of this is why Fright Night endures as a horror fan favorite and why audiences keep coming for more.

And then there’s Fright Night 2011…Remember, I saw this movie for you.

Don't feel bad, Colin, I hear it happens to lots of guys...

I cannot even think of where to begin…well, the beginning is as good a place as any. We are introduced to our new Charlie Brewster who lives in a modern suburb of Las Vegas where every house looks exactly the same. The camera glides over the houses showing us how uniform they all are and as I watched this new Fright Night that was the final moment I felt hope…Maybe the film would be some kind of commentary on how interchangeable we all have become in a world where individuality is pushed aside for convenience sake? I dunno, needless to say, I was over estimating this corn riddled turd of a film.

Charlie (Yelchin) is now a dirt bike enthusiast who is trying to grapple with his past so that he can still hang out with the cool kids at school and get the sticky finger from his uninteresting girlfriend, Amy (Poots. Tee-Hee) See, Charlie used to play some kind of roll playing game with his old nerdy best friend “Evil” Ed (Plasse/McLovin’) and Charlie must keep this past and the existence of his old best friend buried at all costs or else he won’t be popular anymore.

I guess the decision here was to make every main character unlikable from the get-go, especially Charlie.  Rather than giving the audience a surrogate in Charlie as the original had ( a bit of an awkward nerd, passion for horror movies, having girl troubles and attempting to defeat the forces of evil) instead we get this Charlie.  He has a dirt bike and is trying to be popular. How…interesting…

So, Jerry (Farrell)  moves in next door to Charlie and his single Mom, Jane (Toni Collette! What are you doing in this mess?)  and is introduced as he does his yard work…as the sun is just beginning to set. Let me remind you, Jerry’s a vampire. Of course he’s charming, suave, built and ready to fuck and/or eat anything that moves and, true to form, the ladies around town are instantly drawn to this type of undead, evil, sociopath…

"And may your forehead grow like the mighty oak."

I think possibly the saddest thing about Fright Night 2011 is how quickly Jerry is revealed to be a full force vampire. Literally, ten minutes in and one of the main protagonists is attacked and turned.  Jerry’s reveal in the original takes time to build, the tension grows as does the suspicion and the paranoia until Jerry finally confront Charlie. In the new Fright Night he basically walks up a goes. “Hey, I’m a vampire.” Yep…quite the reveal.

The filmmakers try to punch up the long spells of boredom and Collin Farrel mugging sly smiles to the camera before sniffing the air in all directions, with uninspired car chases, cameos from previous cast members (of whom I felt deeply embarrassed for) and David Tennant grabbing his testicles for inspired comic relief as our new Peter Vincent, the leather pants wearing, premature ejaculating host of Fright Night. No, Fright Night is no longer a late night cable access spook show… now it’s a Las Vegas magic show.Tennant’s portrayal of Vincent is a dreadfully over the top performance that’s given no real gravity or sense of reality especially once the back story of this new Peter Vincent is revealed.

The Smarmy goes to 11.

Fright Night 2011 is nothing more than product. There’s not a whole lot for me to talk about in this review because there’s nothing there. It’s vapid, empty and a complete waste of time, effort, talent, money and celluloid.  Characters that were believable, that you once felt for whether they were human or monster, are reduced to terrible one liners and the most senseless and dull headed characterization I’ve witnessed since those fucking Transformers movies took off. Oh yeah, it’s that kind of bad. Perhaps, even worse, since Fright Night had such incredible source material to plunder.AND DON’T SEE THIS THING IN3-D! It’s a waste of money. Unless 3-D doorways and apple eating is worth an additional 5 bucks to you…

Maybe I am just getting too old. Perhaps references to Google, Ebay and excellent Century 21 product placements aren’t enough to make me laugh. It just makes me roll my eyes in my old man disgruntlement knowing what I am watching is nothing more that a cheap, piece of shit knock of of a once inspired and wholly entertaining story. A film that in 1985 reminded us of how imaginative and fun horror cinema could truly be! Hell, I watch it today and I still wish people strived to make movies as great as Fright Night (85). Movies where  you walk out of the theater feeling exhilarated and wishing you could spend even more time in that universe.

And then there’s the new Fright Night. Where you walk out feeling like you were the one who just had your blood drained. It seemed they tried to walk a middle ground where they might appeal to old fans and new. In the end, they ended up with something I feel will appeal to neither.

Perhaps you should just stop TRYING to be so cool, Brewster…

10
Jan
10

Daybreakers: Draining the Genre Dry

a primal root review

Here it is. Our first major horror release of the decade. (Well, besides the Renee Zellweger flick Case 39. But where the hell is that playing?) A vampire horror/science fiction amalgam starring pedestrian actor Ethan Hawke, and the glorious awesomeness of Willem Dafoe and Sam Neill and helmed by the two brothers whobrought us the 2003 zombie action flick, Undead, Michael & Peter Spierg. The film was completed in 2007 and, for whatever reasons, is only now being released early in 2010.

The film I am talking about is, of course, Daybreakers, a strange little film (93 min.) that’s being released as this new vampire craze is at it’s peak. As opposed to the current run of romantic love story driven vampire vehicles Daybreakers takes a different approach to the material with a uniquely topical premise.

Always cool to see Sam return to the genre.

In the year 2019 vampires have populated planet earth. Over the ten years between now and then humans were given the chance to convert. Those who did not were hunted down and used as a blood source for the vampire population to snack on. In fact, humans are nearly extinct and Charles Bromley (Neill) runs the business that happens to be the leading supplier of blood and the supplies are running woefully short. As the vampires are deprived of blood they begin a horrifying mutation into completely psychotic rubbers bat monsters. Edward Dalton (Hawke) is on the payroll as a scientist trying to find a solution to the problem in the form of a human blood substitute. Dalton is a human sympathizer and ends up on the side of a group of human revolutionaries lead by Elvis (Dafoe) who claims to have the key to reversing the effects of vampirism and getting the old ticker thumping once again.

Staying true to the very basic vampire tradition of the rich feeding on the blood of the poor and underclassed Daybreakers had an interesting premise resting in its hands. It is used as an allegory for man’s usage and abuse of natural resources. As the supplies run short and lower class begins to fall away a new lower class must take its place. It just so happens to be a lower class populated by ravenous, maniacal, blood lusting rubbery bat people.

Spare some blood for a starving vampire?

I went in expecting a bit more social commentary wrapped within the pretty, dark and steely frame work and for the first ten or fifteen minutes they served up some pretty cool food for thought. But slowly and surely the brains of the piece take a seat and let the throbbing action boner take over as car chases, shoot outs and vampires explode into hundreds of meaty, juicy bits all over the set. Who knew that staking a blood sucker through the heart activated a self-destruct mechanism? Kosher!

Now, don’t get me wrong, I love my action crazy, wet, and sloppy but Daybreakers seems to have a bit of an identity crisis. As if it’s not so sure of the picture it wants to be. “Do we want our audience to think or would we rather shower then with vampire viscera?” Sadly, what could have been a brilliant vampire film about the growing struggle between the haves and the have nots is more of a vampire movie that looks to take place in the glossy, highly stylized world of The Matrix.

Daybreakers is competent but bland and routine genre piece that had a lot to offer, but in the end, didn’t want to dig too deeply beneath its own surface. And what we ended up with is a sleek, polished little bit of filler.

Hey, at least there were no high school love triangles or glamorizations of teen suicide.

Stay Trashy,
-The Primal Root




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