Posts Tagged ‘Monster

01
Jan
12

Rawhead Rex Wants to Skull Fuck You and I’m Okay With This.

a Primal Root written review

When I think of monsters larger than life a number of creatures come to mind. Of course, Godzilla, King Kong, Cloverfield…Hell, even Bruce from JAWS and the graboids from Tremors make appearances.  And then there’s Rawhead Rex, the red headed step-child of all giant monsters. Yeah, while Godzilla is off crushing noodle factories in Japan, Rawhead Rex is stomping around rural Ireland ripping the heads off teenage love birds and literally pissing in the faces of local priests. Now this is The Root’s kind of monster. Sure, Rawhead’s not nearly as tall as some of the other monsters on the block, but he makes up for his mere 10 or 11 foot tall stature with plenty of murderous spunk and personality. Unlike other monsters who are brought about by man’s experimenting, or are simply Mother Nature’s own killing machines, Rawhead is just a mean mother fucking demon. He’s not here for sympathy or for us to see ourselves reflected in him…no. This guy just wants to bite your face off and smear his shit on the bloody mess beneath. I doubt you will find a sicker, meaner, more sacrilegious monster in 80′s cinema. I feel it is my duty, as ambassador of the Trash Cinema Collective, to shine a light on one of the nastiest, meanest, most atrocious cinematic monsters ever brought to life, Mister Rawhead Rex.

"I feel good about me!"

Our movie takes place in a dreary farming community in Ireland where a group of men try to remove and ancient totem from one of their fields. Soon, the sky darkens, red lightening rains down and the totem falls releasing a horrifying demonic monster older than the Christian faith whose only purpose in existing is to destroy any and everything in it’s ugly path. At the same time, an American family has come to town headed by historian and writer, Howard Hollenbeck, who is traveling the countryside compiling research on pre-Christian sacred sites and is interested in the local church’s unique history and stained glass windows.  All the while, Rawhead is painting the entire countryside rd with the grue and entrails of the local villagers, twisting off heads, terrifying children, setting people on fire and tearing ladies blouses off to expose their breasts before tossing them into trees. How can Rawhead be stopped? The clues and secrets to the creatures destructon are all held within the walls of the towns ancient church. Can Hollenbeck get aid from the incompetent local authorities, deal with the psychotic Reverend Coot’s and unlock the mysteries to defeating Rawhead Rex before he destroys the town and Hollenbeck’s family?

Rawhead Rex is based of a short story by Clive Barker, the man who brought us Hellraiser and Nightbreed. not only boasting source material from Clive Barker, but a screenplay by the man as well, Rawhead Rex isn’t a very good movie. However, it is a ridiculously fun and entertaining one. The movie actually follows the original story pretty closely but is also devoid of just about all the thought provoking, serious pagan/spiritual concepts that made the story such a brilliant, philosophical read and, instead, just goes berserk and delivers a fucking crazy ass monster movie that delivers all the goods. That is, if you don’t mind a generous helping of cheese with your cinematic entree.

"Oh yeah, your lymph nodes are WAY swollen..."

The film itself is competently made and pretty well acted all around. Director, George Pavlou, does an excellent job of keeping the pace up, composing some fantastic shots and utilizes them to their best affect, and even takes some risky chances with his subject matter. Keep in mind, Rawhead Rex was released right in the midst of the British “Video Nastis” fiasco, so Pavlou had to walk a very fine line in order for his film to see the light of day. In all honesty, the violence here works rather well. It’s kind of muted in parts but it’s still gets the point across. But where Rawhead really scores points with me is that it has the brass balls to put kids in mortal danger, and even goes out of it’s way to kill a few! Yes, Rawhead  completley destroys a kid or two in his rampage. It happens just out of camera shot but with some great post production foley, the sound of these kids getting folded in half and ripped into meaty chunks drives the point home.

Now, I know everyone’s  gripe about Rawhead Rex is how shitty his costume is. You know, I love the way Rawhead looks. It’s cheesy as all hell and nearly destroy the credibility of the film, but there’s something about it I find really endearing that keeps this whole affair on a B-Movie, Drive-In level. Really, the the monster looks like a cross between a dog, a horse, and The Ultimate Warrior. He’s goofy enough to make you laugh, but strange enought that you don’t want that fucker within 1,000 yards of you.  I, for one, appreciate Rawhead’s fantastic dark sense of humor and that so much of the violence is delivered tongue in cheek. Don’t get me wrong, there are some creepy ideas at play here, a legitimate sense of dread, and a hand full of genuinely shocking scenes… but you cannot deny the film i a Hell of a lot of fun. There are moments when Rawhead runs after people where he looks like a little boy skipping and hopping after them, moments where he celebrates turning over motor homes where he begins dancing like Jennifer Beals in Flashdance, he even whips it out and pisses on a kneeling, willing, Reverand Coot’s in a kind of demonic Golden Shower baptismal cleansing, in what is possibly the film’s most notorious scene. Personally, I couldn’t stop laughing.

I can't help but wonder what Rawhead looks like with his mouth shut. Such a Chatty Kathy, that guy...

Within all this bizarre-o action, blood thirsty monster mayhem, and religious nose thumbing, is a pretty interesting story. Sure, it’s not at all what Clive Barker probably envisioned but it still manages to please as crazed, no holds barred, monster movie sporting a larger than usual set of testicles it drags through the dirt behind it. There are so many aspects of Rawhead Rex that are worth praising. I especially loved the ending conceit the Rawhead Rex can only be destroyed by that which he can never be…and finding out exactly what that means. It’s a rather poetic and lovely idea tossed into an otherwise wild, and grotesque mix. But it’s moments like these where the air is cleared of the action and horror campiness and a little bit of heart shines through.

I highly recommend Rawhead Rex as pure, unadulterated B-movie love. If you come across a copy for cheap, snatch it up as quickly as you can. As the runt of the larger than life monster litter, Rawhead is about as fun and lovable as they come and well worth bringing into your home. Even if he’s not house broken.

Stay Trashy!

-Root

 

27
Nov
11

Attack the Block: Coming of Age during an alien onslaught minus the Speilberg Sap Trap!

a Primal Root written review

“This is too much madness to explain in one text!” – Jerome, Attack the Block

Did you see  this summer’s Super 8? The ultimate tribute to Speilberg style sentimentality set against a small town’s own little alien apocalypse that pulls at the heart strings as people are getting their heads crushed and fathers learn to forgive? Yeah, me too. I thought it was good for what it was…done to death (but never with as many lens flares) and a bit contrived, but it was kind of sweet even if it was clinically brain dead and out of touch.

And then there’s Attack the Block, a badass, go for broke alien invasion movie (of sorts) that pulls no punches, delivers a believable coming of age message and refuses to give all the kids in the film their own little happy ending…unless you consider getting your head bitten off and then chucked across the room a happy ending, which just might be for some of you weirdos! ( You know I love you. ;)

Attack the Blocks opens as a rather attractive young woman named Sam (Jodie Whittaker) is attacked outside of her apartment complex in London by a group of 5 teenagers. Just as they get her wallet and the ring off her finger something crash lands into the roof of a parked car. The lovely young woman runs off and the ring leader of our motley crew of Thug Life Goonies, Moses (John Boyega) is attacked by a fuzzy monkey monster with a gob full of shark teeth. After the initial attack Moses vows the kill whatever the Hell just attacked him, and keeping to his word, Moses and pals track the thing down and crush it’s skull. And this all takes place before the title even appears.

Blockies Never Say Die! Wait, that's a lie...

           As you might guess, these actions call down the fury of some other aliens who are a total different breed of monster than the one the gang brutally stomped to death earlier. And these creaures are quite the sight to behold. Giant, deep black, dog-like monsters who run on all fours and sport glowing blue mouths full of rows and rows of razor sharp teeth intent of ripping apart anything and everything that gets in the way of their goal. The kind of resemble what the Muppets in Hell might look like…

Along the way, our heroes not only have to try and avoid and do battle with these unnamed monstrosities, but they are also being tracked down by a ruthless, jackhole of a drug dealer by the name of Hi-Hatz (Jumayn Hunter)  who can’t aim his gun worth a damn, has the top floor penthouse suite on the block where he grows enough weed to fill an entire room, and doesn’t give a flying fuck about the flesh hungry aline monsters on a rampage, He just wants to pop a cap in Moses for reasons I will let you find our for yourself.

I was surprised by Attack the Block after hearing so many mixed reviews. It’s a blast of pure energy and an honest take on a corrupted youth culture who puts an emphasis on the perceived Scarface rule of respect being a one way street and bullying people in order to get that kind of respect. As the gang is chased around the block by these beasts they are repeatedly confronted with the repercussions of their own thuggish actions in how people react to and treat them. That, in fact, you ARE responsible for your own actions and you do have a choice. Because however you take on a situation, however you treat others and the actions you make, will always have repercussions.

Not a bad message for a movie littered with dead kids, immolated aliens corpses and plenty of fireworks. Really, our main character Moses goes through quite the transformation as the movie progresses as he steadily realizes the errors of his ways. At first blaming society, and then the government and then coming to terms with the idea that he just might be responsible for the hellish situation he’s currently in.

Sometimes you have to man up and take responsibility for your actions. And sometimes you have to risk life and limb to make amends to the ones you’ve wronged and the one’s who are indirectly affected by your own actions.  Attack the Block is about growing up not just into a man, but into a responsible one. One willing to put things right and take responsibility. That it takes more courage to make things right than it does toconstantly blame everyone else.

If you ask me, it’s a damn good message and one worth sending. Especially if you are able to deliver it with such an entertaining mix of alien carnage, samurai sword battles, explosions and epic one liners.

Stay Trashy,

-Root

Did I mention the awesome score by Basement Jaxx?

02
Oct
11

Uncle Grumpy Fuck Remembers The Horrors of Spider Island

An Uncle Grumpy Fuck Recollection

Hey there folks, Uncle Grumpyfuk cumin’ right atcha 10-4 good buddies! I just got back from the local Cub Scout Jamboree, teaching those juicy young lads the safe and correct basics of leathercrafting and knot tying – valuable life-skills we adults should feel obligated to teach the young,velvet-skinned leaders of tomorrow, and as David Carradine taught us, we don’t want any embarrassing little accidents happening,no sir Grasshopper! The boys were great, their minds (and bottoms,heh!) are just like sponges at that age, just ready to soak up anything you throw at or on them! Mercy!
Well folks today we’re going to review an arousing little piece of horrific splendor entitled “The Horrors of Spider Island” or “How the Swiss Family Robinson Should Have Gone!”.
We begin with a righteous set of wheels pulling up to a building and a well-dressed couple gets out,the tension makes “Henry Portrait of a Serial Killer” feel like “Mary Poppins”,shit! The bright sunny afternoon and open air add to the ominous pall that creeps into our souls and private parts. We quickly gather that ‘Gary’, a twinkle-toed Italian guy with impressive man-boobs, and Georgia, a woman with less than impressive woman-boobs are two agents contracted by Zepo Marx to secretly hire a troupe of transvestites for a dancing tour of Singapore to contract the deadly Unmellow-yellow Mono-gono-rhea and return home to infect the unsuspecting American public. I know,I know, I wish I’d thought of it too but we gotta give credit where credit’s due, sigh…
We’re introduced,one by one to the ‘girls’ and Uncle Grumpyfuk has to admit,they look and dance even better than Rupal on muscle relaxers so ships ahoy! we can easily envision some some happy ass Singapore sailors in the near future- eight eager trannies looking good enough to where a couple of bottles of Boonesfarm and some horse tranquilizers could make for an evening of serious potential blackmail material! ..heh!…ahem…aaanyway..
The group boards a small twin-prop airplane and after taking off and traveling a good ways over the Pacific it transforms into a much larger 4-prop bomber, pretty cool I must say. They suddenly begin to take flack from a small island below,the Japs who had diligently waited for the cursed Yanks since the war began in ’43. They were right on target and the bomber takes a nosedive into the drink,exploding like Justin Beiber’s cherry at a John Waters sleep-over, and all lives are lost. …except for our entire group of she-males, their manager and his assistant, who all managed to bail with a life-raft, landing in it one by one so that they all escaped possible death and a certain wetting.
Hair implants still in place they drift for days and days thousands of miles out to sea, even though there’s a rock sticking out of the water to the right. After some unruliness on the part of a dark shaggy brute that goes by the moniker ‘Linda’, Gary is forced to establish his dominant pimp-status and, as punishment, throws all of ‘Linda’s’ amil nitrates into the water,enjoying ‘her’ wails of despair. He then has to put his foot down again and set Jersey Joe, or ‘Babs’ straight after catching ‘her’ rubbing the mouth of the water bottle on ‘her’ crusty anus for laughs. Finally submission is achieved, gotta keep those man-bitches in line yes-siree!

After many days,drifting tens of thousands of miles out to sea one of the guys spots our movies’ namesake, Spider Island…well, actually there are two islands,they don’t tell us which one is Spider Island and they don’t tell us the name of the other island, and it will haunt me ’til my dying day,what was the name of the other island?! Sand Flea Island perhaps? An island inhabited by a mad scientist and his genetically mutated, radioactive sand fleas, as big as spaniels, who he loves as his own children! … I’ll never know.

When they reach the island the ‘girls’ begin to whine and carry on like typical queens and Gary is even forced to carry one of them ashore after discovering ‘she’d ‘ taken half a bottle of Nyquil. They collapse on the beach and after a spell Gary whips them into order and marches them off to explore the island. They moan and whimper until Gary spots a condominium in the distance,orfices quiver however upon entering they find an old bondage slave trussed up like Marilyn Manson at his 10th birthday party, however this old chili-dog knave was deader than a living carbon-based life form no longer imbued with life.

The trannies bolt as one, prancing about ,hamming it up to the umpteenth degree just like real women do,while Gary and Georgia, upon closer inspection deduce that the eunuch’s master had taken things a little too far (wink!) and his heart and left testicle had simultaneously exploded. Unfortunately the cabin reeked from the old slave’s bowels releasing and Gary forces the gagging yammering fudge packers to clean things up. They submit readily enough, quietly hoping for the murderous master’s return in anticipation of a fight with Gary for control of their leathery anal cavities, but no sign of any other people soon dampen their hopes.
After about 2 minutes a fight breaks out over someone’s mention of cellulite and those two blokes go at it like cats, woo-hoo!! I mean they even fight like women(!),slappin’ and rasslin’ about, pulling hair, damn if the ol’ pickle didn’t stiffen a tad! Gary breaks it up, showing once again who’s the boss and tells them they BOTH need to lose some weight! Ha! You ‘da man Gary!
Suffering from serious stress due to pharmaceutical withdrawal and lack of anal deposits has the group’s nerves on edge,and combined with the tropical heat they begin to disrobe. Now I gotta tell you, you’ve got to be impressed with the skills of plastic surgeons and reluctantly admire the dedication of these guys to starve themselves and keep so thin and feminine-like, the ol’ zipper is straining once again I gotta tell ya’! To add to the nuance, while this is going on some of the best soundtrack music of all time begins to play, that saxophone sounds like it’s spooging all over the front row of the audience by golly! I can’t wait ’til this comes out on cd!
Meanwhile Gary, exhausted from his busy pimp duties finds the condo owners Glock 9mm automatic,which he refers to as a revolver, ( hey, pimps don’t have to be smart just forceful right?) and takes off into the woods for a little walkabout. As he walks about he’s plagued with huge sand fleas ( yeah, uh-huh, right!)…and while he’s swatting at one on his temple, with his gun hand, he manages to decorate the surrounding foliage with small bits of skull fragments and brain matter, leaving our rugged manager a tad dazed and confused. He proceeds to wander off in search of zinc and Bob from Sesame Street, leaving the insecure girly-men alone to fend for themselves.

The next morning the guys put on their makeup, split up and search around fruitlessly (ha, get it?) for Gary who has meanwhile found his way back to the condo and unfortunately stumbles upon ‘Linda’ whom he gleefully forces to bob for river rocks, indefinitely! He then then spots Tiny Tim floating on the horizon, motioning him to come to him and wanders into the ocean never to be seen again until his next film.
The girls give up looking for Gary after a good 20 minutes of searching and after 3 more hours finally find the condo where they find the buoyant ‘Linda’ still bobbing for river rocks. They run in circles and shriek until they get tired and as they sit and continue to wail and carry on Georgia digs a deep grave in the rocky baked earth. Arnold or ‘Anne’ see his chance and stands at the edge of a cliff,  totally faking it, until the others finally notice and ‘save’ him, fawning over him and carrying him back, fucking attention whore.
Unrest follows the leaderless group and soon Jersey Joe and Murray are at it like pro rasslin divas, and they may be guys but wow it’s more stimulating than a weeks’ worth of episodes of Romper Room! Then they see Gary’s hands come through the window as he tries to snatch a tampax but he disappears as quickly as he appears.
After a few sticky weeks a pair of Mary Kay reps motor up to the island and as soon as they unload their gear the older Moe heads down the path to the local hacienda to engage the occupants to the wonders of the Suckiu Vacuum Cleaner. As soon as his partner is out of sight the younger Bobby heads through the brush to the back of the compound and waits until Moe has the owners distracted. He then plans to sneak up behind the unsuspecting patriarch and finish him off with razor wire before he even suspects his adopted children will soon be orphans once more,for a short time  anyway for then the pair plan to help themselves to the contents and occupants of the house for dining and sport (wink!). My kinda guys, eh folks?!? Yeah,ha-ha!


However just as Bobby begins to leave the boat he hears the unmistakable sound of men giggling and after climbing a slender tree trunk several times to get that ‘good feeling’ he climbs a larger tree overlooking the sunny lagoon and what do his horny eyes behold but several of our troupe of trannies splashing around in the shallows, washing the filth from their bodies and scouring the crusty scabs from their rank and pock-marked anuses with the fresh stinging salt water! Sha-wing!
Driven to near hornyological hysteria he sneaks down to the edge of the rocks where Gregory, or ‘Gladys’ has drifted away from the others. Bobby tazes him violently and while still spazzing like my neighbors cat in the bug zapper! …would probably look, you know, if it hit the bug zapper, heh…ahem, yes..anyway the other guys who only hear the commotion bolt like party-goers at Corey Haim’s most recent shindig leaving Bobby and a still twitching ‘Gladys’ alone to become acquainted with each others’ back sweat,(winky-wink!).

The guys all join up in the woods and the wetter ones begin to tell of ‘Gladys’ fate when they hear Moe coming down the trail singing that song, you know, that song …by that hot chick with the brown hair..YOU KNOW…that song!!! Shit! Anyway after capturing Moe and forcing him to lick Georgia’s still unwashed twazzer to prove he’s a friend they lead him towards the condo for humiliation games and s’mores! Bobby and a shaky ‘Gladys’ soon join the group and the party,she is on!

The guys dress up in their Singapore Island Whore hula-hoochee girl outfits and damn, the horse tranquilizers wouldn’t even be necessary! It’s a South Sea Sausage Fest, crabs for free, with raunchy saxophone lounge music and drunk swinin’ trannies, yee-haw!! Well Moe and Bobby spend the evening taking turns abusing the giggling choad worshipers purty mouths until Bobby is lured into the bush with a promise of candle waxing and crystal meth.

Unfortunately on his way to the lagoon Bobby falls to his knee- years of cheap cigarettes, rotgut island rum, stimulants, depresents and an addiction to monkey adrenal gland pancakes, courtesy of IHOP, have taken their toll and he lays projectile vomitting all of the precious alcohol and monkey glands he’d just consumed, and continues to do so until reduced to a withered corpse that bears a striking resemblance to a male Joan Rivers. Things are also not going so well back at the condo either.
After dining on lobster marinara the guys are sitting around comparing califlowers when Butcher McCree, or ‘Teena’ leaps to his feet and starts raving about fiddler crabs with Sharon Ozzborne faces and suddenly dashes out of the cabin,into the woods. The shocked group look at one another when they one by one begin to also feel a bit queasy and anti-gravitational.

Apparently the canned mushrooms that ‘Babs’ used in their meal were 2 weeks out of date and the hallucinatory effects were beginning to make themselves known…good deal!! Sadly ‘Teena’ wasn’t aware and the guys decide to try to find him before he hurts himself,it’s his turn to wash the dishes anyway! They light torches and join in pursuit of their addled member but are quickly distracted by the killer trailers produced by the torches they were all carrying. As they run in circles whirling the torches around and laughing, poor ‘Teena’ runs head on into some quicksand and hastens his demise attempting to dive for pearls. The guys laugh it up and head back to the condo,finishing the night out by tying up and buttfucking poor Moe. Then we see a ship sailing off.

The end.

Truly a great film, I was momentarily confused by the end credits,what with the womens’ names,then I thought about it, duh, stage names! Sorry folks,brain fart. Well I guess ol’ Grumpyfuk is going to jump online and check out hottrannies.com and see what there is to see! I’m used to them a bit younger,I do love my veal but we must always be open-minded and always try to experience and bugger new things in life! Ariba!
Take care folks, Uncle Grumpyfuck will be back atcha soon with another sharp and insightful critique of another golden piece of spider poop! I’m outta here!
In retrospect I guess the reason they called it Spider (singular )Island must have been because there was only one spider.

-Uncle Grumpy Fuck

17
Sep
11

Creature: Of Alligators and Incest

a Primal Root written review

Those who know me also know Drive-In Critic Joe Bob Briggs is pretty much my icon. My hero. The man I look up to as my role model. And those who know Joe Bob Briggs are well aware that he’s broken down the formula that makes a B-Movie worth out time. The elements are the fabled, legendary, Three B’s. That is: Blood, Breasts and Beasts. My entire life this has proven to be the key to my enjoyment of a bad movie. As long as those three ingredients are there I’m not bored.

And then I saw the recent film, “Creature”.  A southern fried monster tale about a mean tempered, horny, century old alligator man who rules over a stinky, tobacco stained Louisiana swamp land looking for a place his slimy gator seed can take purchase. Lucky for him, three supernaturally idiotic marines, two of whom bring along their girlfriends and one who brings along his in heat, hooter flashing sister,  have decided to head out into the swamp in search of a death trap, excuse me, I mean…tourist trap.

Who will survive and who gives a shit?

The six attractive younguns stop by a local gas station called Captain Spaulding’s Museum of Monsters and…oh shit, no, wait, it’s just called Chopper’s and is run by…Chopper played by Sid Haig. His little gas station/general store also happens to be a bit of a  museum honoring the local legend…Lockjaw, the malevolent Alligator man who lives in the swamps.  Anyway, Chopper tells them a little bit of the legend, gives them directions (any of this sound familiar?) and the kids head off to go die after flashing their tits and drinking some wine.

It’s a familiar set up and the whole film feels like a brain damaged cross breeding of Rob Zombie’s House of 1,000 Corpses and Adam Green’s Hatchet. I know both of those films have achieved cult status ( The former of which I can understand. The latter? Not so much…) and I am sure this horror abomination will fit snugly amongst that cannon as an interesting side note to that strange slasher fan boy genre birthed early this century.

Might as well kiss that ass goodbye...

It’s that backwoods hillbilly genre that really took off during the naughties with independent horror. From Wrong Turns, to Devil’s Rejects to Texas Chainsaw Massacre reboots, everyone was digging on uneducated, blood thirsty, backwoods, gut munchers. Hell, that resurgence took hold even before that whole Saw franchise flooded the market with torture horror. However, this trashy flick, “Creature”, pulls one aspect of these films that’s typically only touvhed upon and forces it out there into the spotlight for the audience to take a long, creeped out look at. And that element is the wonderful world of incest.

Yes, incest. I know the old southern saying, “The closer the kin, the deeper in” but this flick takes that sentiment to whole different level. Remember when I told you one of the marines brought his red headed, libido of a rabbit, sister along? Well, when her attempts at date raping one of her brother’s friend’s girlfriends doesn’t work out she finds her brother…and gives him a sloppy handjob in the middle of the swamp and then complains that he now can’t fuck her with his wet noodle.  It’s awkward, to say the least and luckily Sid Haig rushes onto the scene and punches her square in the nose before things can escalate.  Being an only child, I’m not sure if this is how regular brother and sisters, umm, handle one another. They never really touched on this sort of thing on Family Matters or Step by Step.

Anyway, the incestuous sister’s got a date with that wild man bachelor known as Lockjaw!

Lockjaw finds the scent of Herbal Essence hard to resist.

Yes, the eternally wet, red head, incestuous sister is pulling a double header tonight and is now bound, gagged, and ordered to fuck a giant gator man. So, bestiality is now entering the equation in “Creature. But, see, she can only bump uglies with Lockjaw once her feet are hacked off. …the Hell? If someone could explain to me why in the word that is necessary I would greatly appreciate it. I don’t know why in the world they felt the need to make the plot of this thing so damn convoluted and jam as many rules  and oddly out of place plot twists as they could when none of it really goes anywhere.

It’s such a basic story. You have a Gator Man looking for love. A pack of attractive twenty-somethings, three of which possess the proper genitals, wonder into his home turf. The movie practically writes itself and would have been a riot if they had kept it simple, fast paced and FUN! Whoever wrote this thing just bogs the movie down with weird side tracks and sub plots and meaningless stretches of dialog that aren’t funny, don’t mean anything within the context of the movie and advance nothing. It’s as if they were struggling to make this thing feature length and just didn’t know what to do. The movie’s run time is 93 minutes but it feels like it goes on for over two hours as scenes drag into nothing over and over again with neither a payoff or anything that enhances the story.

Daphne and Velma share a tender moment on their latest kooky caper!

HOWEVER! The film does feature a ton of nudity! Three gratuitously displayed pairs of lovely lady breasts and even some in your face full frontal female flesh(Breasts, Buns AND BUSH! Booger would be pleased.) for the audience to ogle in the very opening of the film. This poor, totally naked woman has no lines, is completely nude and is killed and out of the movie in about 5 minutes time. I guess it’s a bad idea to go skinny dipping in a gator/rapey flesh eating Hell beast infested swamp. I am looking forward to her next project because in these 5 minutes Jennifer Lynn Warren won my heart and is one of the most memorable elements of the movie. Being naked as a jay bird certainly didn’t hurt…

The gore is a little lacking. I was expecting a bit more in a film about Lockjaw the Gator Boy who leaves a little to be desired as well.  The creature effects are great and all but I couldn’t help but notice how the monster looks almost identical to the Koopa’s from the live action Super Mario Brothers movie. Yet, the fellow inside this creature suit does a great job bringing it to life and making the most of it. He possess, stalks and attacks like a pro. Sadly, we are never treated to a Lockjaw sex scene. SEE! Now that would have been entertaining! And we do get undeniable proof that such a scenario did occur at some point in the movie, but for whatever reason, we aren’t treated to that moment of pure animal-man on woman horror. Eh, maybe in the direct to video sequel starring Bill Moseley? Only time will tell.

"I Shouldn't Be Alive" New Season Begins This Fall

And they never did explain the regenerative properties of the swamp itself that a man could get shot square in the knee with a rifle then run on that leg for the next thirty minutes of the movie and not even limp. Well, maybe it’s just because he’s a marine? Either way, this might be my favorite unintentionally funny aspect of the film. How much the lead character gets shot, stabbed, and repeatedly crushed and beaten mercilessly by Lockjaw. Including one excruciatingly long slow motion sequence towards the end of the film where Lockjaw repeatedly pounds full force on the character’s sternum and ribs, and then, seconds after the attack, the character can simply get up and walk it off.  I always thoroughly enjoy that sort of stupid shit in trashy films. There’s also a pretty hysterical spider attack sequence where a guy gets pounced by tarantulas and then treats the bites with…bottled water?

I just wish there had been more of that fun, dumb, stuff to tide me over in between scenes of nonsensical redneck banter, jewelry gifting, potato chip scavenging,  and boyfriends getting upset because his girlfriend is getting naked in a tent and making out with another sexy woman looking to get a threesome going. Who ARE these people?

“Creature” has a whole lot of promise and I was eager to take the trip it so obviously wanted to deliver. But somewhere along the way it seems the whole thing got lost, forgot where it left it’s fun, Drive-In, B-Movie spirit and left us imagining all the awesomeness that could have been. “Creature’s” heart is in the right place and the filmmakers obviously have an affection for Trash Cinema. I mean, it was director Fred Andrews first time at bat, so I will cut him some slack. I just hope that the next film he delivers is a bit more streamlined and heavier on the sick, demented fun.

As Joe Bob might say, there’s just too much dang plot getting in the way of the story!

Stay Trashy!

-Root

And, yes, that’s Eggs from the second season of True Blood.

09
Jul
11

TerrorVision: Don’t Worry, It Brought Plenty of Lube!

a Primal Root Written Reviews

To be completely honest I had no idea what I was getting myself into when I sat down to watch TerrorVision, this 1986 horror flick whose VHS covered adorned just about every video store shelf when I was a kid. The artwork promised something dark and sinister…but the title? Terror-Vision? I sounded like something more akin to the 1992 John Ritter flick, ‘Stay Tuned’or Joe Dante’s trippy segment from the 1983 Twilight Zone Movie. After finally watching this sucker, it turns out, I was a lot closer to the mark than I knew.

We are introduced to The Putterman’s, your average yuppie, Reagan era family complete with Cyndy Lauper wanna teenage daughter, enthusiastic Rambo-esqu pre-teen son, and parents who are more interested in the latest technology, covering their home with erotic art and getting into the swinger trend and boasting about it proudly…in front of their children, who understandable, seem to be holding back the bile and cringing with deep mental scarring. Come on, kids, lighten up! Because being a cock-hopping swinger smack dab in the middle of the AIDS epidemic was the responsible choice many parents were making at the time…

Earthlings, what a bunch of dickweeds.

The Putterman’s are hooking up their brand new, state of the art satellite dish that can beam deep into space and broadcast all kinds of kinky, weird shit from everywhere imaginable for their viewing pleasure on their 12 inch screen television (not exaggerating.). Programs like down and dirty pornography, MTV, and, wouldn’t you know it, carnivorous monster garbage from space that oozes it’s way right out of the set and into your lap! I mean, the dish itself is the size of a Volkswagen bus and the remote is the size of an Atari 2600 game console (replete with mini satellite dish on top) so this kind of shit was bound to happen. DAMN YOU TECHNOLOGY! Bringing forth unwanted alien evil right into our living room! How topical…

This monster looks like a huge family gathering had a sloppy-joe eating contest, all got food poisoning and then vomited this monster into creating. It’s slimy, hideous, and goofy as all hell. It’s not particularly frightening until it shows off it’s Grundle-Fly eating skills. This guy shoots out it’s tongue, which resembled to arms covered in a red tarp and dipped in bacon fat, that connects with it’s meal, injects acidic digestive fluids and then slurps up the gooey remains.The monster has several variations of this eating routine, all are gross, all are messy. First we had to worry about Fox News invading the living room, now THIS SHIT!

Had to include this picture because I laughed at it so hard I farted.

Early on, The Putterman’s visiting Grandpa and lizard enthusiast (don’t ask. it bares no foreshadowing or has anything to do with the rest of the film), is attacked and turned into fuddy-duddy creamed corn right before his little grandson’s very eyes. Luckily, this grandson is packing heat, brandishing an AK-47 and plenty of grenades. The young man spends the majority of the movie trying to warn everyone from his sex crazed, ugly parents to his nimrod of a sister and her metalhead boyfriend. Even a TV horror movie host and Elvira send up called Medusa! No one wants to believe the young man…until it’s too late!

Medusa, I suppose there's no threat of me looking into her eyes when she's wearing that outfit.

TerrorVision is an excercize in camp horror that the viewer will either understand and enjoy thoroughly or be annoyed with and tune out right away. I was the oddball on the fence. This thing looks like a living cartoon. From the color scheme, to the overacting, to the concept of the movie itself. I’s almost unbearable goofy. The single thing that saves it is the films much appreciated wicked sense of humor. TerrorVision is not afraid to kill off ANYONE or go for any dark, mean spirited laugh. TerrorVision is really a one of a kind movie in a lot of ways and really throws the viewer off kilter right from the very beginning. You don’t know what to expect as the tone shifts all over the place from light to dark in the blink of an eye. I always appreciate a film that keeps me wondering just where the hell it’s taking me. TerrorVision is one of those films. However, I cannot be sure if that was intentional or not…

I’ve gotta mention that TerrorVision also needs a medal of honor for being the slimiest damn movie I have ever seen. From the characters, to the aliens, to the liquefied remains of the carpet, it’s as if everything on set has been doused with a liberal appliance of K-Y Jelly. I can;t imagine how it must have been to work on this set with your fingers constantly being lubed up as your tried to focus the camera or simply walk to craft service table…where all the food must have tasted like anal lube.

TerrorVision is not for the faint of heart and I can only recommend it to the most dedicated of Trash Cinema fans. IF you think you have to fortitude to sit through this divine, 80′s, sci-fi,  horror, comedy stinker, be my guest. I’m sure you’ll be glad you tuned in. ;)

07
Jul
11

Noel, July’s Devil Girl of the Month (NSFW)

Hey Gang, The Primal Root here, and I am incredibly proud and honored to present to you our Devil Girl for the Month of July, Noel! She has delivered us an exceptionally, bloody, sexy, demonic set entitled, “Deadly Sins”. Noel’s a good fiend of ours here at the Trash Cinema Collective and I hope my fellow Collectors out there will give her the enthusiastic and warm welcome she so deserves. Enjoy and Stay Trashy!

Here’s what Noel had to say about her Devil Girl of the Month spread:

I’d always wanted to shoot in this dank, old, haunted attic that a friend of mine owned. There were always creepy sounds coming from it, and stuff would be moved the next day. Finally I just decided I HAD to do a scary set up there, and what better than a carnivorous demon? “Deadly Sins” is a demon set that was both fun yet terrifying to shoot. I kept hitting random cold spots in the attic (despite it being summer outside), and some of the photos didn’t come up on the computer because they were corrupted. Despite the creepiness, it was a very fun experience. – Noel

photography by Pitchfork Studios in Indiana

Looking for more Noel? Check out her site! www.noelsnaughtynook.com

27
Jun
11

Rotten Reviews Episode 20: XTRO

Hey Gang,

Who doesn’t remember E.T.? The cute, cuddly, persecuted Reese’s Pieces Loving extra terrestrial who was left behind only to phone home and teach us all about love and peace in the process? Well, forget that feel good shit, this is XTRO. Britain’s hugely fucked up, grisly and disgusting answer to one of the most successful family films ever made.

XTRO is the story of a broken marriage, alien abduction, and coming up with as many ways as possible to make sure that for next few days after watching XTRO the thought of sex will make you vomit all over yourself. Sure, there’s a little kid and an alien who is far closer to him than E.T. was to that little asshole he befriend, but XTRO’s single goal seems to make sex as unappetizing as possible. And it would have succeeded if it weren’t for that gratuitous sex scene featuring a very young and zipper burn inducingly hot Maryam d’Abo (The Living Daylights) that reminds us sex without extra terrestrial involvement is pretty dang awesome.

Just keep those images of her in your mind rather than vagina egg chutes or grown men ripping their way out of the womb as sloppy red gunk sprays across the floor…

Enjoy this interstellar Rotten Review, Gang!  And don;t forget, you can meet Tim Dry, the guy in the rubbery monster suit doing the crab walk, at the Days of the Dead Horror Convention in Indianapolis happening July 1-3! Make sure you go, and when you do, keep your eyes peeled for your old pal The Primal Root! Looking forward to meeting some fellow Trash Cinema Connoisseurs.

Stay Trashy,

-Root

13
May
11

Tantacles or Who I Ripped Off on My Summer Vacation

a Primal Root written review

In the summer of 1975 there was this little movie directed by a no name filmmaker about a particularly blood thirty great white shark. You might have heard of it. It’s called JAWS. Yeah, the awesome horror flick that, along with Star Wars, ruined movies forever more because everyone wanted to make a blockbuster action movie. Fast forward decades later and we are gearing up for Transformers 3. Anywoo, the more immediate side affect of JAWS was onslaught of late 7o’s sub-par carnivorous water dwelling creature pictures.

And not to sell them short right out of the gate, to be fair, there were some really cool flicks to come out after JAWS trying to chomp the same chum.  Joe Dante’s excellent killer fish flick, Piranha (78).  Humanoids from the Deep (80) and even Alligator (80) re all unique and interesting spins on the JAWS formula and awesome Trash Cinema flicks in their own right that make for great summer time viewing.

And then there are the really bad knocks offs.greasy, lame-o copy cats who try to take the exact same premise and throw it back at the audience. Most notoriously, the Italian film ‘Great White: The Last Shark’ (81), which is the tale of a great white shark that terrorizes a small island community. Sound familiar? Universal thought so too and they sued the pants off those guys and had the movie withdrawn from theaters. Till this day it’s tough to track a copy of that sucker down.

But there is one films that ripped JAWS off properly. Remove the damn shark entirely and add a totally different vicious sea creature so no one can sue you for directly stealing the premise of the Speilberg’s blockbuster epic! That’s right, the 1977 film ‘TENTACLES’! The story of a blood thirsty GIANT OCTOPUS that terrorizes a small island community. Now we’re talking!

The movie begins with several mysterious attacks around the beach. First off, a 10 month old infant is snatched from it’s stroller when Mom isn’t looking and is promptly gobbled up. Later, at a marina, a scruffy man with a peg leg swabbing the poop deck is yanked from his work and chewed up post haste only to explode up from the depths all chewed up in front of some guy double tasking while he fishes and sucks face with some scantly clad 400 pound girlfriend…we later see him wrapped in a blanket starring into the distance with his mouth hanging open. I think he’s supposed to be in shock from witnessing Peg Leg Pete surfacing like a rocket from Hell, but in all honesty, it could have been because he envisioned his make-out partner in the nude.

No one is quite sure what could have done this. It was no motorboat, and it wasn’t Jack the Ripper and it sure as shit wasn’t any shark. The body of the womb fruit and the old geezer are found with flesh completely stripped off the bone. The local newspaper reporter, Ned (John Huston), begins to to think this might have something to do with the rock excavation being done by Trojan Construction (I can only assume they construct prophylactics as well.) which is headed by Mr. Whitehead  played by Henry Fonda, who has no scenes with any other cast members and vanishes half way through the movie.

And, believe it or not, Shelly Winters also shows up for this thing. She plays the aging, seductress (?) and single mother, Tillie. She also happens to be the sister of our roving reporter Ned. Her son is about 13 years old and we are introduced to her as she has some adorable, good natured banter about how she mashed fuzzies with one of the local bartenders last night. These are mental images far more troubling than anything those tentacles could ever hope to accomplish.

Shelly Winter’s main purpose is to wonder around this town in a silly, giant sombrero (not making this up) and look on in mock terror as her bastard son and his buddy are attacked by the killer giant octopus during a sail boat race.During the attack the kids are scene laughing their asses off (method acting?) however, only one of them makes it back to shore alive. This attack on the sailing race might be my favorite sequence in the film simply because it’s so ridiculously awful. It’s basically a bunch of sail boats toppling over without a single tentacle in sight. The editing used in this sequence is a hack job. I assume they wanted it to look like things were frenzied, but the end product, looks like some 6 year old was given several feet of film, a cleaver and a tub of rubber cement…yes, it’s that bad. But it’s also pretty amusing to watch. Especially when they cut away to the “hysterical” Shelly Winters…

The only hope this small town has is a street smart marine biologist named Will (played with deadpan accuracy by Bo Hopkins), his two trained killer whales and his his wife whose name might as well be Fish Food. She’s gorgeous, but don;t get too attached. Her death sequence, I assume, was meant to be the big high point of the movie. Her boat is charged by the octopus in the middle of the night and a tiny model is blown to bits by the impact. She tries to swim from the wreckage but is hoisted up and spun all over the place by the Octopus tentacle. Again, it’s edited together so haphazardly it gives the entire moment a comic appeal I don’t believe the filmmakers were aiming for…

This all leads to a climactic showdown between Will, our mean streets marine biologist who doesn’t seemed phased at all by the horrifying demise of his gorgeous and concerned wife, and the killer octomonster who wield the evil tentacles of the film’s title. Luckily, Will get by with a little help from his killer whale pals, Summer and Winter. As Will tells the story, he met his wife in Summer and proposed to her in Winter.  Not many romances spring up the belly of a whale, let alone two separate whales, so it’s really a shame she met her demise in such an untimely fashion and in a way so many anime school girls have gone before her.

I don;t want to spoil it for you, but the action packed finale features a dead octopus purchased from some fish market and two killer whale sock puppets purchased from Sea World. Oh yeah, it’s gotta be seen to be believed.

Tentacles is one botch after another. It’s so bad it’s beyond such trivial labels. It’s really a one of a kind aws cash-in, if there can be such a thing…where the filmmakers behind i lost the point entirely of what worked, stole all the elements that seemingly made Speilberg’s film so popular (underwater shots of flailing legs and shrinking crotches, water logged body jump scares, the death of children, enjoyable real world banter, greedy rich people more concerned with losing money than losing lives, etc.) and then fail miserably to deliver. The most egregious error is not giving the octopus it’s own enigmatic theme music. I imagine the filmmakers sitting at the premiere and looking at each other as they realize how they completely forgot to rip-off the score to JAWS.  There’s not a single drop of blood in the PG rated monster movie! I mean, even JAWS had some graphic content (Quint- Soft on the outside, crispy crunchy on the inside!) and managed to hold down a PG rating. I guess they needed to use that money to secure the rubber tentacles and octopus stock footage…

Tentacles is worth a look. I found myself chuckling through the whole damn thing and slapping my palm against my forehead in disbelief several dozen times as I witnessed the film’s numerous failings. Tentacles is Trash Cinema to the extreme. A rare bird that few have seen and, in all honesty, probably shouldn’t exist.  I am glad it does, though. Because these films are what those adventurous movie renting evening of yesteryear were all about. Grabbing that crusty old VHS tape with the awesome cover you knew would never deliver what it was promising but would certainly deliver the laughs.

Those were the days… Have an excellent summer, Gang! Be safe and keep watching the ocean!

Stay Trashy,

-The Primal Root

15
Dec
10

Hard Rock Zombies: Night of the Creeping Sex Offender

a Primal Root review

Admittedly, the cheesy movie fan is kind of an oddity unto himself. Someone who won’t go see Transformers: Revenge of the Fallen because it’s a contrived multi-million dollar hunk of dog shit but will spend countless hours looking for the next “Manos”: The Hands of Fate that they can laugh their asses off at with their pals while downing some rot gut in the comfort of their own living room. Well, my fellow collectors, you will be happy to hear I have come across one of the strangest pieces of Trash I’ve ever witnessed. It’s a greasy, hairy, spandex clad monstrosity from 1984 entitled, Hard Rock Zombies.

Rocking Hard or Hardly Rocking? If we're talking about the hair then they most certainly are Rocking Hard.

Now, you can never judge a movie by its title. At first, Hard Rock Zombies sounds like it could be just fine– Zombies rising from their graves to munch on the warm, gooey flesh of the living as metal music blares over the soundtrack and the arterial spray spatters against the wall. Alas, no dice. Instead we get a hairy, sleazy quartet of rockers lead by the mustachioed lead vocalist and guitarist, Jessie. They play nightly to crowds of about a dozen or so young women decked out in their leopard print spandex and requiring a cheering track as they couldn’t quite work up the excitement to cheer while they were actually on camera at the concert.

This young lady immediatley contracted a venereal disease upon having her breasts signed by Jesse.

Once their introductory concert is over and the audience endures a scene where they all hang around in their tight little underwear and fiddle around with their junk, they head out for their next scheduled concert in a town by the name of Grand Guignol (SUBTLE!!), a small town Jessie has been warned to stay away from by a young pre-teen girl named Cassie. The warning goes unheeded and as the band rides off in their van while chanting a tune that will raise the dead (Jessie read about it in a “book”) they pick up a scrawny blonde hitch-hiker chick who invites them to stay at her family’s mansion.

'Don't be so quick to judge' might be the message of Hard Rock Zombies. After all, this...being could just be bringing us cookies and rainbows! Nope, just a tack hammer to bludgeon us to death.

Just wait till you meet this bunch. One-eyed midgets, wheelchair bound werewolf grannies, bald-headed blood spattered chicken slayers and even a retired 90-something year old Adolf Hitler who bangs werewolf lady at night with an audience of midgets he calls his grandchildren. And you say that the Sawyer clan from Texas Chainsaw Massacre had awkward family get-togethers! Needless to say, the band sees nothing wrong here, and is even mildly charmed. Upon arrival and hearing constant screams of agony coming from the mansion the band’s keyboardist sheepishly asks the little blond minx, “Um, excuse me. I don’t mean to be rude, but what’s with all the screaming?” Were people just more accepting of this kind of behavior in the 80′s? I suppose this was post-Manson pre-Waco America. Still, no red flags go up? Not one?

As the band hypes the town up over the impending HARD ROCKING by way of a dancing montage where the band members hop, skip, jump and mime (yes, mime), Jessie spots Cassie again and chases her across town. Over the course of the film, Jessie falls madly in love with this 16-year old girl. So much so he writes a tender yet shitty love ballad just for her. His love is so passionate it is already penned and rehearsed to perfection by the band.

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And so, night falls as the band recuperates from a painful but not fatal electrocution at the Freak residence. And it is them after much anticipation, the Freak family ACTUALLY decides to kill the band! This had me cheering in my living room as one by one these hair band rejects get slaughtered in very cheap and awkward ways. The keyboardist and bassist get murdered by werewolf granny, who regains the power to walk when she puts on her wolf mask. Um, Jessie gets crucified on an oak tree and then receives a weed whacker to the chest and the drummer gets it while naked in the shower with the blond hitcher as they try to recreate the legendary scene from Psycho.

I wonder if Alfred Hitchcock was flattered by this far more genital heavy homage to his now legendary scene?

Halfway through the running time and we’re one step closer to actually having some zombies show up now that the entire band is murdered. The small town residents bury the guys a foot or two deep in the front yard of Freak Manor and call it a day. Cassie has a harder time letting go. She sits beside Jessie’s grave and plays her favorite cassette tape of theirs that just so happens to feature… the same REANIMATION ROCK we heard them playing in the van earlier! The four fellows rise from their graves to march around town doing some strange dance before getting their vengeance against the Freaks who killed them.

Oddly enough, our story doesn’t end there. Before you can say “This movie is retarded” those killed by the band rise up from the dead to begin killing anew. That’s right. Zombie Hitler, Werewolf granny, zombie midgets and ever a zombie interpretive dancer! They are all back to tear about the quaint little town of Grand Guignol to pieces.

Will the band impress the big wig record executive now that they are dead? Can Grand Guignol be saved from the zombie apocalypse? Will the band ever be able to convincingly fake-play their instruments? Will there be any explanation as to why the midget zombie has decided to ride a cow? Will any of the severed head jokes make me laugh? Will Hitler’s gas chamber in the Cave of Death come in handy? You’ll just have to check this puppy out to see!

The grave diggers must have anticipated their reanimation since they just threw dirt ontop of the band rather than burying them. Good thinking! That saves time.

In all honesty, probably the only truly disturbing aspect of the entire film is Jessie’s strange lusting for Cassie. The 12 year old girl. The man writes songs about her. He runs after her as she flees. He even corners her to give her a sentimental ring which seems to win her over. There’s even a fantastic fantasy sequence that takes place towards the end of the film as the now zombified band rocks out their brand new Monster Ballad “Cassie” where Jessie sees himself running to embrace his little girl love in a secluded area of the woods while he is decked out in a white leisure suite and a matching ascot. This can only be the sexual fantasy of a mustachioed pedophile with a rotting brain and a taste for the tacky. That sequence was the one that elicited a serious reaction from me, a strange combination of nervous laughter and stomach churning.

Jesse, and his not yet legal love interest, Cassie.

The film reaches a climax as the town folks realize the only way to appease the zombie is to let them gang bang a virgin girl to death. AND THE TOWN FOLKS ARE COOL WITH THIS! They find this information in some random book (probably the same one Jessie got the Raise the Dead song from) and decide it’s time to sacrifice Cassie’s sweet, virginal love outlet to the hordes of the undead who probably can’t get it up anyway.

I mean, kudos for originality, but I have a feeling there was some creative force on this project who liked the prospect of a very young girl getting fiddled with a bit too much. The film already makes one feel dirty while watching it simply due to the production values but the added bonus of this strange Lolita complex makes me want to incinerate my clothes and take a scalding hot bath while trying to scrub away the stain on my soul with a Brill-O Pad and AJAX.

You know who else enjoyed rising from the dead to eat living flesh...

Hard Rock Zombies is a one of a kind film and is unlike anything you’ve ever seen before, and hopefully, you will ever see again. It’s awkward, bargain basement schlock that is hard to really get a grip on because there’s just so much zany shit going on in every dang scene! People running around with giant pictures of faces to avoid zombie attacks, people fondling dead women’s breasts, old men ascending to heaven after providing exposition, men parading around in tightey whiteys! It must be seen to be believed, and even then, you may not be able to wrap your mind around it.

This was my expression as I sat through Hard Rock Zombies.

In the pantheon of zombie cinema, Hard Rock Zombies undoubtedly is among the very worst. The scummy film at the very bottom of the Trash Cinema dumpster. But no viewer can deny its gonzo kind of creativity and originality. I mean, it didn’t transform into anything good. But, for those of us who find the appeal in the trashiest of bad movies, these are the flicks we are looking for. We’re not looking for something “good.” We’re looking for the forgotten. The oddities. The films everyone else threw away and banished to obscurity decades earlier. And for those of us who make up The Collective we find the beauty in such trash. And that’s what always keeps us searching and, in the end, always coming back for more.

Stay Trashy!

-The Primal Root

25
Nov
10

Devil Girl November: Mistress Barbie

Hey Gang! This Thanksgiving we are bringing you a main course of sexy with a side of zombie apocalypse. A woman, alone, against some blood thirsty zombies. Playing off the most fundamental of  cliches of living dead cinema, Mistress Barbie takes us on a fun, bloody, and titillating journey. I will let the Mistress set things up…Enjoy, and Stay Trashy!

-Root

Synopsis:

Well the story starts out, with the typical female lead role, a bimbo blonde who is in an over-sized man’s button up shirt. Of course, she doesn’t have time to get fully clothed before the horror begins, but she had time to put on way too much makeup. Eventually, her clothing comes undone through the movie exposing her bra and/or breasts.

Scene:

The setting is in an old country town. The infected neighbor girl who is now a zombie comes back to her babysitter’s house, since zombies always return to places that was memorable to them. As the blonde bimbo runs from the zombie child, she is eventually bitten. The bimbo  gets away from the zombie only to find more trouble. Even though blonde bimbo finds a suitable weapon, she fails to use it or carry it with her. So thus, she continues on her journey of running in circles and eventually meets Chainsaw Guy. She falls many times while trying to escape his terror, but of course all of those times she barely escapes with her life which of course is so believable if it was to happen in real life. Bimbo Girl finally gets away and decides to rest for awhile…so just when she thinks she has escaped the horrible nightmare, she slowly starts to turn into everything she had feared that day.





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