Posts Tagged ‘family

14
Jan
13

Texas Chainsaw 3D: The Family That Slays Together…

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a Primal Root review

“Do your thing, cuz!” -Heather, Texas Chainsaw 3D

*SPOILERS AHEAD!*

Taking up directly after the events of the very first Texas Chainsaw Massacre film, literally the very afternoon after Leatherface,  Hitchhiker, Cook and Grandpa, mercilessly terrorized poor young Sally in their decrepit old farmhouse over supper, The Sawyer household is descended upon by a gang of pick-up truck driving, rifle wielding, vigilantes out for blood. Before you can say “I thought you was in a hurry!” the Sawyer clan, now numbering in the dozens (huh?) is struck down in a bloody, brutal one sided battle waged by beer swilling rednecks.  So much for that whole family of Draculas being such fierce opponents.  But one little baby Sawyer survives to be raised by an unloving, alcoholic white trash couple…sigh.

Almost 40 years later and that little Sawyer baby is now in her early twenties and a burgeoning art student who likes to use dead animal parts in her work, lives in a trendy, spacious loft with her live in unfaithful boyfriend (*spoiler alert* he’s fucking her best friend who is dating a crepe chef or something). The survivng Sawyer baby has been given the name Heather Miller. She’s a strikingly pretty, pale skinned, shapley young thing with jet black hair, a penchant for flannel and the standard issue emo hipster hairstyle. Who knew the Sawyer clan’s backwoods, inbred, hillbilly genes could produce such a sexy thing?

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Heather receives a mysterious message in the mail informing her she has just inherited the estate of a long lost relative who has just recently passed away. You know where this is headed, don’t you? Yep, she is now the proud owner of the Sawyer estate which has undergone some pretty drastic renovations since we last ventured out that way for dinner. Now it’s a two story mansion with a pool table and a Better Homes and Gardens makeover. Oh, and with plenty of room in the basement for the only other survivor of the Texas NRA Massacre, ol’ Buzzsaw Billy himself, Leatherface!

Heather and her dead bodies, I mean, best buddies, road trip it out there, inherit the estate and begin getting acquainted with the townsfolk. All of which seem wary and trigger happy that there’s so much hubbub going down at the Sawyer house.  That very first evening, as Heather pokes around the house (and her boyfriend heads off to the nearby barn to have his man utter milked by Heather’s best bud) Commando Crepe ventures down to Leatherface’s lair unleashing the maniac’s special brand of down home house warming. Nothing says Southern Hospitality like a man wearing someone else’s face and wielding a chainsaw, am I right?

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That’s right, it’s intestinal coleslaw city! Next thing you know, people are getting slammed on meat hooks, getting cut in half,  having their faces re appropriated as fashion accessories, etc. And once all the teen character’s are out of the way, the movie is only half way to the finish line! We still got a whole town of  blood thirsty, Coors swilling, Glen Beck fans to obliterate! You know that subtle gore the original Tobe Hooper “Texas Chainsaw Massacre” was known for?  Yeeeeeah, don’t expect such restraint here. There’s gut spilling in this flick that would make Jigsaw blush. It’s a smorgasbord of splatter along the lines of Tobe Hooper’s sequel,  the cleverly titled ‘Texas Chainsaw Massacre Part 2″. Of course,  I am saying this about the movies gore level. Because the intelligence and wit of the original Chainsaw franchise (well, the first and Part 2) is missing in action.

Texas Chainsaw 3D is about as dumb as they come, you don’t just have to suspend your disbelief for the action that takes place in the film to make sense, you gotta whack your disbelief over the head with a crowbar and ship it to Abu Dhabi for this sucker to pass muster.  The fact that the surviving Sawyer girl is only in her early twenties,  that Leatherface has been just chilling in a basement for the past 30 some odd years, that even after being bound with her arms over her head and having her shirt torn open Heather’s gorgeous heaving breasts would stay totally covered…It’s all very stupid. Almost like… Almost like… *GASP* AN OLD SCHOOL SLASHER SEQUEL!

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Only, if this were an old school slasher film, you;d be seeing all kinds of boobage right now.

I don’t know how it happened but I genuinely enjoyed Texas Chainsaw 3D.  Sure, it was about as dumb a sack of entrails, but it did tap into that exact same level of absurd stupidity as the Friday the 13th and Halloween sequels. It’s just mayhem for mayhem’s sake and feels like some kind of missing 1980′s Texas Chainsaw Massacre sequel! Sure, they try to humanize Leatherface a bit more in this entry, but that’s kind of the plight of the sequel.  They always try to show you more of what makes these monsters tick, and in the process, unintentionally end up make them less scary.

Texas Chainsaw 3D is a bad movie. It’s just plain BAD.  Like my spelling. But you know what, I still had a blast sitting back and letting the movie do it’s business despite the near infinite dumbshit creative decisions. Probably the coolest segment of the whole damn movie was the opening credits which featured retrofitted sequences from the original Texas Chainsaw Massacre now rendered  IN 3D! The final chase where Sally is pursued by hitchhiker and Leatherface  was quite a sight to behold in the third dimension, especially after having seen the film several dozen times over the years, it gave the classic a fresh perspective. Hell, they should just re-release the original in 3D like Titanic! If I paid money for this slice of undercooked headcheese I sure as Hell would pay money to see one of the greatest horror films ever made in 3D!

But, I digress…

Texas Chainsaw 3D eschews everything that followed the original Texas Chainsaw Massacre as if those events  never happened and plays almost like a fan film. With cameos by series cast favorites (and horror convention circuit staples) as well as copious tips of the hat to the franchise, it’s obvious that this flick was made by people who have a deep admiration for the series.  Which makes me scratch my head and wonder why they didn’t make it their concern to write a Great, Hell, even a GOOD screenplay for what is essentially supposed to be the sequel to the landmark original?  Instead, they created this greasy piece of scrapple that’s enjoyable, sure it’s fun, but it doesn’t exactly feel like direct lineage to the original.  Not exactly direct blood but a far of distant second cousin in law that shares the same name.

It's Hammer Time aka: Don't get too attached to the bald guy.

It’s Hammer Time aka: Don’t get too attached to the bald guy.

Gorgeous actress Alexandra Daddario steals the show as Heather, the long lost Sawyer girl who is grappling with her family connection. Seeing her go from a lost soul to Leatherface’s keeper is pretty cool. She also has great crazy eyes that are hidden behind a  sweet, inconspicuous gaze. Seriously, when she embraces the killer inside and starts hacking and slashing while quipping like Freddy, her crazy eyes might just be the most unsettling aspect of the whole damn film. She widens those puppies, grins like the Cheshire Cat, sinks her pitchfork into folks and I ended up with the strangest boner…I still think they really missed an awesome opportunity to create a female Leatherface here. Seriously, how fantastic would it be to see some buxom young woman in a grue spattered apron, wearing someone else’s face while revving up a chainsaw and doing the infamous Leatherface shuffle? Am I alone on this? Bueller? Bueller?

Dan Yeager as Leatherface is…he gets the job done. Neither the best nor the worst Leatherface to cross paths with the franchise. Leatherface sure is getting up there in age though,  but as evidenced by Heather’s age, the basic rules of space and time need not apply in the Chainsawniverse.  Leatherface can still chase after prey with the best of them. Never running out of breath or breaking his hip.  It’s gotta be those Centrum Silvers he’s been taking. Probably his best moment is at the very end of the film when Heather interacts with him at the Sawyer dining room table after one VERY long night. It’s both oddly touching and even almost suspenseful. We finally get an extended look at Leatherface’s eyes and we can almost imagine he’s emoting. Great stuff.

I don't see how this is any different than any other night at the county fair.

I don’t see how this is any different than any other night at the county fair.

I was expecting the absolute worst walking into Texas Chainsaw 3D and, while not very good, I thought it was passable schlock fun. Sure, they turned Leatherface into much more of an anti-hero than he ever was originally, and made the whole Sawyer clan WAY more sympathetic than I feel anyone could ever try and take a family of murderous redneck cannibals, and there are plot holes so big you could speed  a big rig right through them,  but it is a nice big helping of bad movie fun. It plays it straight with no post-modern jabs at slasher movie conventions and is thick and heavy with the red sauce. It doesn’t spend it’s time trying to be witty or clever, it just wants to give us it’s story and serve us up a nice big bowl of  splatter film love.

This movie is terrible, but for those looking for an old school, brain dead,  slasher flick to gnaw on a bit, look no further.   Now get me a female Leatherface!

Stay Trashy!

-Root

12
Jan
13

Killer Joe: White Trash Armageddon

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a Primal Root review

Hey Gang,

Recently I had the pleasure of seeing one of the most outrageously over the top, gratuitously violent, creepiest, high octane, no holds barred, psychotic and unstable films I’ve sat down to witness in a main stream googaplex since…well, since I can remember. The film is William Friedkin’s 2012 deep black crime flick ‘Killer Joe’. Adapted by Tracy Lett’s from a stage play of his, ‘Killer Joe’ is one sick, blood caked, homage to complete and utter white trash stupidity. The violence is abrupt and shocking, the sex is dirty and perverse, and the outlook is utterly bleak.

Killer Joe might be among the best and funniest movies I’ve seen in years.

But this isn’t your typical dark comedy. No, when you buy your ticket for this sucker you have no idea the depths of depravity and nastiness you are in for. I sure as Hell didn’t. But I also hadn’t prepared myself for how much I laughed through the whole damn thing. Sure I was aghast  at what I was seeing on screen, but the brilliant performances, the direction of Friedkin and Letts’ amazing, genre bending screenplay make this one exhilarating dive down to the bottom of the lives our nation’s dumpster dwellers.

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Alright, the set up is that dim witted dope dealer named Chris (Emil Hirsch, making the best of a thankless role) finds his life on the line when he falls into horrendous debt with his supplier. What’s the scheme Chris comes up with? Kill his Mother and collect the insurance money! He enlists the help of his father and his mother’s ex-husband, getter dweller and resident numbskull, Ansel (played to perfection by Thomas Haden Church), gains the approval of his attractive and mysterious sister Dottie (the always game Juno Temple) whose mental state and past are always in question and even his ultra skanky step mother, Sharla (Gina Gershon, who deserves a medal of valor for her performance). Of course, everyone demands a cut of the inheritance.

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Chris and Ansel decide to hire the services of the local Texas legend, contract killer “Killer Joe” who happens to be a police detective full time. Killer Joe is played with full on demented, murderous, calculated glee by that always underrated Mathew McConaughey, who in a perfect world would be getting an Oscar for his blistering, in your face performance here. The man brings Killer Joe’s calm, sociopath personality to life and it really is a sight to behold. Every time the man enters frame he manages to be likable. He comes off relatively nice (as far as far as killers for hire go) if a little bit quirky…but even in these early scenes we feel a sense of dread. There’s much more to this guy than meets the eye.  Once all the cards are out on the table, things get pretty goddamn crazy, pretty goddamn quickly.

Chris and Ansel meet with Killer Joe, and seeing as the two nimrods don;t have a dime between them, they cannot hire Killer Joe’s services. However, Killer Joe comes up with an alternative plan, a retainer. If they give Killer Joe Dottie until they can get the money to pay him off, he will carry out the family wish of killing of Mommy dearest. Being complete fuck stick, Chris and Ansel agree and over a dinner of tuna casserole, Killer Joe and Dottie get…formally acquainted.

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The LAST thing I want to do is spoil Killer Joe for you. But what I can say is that there is a proverbial buffet of loathsomeness on display here. From burned out trailer courts, to grease stained double wide interiors and bankrupt businesses boarded up and left for dead. Killer Joe inhabits middle America and the small towns crushed and left to rot on the side lines.  It’s a desperate world these characters inhabit and it’s a place we know all too well.

Still, these people seem to have really adapted to their trashy surroundings and have, in effect, become total trash themselves. Filthy, brain dead, greedy scum suckers willing to kill family and use them as collateral just so they can make some cash and survive. Is this what it’s come to  when we live in a land where there’s no one to turn to?

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Sure, the underlying concept of the surroundings in Killer Joe are disheartening and disturbing enough with what they insinuate. But the actions our cast of characters take against one another is on another level entirely. I’ve, honest to Cthulhu, never seen anything like Killer Joe’s last twenty minutes. Much has been made of the fried chicken moment, Hell, it’s even a centerpiece of the ad campaign, but there is much more going on here and so much more to be had as a viewer.

And yes, I laughed. I laughed out loud hard and frequently. But every time I did, I kept questioning myself. “Should I be laughing at this?” It’s so ridiculously depraved and dirty, I couldn’t help myself. I laughed at the character’s stupidity,  the grandiose skeeziness, the sudden violence, the allusions of incest…it’s a perfect concoction of pitch black humor. But I don’t expect everyone to have the same reaction I did.

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Now, keep in mind, the NC-17 rated crime film (now available unrated on DVD and Blu-Ray) will not be for everyone. This is not an easily digested, cookie cutter, vanilla puddin’ pop kind of movie. This is some heavily fucked up Trash Cinema and for those who know they can handle such things. Either you will really enjoy Killer Joe or you will end up turning it off and barfing across the commode. It seems to have very little middle ground.

Killer Joe is disturbing and exhilarating and unlike anything I have seen in American mainstream cinema in a very long time.Needless to say, I had a blast watching it and Killer Joe just might be my favorite movie of 2012.

Stay Trashy!

-Root

Heads up! Below trailer contains a ton of plot spoilers!

 

31
Dec
12

Rotten Reviews Episode 27: Home Sweet Home

Home-Sweet-Home-Front

Hey Gang!

It’s your old pal, The Primal Root, and to celebrate the holiday season I’ve decided to throw a Trashmas New Year’s Bash over at my pad and everyone is invited! That includes YOU! But beforehand we’re checking out an all time favorite Trash Cinema Slasher film  from 1981 called ‘Home Sweet Home’. It’s supposedly a holiday themed horror movie, but a turkey dinner does not a holiday make, gang. In fact no one even mentions what holiday it is! From what I understand I think it’s supposed to be Thanksgiving?

I digress, get prepared for feral children, satanic electric guitar playing magical Jewish mimes, Body by Jake, body builder body glaze, sex with your pants on, spanish racial sterotypes, bribing cops with “bazooms”, roid rage, flattened grannies,  disapearing balls, hostage negotiations, the missing peas and so much more! It’s The Primal Root’s Rotten Reviews Episode 27: Home Sweet Home! Gather round and share it with those you love.

Thank you for all your support and for spreading the word! See you in 2013!

Stay Trashy!

-Root

 

18
Nov
12

Trash Cinema Nights presents ‘Gremlins’ and the 2nd Annual Black Elephant Gift Exchange!

SHOWING SATURDAY, DECEMBER 8TH @10PM at BIRD’s APHRODISIAC OYSTER SHACK in TALLAHASSEE, FLORIDA!
“It is truly, The Muppet Chain Saw Massacre.” – Harlan Ellison on Gremlins

Hey Gang! Well, it’s that time of year again! Time to break out that ‘ol Yule Tide spirit, brace for none stop Christmas carols on the radio, Santa Claus in every TV commercial, coal in our stockings and, the most WONDERFUL time of the year, our December Trash cinema Night’s at Bird’s Aphrodisiac screening and Black Elephant Gift Exchange!

That’s right, this year we are showing the childhood, deeply cynical, traumatizing, life al

tering Joe Dante seasonal 80′s classic, Gremlins! Partial responsible for the induction of the PG-13 rating (along with Indiana Jones and The Temple of Doom) Gremlins tells the story of a young man living in a picturesque, Norman Rockwell style neighborhood with his loving parents. His father gives him the gift of a small creature known as a Mogwai. There are three simple rules to follow in order to take care of this aggressively cute monster so that it does not unleash a reign of unholy, carnage down upon mankind soaking the freshly fallen winter’s snow in a bright crimson shower of arterial spray. Yes, it was marketed to kids and it helped us to realize how hilarious untimely death can be, how to throw a kickass party and TO FOLLOW THE GODDAMN RULES!

Yes, we will be showing Gremlins and then we shall follow that up with our 2nd Annual BLACK ELEPHANT GIFT EXCHANGE! So be sure to bring a Trashy Gift, MAX COST: $15, to place under our Trash Cinema festive holiday tree that does not denote any specific holiday as to avoid being offensive. The rules are, bring in a gift, draw a number as to determine in which order we will be picking out presents. Whoever goes first doesn’t get to exchange their gift for anyone else’s but the further we ascend into the numbers the more chances these folks get to exchange a gift for the one they picked…yeah…Does that make any sense? I’m sure it will once we have some booze in us.

so let us cozy around the warm Trash Cinema night’s projector, prepare for the Christmas season with a pitcher of ice cold beer, devour the Best Damn Burger in Tallahassee and join the Trash Cinema Collective Family for a screening of Gremlins followed by our 2nd Annual Black Elephant gift Exchange!

Hope to see you there!

Stay Trashy!
-Root

08
Apr
12

Castle Freak: Inherit Madness

a Primal Root review

Inheriting a castle in Italy has to be pretty dang cool. Finding out you’re descended from royalty? That’s the icing on top of the hoity-toity cake to which so many aspire. Yeah, it all seems great on paper until you take your horrendously dysfunctional family there to assess the situation and sell that hunk of junk off to the highest bidder.  It’s drafty, dull, dusty and, making matters worse,  your wife hates your guts no matter where you take her and the one surviving kid is still blind and your single digit son is still pavement pizza due to your dumb, alcoholic ass driving the family mini…vehicle over a small hill and flipping the vehicle at 25 MPH.  Or 85 MPH in sped up film time…

And then, of course, there’s a horrifying, psychotic, mutilated freak chained up in the castle’s basement. Buyer beware.

TOUCHDOWN!

Castle freak is, at it’s very core, the story of a family dealing with a heart crushingly tragic incident where the family patriarch and reformed alcoholic, John Riley (played pitch perfectly by Gordon collaborator Jeffery Combs) managed to get completely shit-faced before picking up his teenage daughter and 5 year old son during a torrential down pour and then swerving off road resulting in the death of the son and blinding daughter,  Rebecca (played by a very game and sympathetic Jessica Dollarhide).  Of course, there are some resentment issues between John and his gorgeous wife, Susan (always reliable Barbara Crampton) who apparently lives to torture and be spiteful towards John every second of every single day therefore turning his life into a Hell on Earth of guilt, regret, and shame.

As you can tell, the story is already pretty dreadful before there’s even a freak for the family to contend with.

The Reilly’s  move into their new castle after the old woman who was living there died in her bed from a heart attack after beating the chained up freak in the basement within and inch of it’s life which looked to have been a long standing supper time tradition and Casa de le Freak.  This poor creature has obviously never known affection, love or humanity living a life of agony chained up and naked down in the dank bowels of The Reilly castle. Much like John Reilly himself, who is living a life of pain due to his past mistakes and the fact his wife reminds him about it on a near minute by minute basis that he’s responsible for the death of their son.

Castle Freak is a far cry from the what we’ve come to expect from a Gordon, Combs, Crampton, collaboration. Typically fun,m over the top and colorful, Castle Freak is drastically different. Thee pacing takes it’s time, and the whole story is just gruelingly sad. This is not Re-Animator or From Beyond by a long shot. In fact, it’s a very dark and honest look at redemption, forgiveness and family as John must defend his family from what could be seen as his horrific doppelganger, his id or symbolizing the young Reilly boy whose memory they still cling to and is tearing the whole family apart.  There are no laughs to be found here and  no easy outs in Castle Freak.  This is straight ahead horror dealing with some pretty real issues. Only these real issues are set against the backdrop of an Italian castle with a freak looking to molest your cute little blind teenage daughter and frame you for the murder of a hooker and your housekeeper. For a freak, this guy is surprisingly crafty.

Castle Freak Foreplay: Not nearly as fun as you'd imagine.

One night, after Susan gives John a particularly vindictive verbal thrashing, John heads to a local watering hole where he quickly jumps off the wagon. And who can really blame the guy? He takes shot, after shot of some kind of counterfeit rot gut and ends up taking a whore back to his castle’s wine seller where he eagerly chows down on her bowl of “Down South” spaghetti.Again, you can totally understand his need to feel the touch and connection to another person.  Trouble is, he happens to be performing in front of a captive audience as the Castle Freak studies John’s moves like he’s preparing for the S.A.T.’s.  And you know castle freaks, they are more than happy to go after the sloppy seconds…

As our hooker goes to leave the castle, it’s resident freak abducts her, chains her up and has his way with her including a graphic nipple eating and a sickening reveal of the Freak’s genital region that’s sure to make your stomach churn. In fact, the film seems to focus quite liberally on the Freak’s disturbing genitals which, I suppose, does make some sense since that is kind of the Freak’s motivating factor. Looking for affection, someone to be close and have sex with.  Or, director Stuart Gordon could have simply just wanted to showcase a little something for the ladies. Soak it in, girls! Still, even though the Freak, in my estimation, is only looking for compassion, tenderness and a connection to another living creature, he can;t for the life of him understand how to give these things. Remember, this is a person whose entire life since birth has been spend locked away, abused and mutilated only ever understanding violence and pain.  How Freak goes about violently raping the hooker, yet mimicking what he witnessed John do to her, furthers this point. That violence begets violence.

Feel the Excitement!

But, I digress, at the threat of spoiling the whole sleazy, blood encrusted, drippy scrotum flopping affair, let’s just say Castle Freak is a one sad, violent, and effective story of redemption. The story of one man’s quest to find meaning and forgiveness in a world that refuses to see past his mistakes and misdeeds and see the man who is in need of compassion and just wants to feel human again. Now, am I talking about John or the Castle Freak of our title or both?

Stuart Gordon’s Castle Freak pulls off an impressive feat in capturing some very deep, dark, human situations and maintaining a fairly well paced and interesting story. As a viewer you grow to like most of the characters, and even the unlikable few are at the very least, you can understand where they’re coming from.  And for a film made in a creepy castle with a miniscule budget, Castle Freak works thanks to some spot on performances, creative shot compositions, great make-up/gore effects and also gains a lot of atmosphere from the genuine Italian castle where the action is set. Which just happens to be owned by the president of Full Moon Pictures.

Castle Freak isn’t exactly a fun, crowd pleasing movie experience but is still a fine piece of trash cinema. One that will certainly speak to anyone who has ever made a grievous mistake and feels they are destined to pay for it the rest of their lives.  Even if we can;t directly relate viewers will empathize and come to understand that there really are a number of fates that can feel worse than death. Only through love, forgiveness and understanding can we ever truly regain what makes us human.

And a good bit of reconstructive surgery and upper plate dental work in the case of The Castle Freak…

Love may be blind but she can still smell you, Freak.

Stay Trashy!

-Root

31
Dec
11

Rotten Reviews Ep 23: Black christmas (The Remake)

Hey Gang, The Primal Root, here, wishing you and yours a Happy Holiday season! That is, if you can make it through the evil that is Glen Morgan’s Black Christmas remake… Hang tight with your buddy, Root, as he tries the wade through the numerous subplots, the dozen characters and the non stop flashbacks that explain away our main antagonist(s).

Watch as The Root tries to transform this hunk of coal into a diamond in this, our final Rotten Review of Year Three, here at The Trash Cinema Collective!

Happy Holidays and a Trashy New Year!

Your Pal,
-The Primal Root

Just Play the Link Below!

09
Jul
11

TerrorVision: Don’t Worry, It Brought Plenty of Lube!

a Primal Root Written Reviews

To be completely honest I had no idea what I was getting myself into when I sat down to watch TerrorVision, this 1986 horror flick whose VHS covered adorned just about every video store shelf when I was a kid. The artwork promised something dark and sinister…but the title? Terror-Vision? I sounded like something more akin to the 1992 John Ritter flick, ‘Stay Tuned’or Joe Dante’s trippy segment from the 1983 Twilight Zone Movie. After finally watching this sucker, it turns out, I was a lot closer to the mark than I knew.

We are introduced to The Putterman’s, your average yuppie, Reagan era family complete with Cyndy Lauper wanna teenage daughter, enthusiastic Rambo-esqu pre-teen son, and parents who are more interested in the latest technology, covering their home with erotic art and getting into the swinger trend and boasting about it proudly…in front of their children, who understandable, seem to be holding back the bile and cringing with deep mental scarring. Come on, kids, lighten up! Because being a cock-hopping swinger smack dab in the middle of the AIDS epidemic was the responsible choice many parents were making at the time…

Earthlings, what a bunch of dickweeds.

The Putterman’s are hooking up their brand new, state of the art satellite dish that can beam deep into space and broadcast all kinds of kinky, weird shit from everywhere imaginable for their viewing pleasure on their 12 inch screen television (not exaggerating.). Programs like down and dirty pornography, MTV, and, wouldn’t you know it, carnivorous monster garbage from space that oozes it’s way right out of the set and into your lap! I mean, the dish itself is the size of a Volkswagen bus and the remote is the size of an Atari 2600 game console (replete with mini satellite dish on top) so this kind of shit was bound to happen. DAMN YOU TECHNOLOGY! Bringing forth unwanted alien evil right into our living room! How topical…

This monster looks like a huge family gathering had a sloppy-joe eating contest, all got food poisoning and then vomited this monster into creating. It’s slimy, hideous, and goofy as all hell. It’s not particularly frightening until it shows off it’s Grundle-Fly eating skills. This guy shoots out it’s tongue, which resembled to arms covered in a red tarp and dipped in bacon fat, that connects with it’s meal, injects acidic digestive fluids and then slurps up the gooey remains.The monster has several variations of this eating routine, all are gross, all are messy. First we had to worry about Fox News invading the living room, now THIS SHIT!

Had to include this picture because I laughed at it so hard I farted.

Early on, The Putterman’s visiting Grandpa and lizard enthusiast (don’t ask. it bares no foreshadowing or has anything to do with the rest of the film), is attacked and turned into fuddy-duddy creamed corn right before his little grandson’s very eyes. Luckily, this grandson is packing heat, brandishing an AK-47 and plenty of grenades. The young man spends the majority of the movie trying to warn everyone from his sex crazed, ugly parents to his nimrod of a sister and her metalhead boyfriend. Even a TV horror movie host and Elvira send up called Medusa! No one wants to believe the young man…until it’s too late!

Medusa, I suppose there's no threat of me looking into her eyes when she's wearing that outfit.

TerrorVision is an excercize in camp horror that the viewer will either understand and enjoy thoroughly or be annoyed with and tune out right away. I was the oddball on the fence. This thing looks like a living cartoon. From the color scheme, to the overacting, to the concept of the movie itself. I’s almost unbearable goofy. The single thing that saves it is the films much appreciated wicked sense of humor. TerrorVision is not afraid to kill off ANYONE or go for any dark, mean spirited laugh. TerrorVision is really a one of a kind movie in a lot of ways and really throws the viewer off kilter right from the very beginning. You don’t know what to expect as the tone shifts all over the place from light to dark in the blink of an eye. I always appreciate a film that keeps me wondering just where the hell it’s taking me. TerrorVision is one of those films. However, I cannot be sure if that was intentional or not…

I’ve gotta mention that TerrorVision also needs a medal of honor for being the slimiest damn movie I have ever seen. From the characters, to the aliens, to the liquefied remains of the carpet, it’s as if everything on set has been doused with a liberal appliance of K-Y Jelly. I can;t imagine how it must have been to work on this set with your fingers constantly being lubed up as your tried to focus the camera or simply walk to craft service table…where all the food must have tasted like anal lube.

TerrorVision is not for the faint of heart and I can only recommend it to the most dedicated of Trash Cinema fans. IF you think you have to fortitude to sit through this divine, 80′s, sci-fi,  horror, comedy stinker, be my guest. I’m sure you’ll be glad you tuned in. ;)

27
Jun
11

Rotten Reviews Episode 20: XTRO

Hey Gang,

Who doesn’t remember E.T.? The cute, cuddly, persecuted Reese’s Pieces Loving extra terrestrial who was left behind only to phone home and teach us all about love and peace in the process? Well, forget that feel good shit, this is XTRO. Britain’s hugely fucked up, grisly and disgusting answer to one of the most successful family films ever made.

XTRO is the story of a broken marriage, alien abduction, and coming up with as many ways as possible to make sure that for next few days after watching XTRO the thought of sex will make you vomit all over yourself. Sure, there’s a little kid and an alien who is far closer to him than E.T. was to that little asshole he befriend, but XTRO’s single goal seems to make sex as unappetizing as possible. And it would have succeeded if it weren’t for that gratuitous sex scene featuring a very young and zipper burn inducingly hot Maryam d’Abo (The Living Daylights) that reminds us sex without extra terrestrial involvement is pretty dang awesome.

Just keep those images of her in your mind rather than vagina egg chutes or grown men ripping their way out of the womb as sloppy red gunk sprays across the floor…

Enjoy this interstellar Rotten Review, Gang!  And don;t forget, you can meet Tim Dry, the guy in the rubbery monster suit doing the crab walk, at the Days of the Dead Horror Convention in Indianapolis happening July 1-3! Make sure you go, and when you do, keep your eyes peeled for your old pal The Primal Root! Looking forward to meeting some fellow Trash Cinema Connoisseurs.

Stay Trashy,

-Root

21
Apr
11

Insidious? More like Ridicirous

a Primal Root written Review

Man, do I love a good ghost story. I am a bit of a skeptic when it comes to ghost stories, haunted houses and supernatural tales in general, but that does not mean the idea of ghosts doesn’t creep me out. This is why I am so saddened that there are so few GREAT haunted house tales at the googaplex anymore.

They are a rarity.

Which is why I had moderately high hopes for Insidious, the latest film from director James Wan (First Red Flag) the director behind the original Saw and the still born Dead Silence. It is also from the producers of Paranormal Activity (Second Red Flag) . But, hey, the early reviews said it was something pretty spooky and the trailers had me curious so I figured I’d give it a go. So, my date and I curled up in our seats and waited for the scares.

"I am scared."

The story concerns a young married couple and their three youngsters who are living in an old, creaky, fire hazard home that’s obviously haunted from the second you lay your eyes on it. It’s also about twelve stories tall. The Dad (Patrick Wilson) is a school teacher who is never home and leaves his lovely songwriting, baby making, wife (Rose Byrne) home alone to deal with the supernatural happening. Early on their young son, (Ty Simpkins) falls down a ladder in the attic after his negligent parents allow him to wonder off in their death trap of a house. Of course, the kid goes into a pseudo coma that cannot be diagnosed and the haunting gets more severe. So they more to nice, boring, modern house…

And shit gets even worse.

The family calls in some paranormal investigators, psychics in gas masks and the whole things plays out like a pitch to Universal Halloween Horror Nights.

"I am concerned."

To my amazement the first half of this film did an okay job of delivering some genuine intrigue and a handful of jolts. But even as these scares were being delivered I couldn’t help but feel like there were gaping holes in the story here. Like there are entire reels missing from the story. The character development is left at establishing how everyone is related and their method of income. There’s really nothing else there for us to hold onto as far as knowing these characters. The exist, they are scared, and that’s all you need to know. And Dad’s a teacher. Okay, let’s move on.

There’s also a great example of missing film when Patrick Wilson sits on the front steps of the house with Rose Byrne as she voices her concern over the supernatural presence in their house. She tells stories of all these creepy things that have happened to her while Patrick Wilson is away at work…things we as an audience never saw. Why are you telling us about the creepy events when you could be, you know, SHOWING us these things? Isn’t that one of the first rules of screenwriting? Don’t tell us. Show us.

BUTT SEX!

But, overlooking these short falls, the movie does excel in creating some excellent nightmare imagery. This is  when ‘Insidious’ really cooks. When Rose Byrne goes to take out the trash and her record changes to a different song and as she looks in the window she sees a small figure dancing to the music a couple rooms away. Or when Patrick Wilson’s Mom, Barbara Hershey, describes a nightmare she had where she encounters a dark presence in their son’s room. All these images and the way they are filmed and presented feel exactly how nightmares do and it’s chilling stuff.

Sadly, the film faulters in it’s final act when ‘Insidious’ shows it’s cards. Patrick Wilson goes tot he other side and we are shown WAY too much of that supernatural world these creatures inhabit. Some things are so much more horrifying when left to the imagination. As Dad faces off against the Darth Maul looking, hoof footed menace who loves tip toeing through the tulips, you get the distinct feeling the flick has completely jumped the shark.  My date actually mentioned how much the second half felt like an ‘Are You Afraid of the Dark?’ episode, and she was spot on. It’s as if James Wan wrote his ass into a corner and took the lazy way out. Rather than paying things off with scares it transforms into a snooze fest as the audience begins looking at their watches wondering when it will all come to an end.

How the audience looked during the second half od Insidious.

The filmmaker tries to pull off a twist ending like his previous films, but anyone who is aware of his penchant for ham handed twists will see this one coming a mile away, and it’s a face palmer of a way to end things. What started out modestly interesting ends in a flash of empty spook house tactics that are somewhat fun to look at but don’t really work when it comes to tapping into the psychology of those watching hoping to go home hoping for that thrill of the ghost story to still be with them when they turn out the light to go to bed…

Stay Trashy!

-The Primal Root

12
Oct
10

Satan’s Little Helper: The Many Faces of Evil

a Primal Root Review

****SPOILER WARNING****

“JESUS IS SATAN!” – Jenna makes a startling revelation in Satan’s Little Helper

Well, it’s that time of year again! My favorite holiday, Halloween, is just around the corner and I felt it would do the season justice to bring you a review for one of my favorite new films to take place on my favorite day of the year. We’re talking about the 2004 warped, jet black Halloween horror comedy, Satan’s Little Helper. A film that explicitly details the highs and lows of befriending someone who is pure evil and doing everything hey ask you to do. It also illustrates how easily lead and stupid children are. And how hot your sister is. And how creepy Amanda Plummer is. And how much hipster drama majors suck. All in one action packed movie! Let us get down to business.

 

Our hero, ladies and gentlemen, Satan.

 

Satan’s Little Helper begins with our little kid star, Dougie (Alexander Brickel) riding in the family sedan wtih Mom (Amanda Plummer) on their way to pick up his sister Jenna (Katheryn Winnick) who has come back from college to celebrate Halloween with her kid brother. Dougie is dressed up as Satan’s Little Helper, the main character in the violent horror video game his father bought for him. In the game, Satan’s Little Helper follows Satan around and murders people for points while avoiding detection by God and getting killed by an Avenging Angel. Now, if only this film had become more popular, every kid in North America would be playing this game. Including me.

Now, when Dougie and Mom pull up to the ferry to pick up Kathryn (she had to take a ferry because this place is small and secluded and could be an island or something) she has brought along a fellow theater major and possible suitor in the form of scrawny hipster, Alex (Stephen Graham) who won’t shut up about his abusive father and is never once likable. Needless to say, Dougie is pissed because he wanted to spend his Halloween with his super cool sister but now has to share her with El Douche Bag Theater Major.

Dougie mopes about his neighborhood before coming across someone who may or may not be the devil murdering someone on their front porch in broad daylight and arranging this corpse as a Halloween decoration.  This is the exact same behavior Dougie has come to idolize in his favorite video game so, of course, he’s gotta introduce himself to this silent, masked killer and offer up his services. Satan instantly approves after Dougie mentions the fact that his sexy, melon chested sister and slightly neurotic Mother are both home alone and Dad won’t be home till later.

Dougie and Satan, BFF!

The two embark on an awesome and constantly hysterical adventure together running over elderly blind men and pregnant women with shopping carts, crushing cats against  houses to write Halloween messages in their blood, and kicking elderly women from their walkers and then hanging them out the upstairs window so they can nab her drugs to lace the candy they will later be handing out to children.

Keep in mind, Dougie is not psychotic, he simply thinks this is all make believe and that this is all just like the video game. How could a cild be so damn stupid? I’m not sure. But it does add to the humor to watch a little kid give a murderer a thumbs up as he brutally stabs a grocer to death and toss the body in a dumpster.

The proceedings are all undergone with tongue planted firmly and bloodily in cheek and for those of you with the same sick sense of I possess this is a fucking gem of a Halloween horror movie. The film manages to pull off a pretty believable feeling of a small town Halloween and how easy it would be for a killer to simply kill people and set them all about under the guise it’s simply a Halloween prank or decoration. Half the action takes place in broad daylight with neighbors walking by, and on some occasions, even stopping with the kids to watch and take photos while laughing.

 

Satan gets acquainted with Dougie's big sister, Jenna.

 

The Satan figure in the film, in addition to being both hilarious and brutal, possesses an incredible intelligence and insight into human psychology. He manages to put a dozen webs and traps together and manipulate all his victims into killing family and friends for him. Like a more comical version of Jigsaw from the Saw franchise, Satan has a knack for almost clairvoyant forward planning. It’s really kind of remarkable when you watch the film and think about it.

A third of the way through Satan’s Little Helper, the small community falls into anarchy as the five man police team is decimated and Satan changes faces and his numerous plans come together. People rush to get the Hell out of there as it dawns on them what they assumed were harmless Halloween jokes are, in fact, deadly serious.

It is in this final third of the movie that Satan’s Little Helper, I believe, delivers a bit of a message. Satan changes costumes several times towards the end of our film. First, into Jesus Christ (donning an infinitely creepier mask than his Devil get-up.) who Dougie has prayed for to help him after being led blindly by Satan, whom he thought was his friend before he gutted dad and tied his lower intestines to a dining room chair. Dougie instantly believes this visage of Christ is here to help, little does he realize, Christ is the same evil he is trying to avoid.

Christ stops by.

By film’s end, the family lets a police officer into their home assuming he is there to help. This authority figure is revealed to be the same killer wearing another mask, another costume, of a figure many of us are conditioned to trust and believe in. Watching the film again I began to wonder if this was a Christian film, but in the end I have a feeling it’s a cautionary tale about trusting authority and those in power. Satan, Jesus, law enforcement, or otherwise you should always question those in power and not just play the sheep who blindly follows.

Could it be? A movie that’s such a brain smashingly nasty bit of comic fun as Satan’s Little Helper could jam a damn message into the proceedings? I dunno. I may be reading way too much into this thing. All I know is it’s just as funny to watch Jesus savagely beat people as it is to watch Satan.

This Halloween season, if there’s one flick I recommend you check out if you haven’t already, it’s the indie sleeper Satan’s Little Helper. You’ll laugh, you’ll gasp, and just maybe learn a little something about yourself.

Stay Trashy,

-The Primal Root




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