Posts Tagged ‘explosions

15
Oct
12

Tales from the Crypt presents Demon Knight

a Primal Root written review

Growing up in a household that could afford premium cable, as a youngster, there was no greater pleasure than staying up late, hunkering down on the sofa in the darkened living room, and catching the sick, twisted morality tale that was HBO’s ‘Tales from the Crypt.’  Being a child whose love for the macabre and horrific was rotted deep within me and growing more apparent on a daily basis, this was MY must see TV.  In my younger years, Nickelodeon’s ‘Are You Afraid of the Dark?’ along with old, dusty, issues of E.C. comicss ‘The Vault of Horror’ and ‘Tales from the Crypt’ had wet my pallet. The promise of a fun, vivid, gory, lesson in how being an asshole will surely end in a fate often worse than death wrapped up in one nifty thirty minute package made ‘Tales from the Crypt’ an irresistible temptation. Add the ever present possibility of  bare female breasts, and my adolescent self couldn’t refuse.

 

Hell, my adult self still can’t refuse.

 

Then, in 1995, I was traipsing through Tallahassee Florida’s long dead Oak Lake Six movie theater on my way to see  ‘The Brady Bunch Movie’ when I spotted poster that dropped my jaw to the floor and filled my heart with sticky, black, diabolical joy. Oh yes, ‘Tales from the Crypt’ was releasing a movie called “Demon Knight.’ Needless to say, this was the greatest news my 13 year old self had ever heard. The poster featured a shot of the Crypt Keeper smiling ghoulishly and peering over blue lensed, John Lennon style sun glasses, holding open his epic, and seemingly endless, book tales as slimy, razor toothed demons spewed forth all being led by an slightly aggravated looking bald fellow in a trench coat with his arm outstretched pointing right at my scrawny, freshly teenaged face. I knew, in my misguided, freshly teenaged heart, this was going to be the greatest movie ever made.

 

Sadly, I wouldn’t be able to talk my Mom into letting me see it until it was released on VHS. I rented Tales from the Crypt presents Demon Knight, slipped the tape into my VCR, and braced myself for the glory. Dear reader, Demon Knight catered to everything my adolescent heart could possibly desire. Here’s how it goes down…

 

The action takes place in a dilapidated boarding house that was previously a church where the home’s misfit group of residents (prostitute, laid off postal worker, drunken bum Dick Miller, etc.) find themselves in the middle of an ancient battle between good and evil. See, there’s a drifter named Stryker played by infinitely likeable character actor, William Sadler, playing it straight, earnest, and desperate. Stryker, The Demon Knight, finds his way to this boarding house, thanks to a largely unexplained supernatural star circle compass tattoo in the palm of his hand, seeking shelter. Styker is being stalked down by a slick, seductive, hilarious form of evil incarnate known only as The Collector. The Collector is played by Billy Zane, who is obviously having a field day with such a fun part. In retrospect this might be the high water mark of his career. Which is rather sad.

 

 

Anyhoo, The Collector is trying to get his hands on ‘The Key’ which Stryker is protecting. This key holds the blood of Christ as well as the blood of previous Demon Knights. The fate of all humanity hangs in the balance on this night, in this boarding home, because this key is the last of seven The Collector needs in order to unleash Hell on earth. It soon becomes a show down in the old Night of the Living Dead, Assault on Precinct 13 style, as The Collector brings forth an army of vicious, mucousy, pierced up demons that look like char grilled Muppets looking to rip the into meaty chunks anyone who stands between them and The Key. The Collector, on the other hand, finds his own way in through the use of seduction and the promise of granting his victim’s fantasies which leads to some of ‘Demon Knights” more interesting sequences. Needless to say, many will die, few will live, some will get fire pissed on them by Billy Zane, and one character will fulfill their destiny. Oh yeah, it’s one of those type of parties.

 

 

That’s the basic run down of what’s going on in this movie. The mythology surrounding The Key, the Demon Knights and their Highlander-esque back story is something I could honestly devote a whole article to. Plus there’s the obligatory Crypt Keeper bookends to the film that don’t really add much, but it’s cool that the our old pal, The Crypt Keeper, is holding down the fort and spewing the same old eye rolling puns and one liners.

 

 

‘Demon Knight delivered, and for about six months, it was among my absolute favorites and solidified my deep, abiding, love for Trash Cinema. It had graphic violence delivered both horrifically and humorously. Gratuitous and plentiful bare female breasts. A ridiculously fun villain in the form of The Collector, and likeable and enigmatic hero in Stryker, plus a great cast of veteran character actors like Dick Miller, CCH Pounder, and Charles Fleischer as well as a few folks yet to hit their peak like Jada Pinkett , Thomas Haden Church and um, Traci Bingham? Plus, a bizarre cameo by John Laroquette who still seems like a strange choice to me…The morality play aspect of the television series falls by the wayside a bit, but the sick, twisted black comedy is intact and even a bit amplified.

 

Tales from the Crypt presents Demon Knight isn’t a great film, not by a long shot, but it sure is a Hell of a lot of fun. And at the end of the day isn’t that precisely what you want from this kind of flick? It’s dumb, rude, dirty, sick, over the top and exploitative. It’s a guilty pleasure of the highest order. It’s a dark minded, neon eyed, spook house, horror show of a movie that is only interested in kicking ass, tossing the gruel at it’s audience and letting the chips fall where they may. It’s the kind of horror film where you walk out with a smile knowing that you’ve had a blast.

 

My 13-14 year old self was an instant fan. The poster adorned my wall throughout my middle school years and I sang the praises of ‘Demon Knight’ to all my horrified friends. I watched it nearly every weekend for a span of about six months before moving on to other bizarre, awesome, trashy films. However, the young, teenager inside me still holds this film very close to his strange, trash loving little heart.
Stay Trashy!

-Root

 

27
Nov
11

Attack the Block: Coming of Age during an alien onslaught minus the Speilberg Sap Trap!

a Primal Root written review

“This is too much madness to explain in one text!” – Jerome, Attack the Block

Did you see  this summer’s Super 8? The ultimate tribute to Speilberg style sentimentality set against a small town’s own little alien apocalypse that pulls at the heart strings as people are getting their heads crushed and fathers learn to forgive? Yeah, me too. I thought it was good for what it was…done to death (but never with as many lens flares) and a bit contrived, but it was kind of sweet even if it was clinically brain dead and out of touch.

And then there’s Attack the Block, a badass, go for broke alien invasion movie (of sorts) that pulls no punches, delivers a believable coming of age message and refuses to give all the kids in the film their own little happy ending…unless you consider getting your head bitten off and then chucked across the room a happy ending, which just might be for some of you weirdos! ( You know I love you. ;)

Attack the Blocks opens as a rather attractive young woman named Sam (Jodie Whittaker) is attacked outside of her apartment complex in London by a group of 5 teenagers. Just as they get her wallet and the ring off her finger something crash lands into the roof of a parked car. The lovely young woman runs off and the ring leader of our motley crew of Thug Life Goonies, Moses (John Boyega) is attacked by a fuzzy monkey monster with a gob full of shark teeth. After the initial attack Moses vows the kill whatever the Hell just attacked him, and keeping to his word, Moses and pals track the thing down and crush it’s skull. And this all takes place before the title even appears.

Blockies Never Say Die! Wait, that's a lie...

           As you might guess, these actions call down the fury of some other aliens who are a total different breed of monster than the one the gang brutally stomped to death earlier. And these creaures are quite the sight to behold. Giant, deep black, dog-like monsters who run on all fours and sport glowing blue mouths full of rows and rows of razor sharp teeth intent of ripping apart anything and everything that gets in the way of their goal. The kind of resemble what the Muppets in Hell might look like…

Along the way, our heroes not only have to try and avoid and do battle with these unnamed monstrosities, but they are also being tracked down by a ruthless, jackhole of a drug dealer by the name of Hi-Hatz (Jumayn Hunter)  who can’t aim his gun worth a damn, has the top floor penthouse suite on the block where he grows enough weed to fill an entire room, and doesn’t give a flying fuck about the flesh hungry aline monsters on a rampage, He just wants to pop a cap in Moses for reasons I will let you find our for yourself.

I was surprised by Attack the Block after hearing so many mixed reviews. It’s a blast of pure energy and an honest take on a corrupted youth culture who puts an emphasis on the perceived Scarface rule of respect being a one way street and bullying people in order to get that kind of respect. As the gang is chased around the block by these beasts they are repeatedly confronted with the repercussions of their own thuggish actions in how people react to and treat them. That, in fact, you ARE responsible for your own actions and you do have a choice. Because however you take on a situation, however you treat others and the actions you make, will always have repercussions.

Not a bad message for a movie littered with dead kids, immolated aliens corpses and plenty of fireworks. Really, our main character Moses goes through quite the transformation as the movie progresses as he steadily realizes the errors of his ways. At first blaming society, and then the government and then coming to terms with the idea that he just might be responsible for the hellish situation he’s currently in.

Sometimes you have to man up and take responsibility for your actions. And sometimes you have to risk life and limb to make amends to the ones you’ve wronged and the one’s who are indirectly affected by your own actions.  Attack the Block is about growing up not just into a man, but into a responsible one. One willing to put things right and take responsibility. That it takes more courage to make things right than it does toconstantly blame everyone else.

If you ask me, it’s a damn good message and one worth sending. Especially if you are able to deliver it with such an entertaining mix of alien carnage, samurai sword battles, explosions and epic one liners.

Stay Trashy,

-Root

Did I mention the awesome score by Basement Jaxx?

11
Nov
11

Action Jackson and The Art of Catching a Cab

a Primal Root written review

“How do you like your ribs?” – Action Jackson

Action has never really been my genre.  I can’t exactly tell you why, but it’s not really one I go out of my way to watch unless it’s got some kind of hook to it like The Road Warrior, Predator or the greatest action film ever made, Robocop. However, I am beginning to change my tune a little bit and give this genre a bit more attention. What changed my mind and get the action film on my Trash Cinema radar? Two words…

Action Jackson.

Carl Weathers (Predator, Happy Gilmore) plays a badass police Sergeant, Jericho Jackson. Better known as…ACTION JACKSON. The man’s exploits are legendary and purse snatchers simply faint when the man simply looks into their greedy, thieving eyes. However, Action Jackson was demoted from the rank of Lieutenant some time early after a scandal involving a local big wig car magnate named Peter Dellaplane (Craig T. Nelson-Poltergeist, TV’s Coach). See, Jackson nearly tore the arm off this rich, therefore, important member of Detroit’s 1% during an investigation. Don’t garner too much sympathy for Delleplane, see, hie a sexual deviant, sociopath who own a nightclub, kills his competition, enslaves women with heroine and knows kung-fu.  Yeah, the guy’s a major league asshole.

Whenever I think "master of martial arts" I instantly think of Craig T. Nelson.

One such enslaved dope head is his club’s band’s spastic lead singer and sex pot, Sydney Ash, played by none other than 80′s pop star and and ex-Prince fuck buddy, Vanity (The Last Dragon, Tanya’s Island), who bring much believability to her role (*ahem*) and is surprisingly fun to watch on screen as she gets all naked with Criag T. Nelson and ends up having to be saved by Action Jackson as she is targeted for death by Delleplane. These two unlikely allies bond as Jackson is framed for the murder of Delleplane’s ignorant wife, Patrice (played by a pre-stardom Sharon Stone who they still manage to get totally naked for the flick)  and Sydney begins going through what seem to be pretty mild withdrawal symptoms for someone who is supposed to be totally reliant on the drug…

Delleplane's "Boobs for Smack" program in action.

Action Jackson ends up being a balls to the wall, cheese-ball, action flick. The film doesn’t take itself seriously at all and neither should the audience. The cast does a fantastic job of playing off one another , especially Weathers and Nelson who try to steal every scene they have together from one another. Carl Weathers is such an insanely likable actor who exudes a kind spirit as well as a very serious “don’t duck with me or I will crush your bones into powder” aura that you can;t help but like the guy. The character of Action Jackson is reasonable, intelligent, and honorable. Not only that but he forgoes his car during a car chase sequence which was easily one of the highlights of the film for me. That’s right, he RUNS DOWN a cab hurtling full speed down a busy Detroit city street. No, really, he even manages to jump on top of it, punch through the windshield and send the damn thing hurtling into a building…and walks away totally unscathed.

That’s Action Jackson.

Craig T. Nelson…you know, I will never get used to him playing a villain. I thought it was weird in The Devil’s Advocate, and here he’s and out and out psychopath which is even stranger to me. I grew up on Poltergeist so I will always see T. Nelson as a father figure.Still, to my surprise, he managed to pull off the sociopath kung-fu expert, Delleplane, commendably well and you can tell he’s having a blast playing such a scuzzy, irredeemable character. He plays the part with gusto and, in the end, might even steal the show…

Now that's a 200 dollar stunt, right there!

It’s not excessively exploitative, never gets too nasty, and all the elements that need to work do! There are some mind blowing stunts in Action Jackson and some full body burns that are so epic in scale it’s kind of astonishing. Especially early on when a man explodes into flames and goes sailing out an upper level high rise window in slow motion. And that shit happens about 5 minutes into the film! From that moment I was hooked.The fight scenes are really well done, expertly choreographed and edited together and shot very well. Never too choppy that you can’t tell what going on, but just quick enough to make us feel each and every skull cracking blow.

The critics pretty much turned this movie into their bitch and even garnered a  Razzie Award Nomination for Vanity as Worst Actress, which is a real shame, because I really enjoyed her time onscreen. And, no, not just because she shows her tits and runs around with bouncing cleavage for most of the run time. I really felt she did a decent job with the material and played her part pretty damn well.

I'll catch Vanity, you catch Carl, okay?

I think most critics missed the boat with Action Jackson. This flick is supposed to be a fun, B-Movie, action. This isn’t Platoon, gang, this is Action Jackson! Just look at the title! the whole film’s a blast to sit through and I dare you to walk away from this flick without a smile on your face. The action is great, the TnA is plentiful, and the fun is non-stop. There’s electrocution with Christmas lights, a car chase inside a mansion, hilarious one liners, jars of cut off testicles, barbecued ribs, Biff from Back to the Future getting a foot-job, the of the stars of Predator reunited, and the greatest cab catching scene ever committed to film.

In L.A., you don't catch the Christmas Spirit, the Christmas Spirit catches you.

So, if you are in the mood for some fun, non-pretentious, over the top, action fun accept no substitutes. Action Jackson is the real deal.

“There ain’t been any pussy at your pad since your mother helped you move in. They oughta call your place the House of Wax.” – Officer Lack

19
Aug
11

Welcome to Fright Night…Just Kidding.

Wait...did Charlie even use that axe he's holding in this poster?

a Primal Root written review

My friend Sam wanted to see this movie. He was stoked. His enthusiasm lead me to go along with him. Hell, how bad could it be? As the songs goes. “I wish that I knew what I know now…when I was stronger.” We both left the theater in agony around 2:00 this morning…

I really had no interest in this remake. At all. Fright Night is one of my all time favorite horror films of the 80′s, Hell, it’s one of my favorite horror movies period. Under the masterful direction of Tom Holland, Fright Night was a vibrant, funny, spooky, gruesome love letter to horror’s Golden Age updated with many excellent in-camera effects and some down right awesome performances by everyone involved. Holland even managed to give all the characters involved (even those in supporting roles) back stories, the space to breath and in turn, gave the film a lot of heart. All of this is why Fright Night endures as a horror fan favorite and why audiences keep coming for more.

And then there’s Fright Night 2011…Remember, I saw this movie for you.

Don't feel bad, Colin, I hear it happens to lots of guys...

I cannot even think of where to begin…well, the beginning is as good a place as any. We are introduced to our new Charlie Brewster who lives in a modern suburb of Las Vegas where every house looks exactly the same. The camera glides over the houses showing us how uniform they all are and as I watched this new Fright Night that was the final moment I felt hope…Maybe the film would be some kind of commentary on how interchangeable we all have become in a world where individuality is pushed aside for convenience sake? I dunno, needless to say, I was over estimating this corn riddled turd of a film.

Charlie (Yelchin) is now a dirt bike enthusiast who is trying to grapple with his past so that he can still hang out with the cool kids at school and get the sticky finger from his uninteresting girlfriend, Amy (Poots. Tee-Hee) See, Charlie used to play some kind of roll playing game with his old nerdy best friend “Evil” Ed (Plasse/McLovin’) and Charlie must keep this past and the existence of his old best friend buried at all costs or else he won’t be popular anymore.

I guess the decision here was to make every main character unlikable from the get-go, especially Charlie.  Rather than giving the audience a surrogate in Charlie as the original had ( a bit of an awkward nerd, passion for horror movies, having girl troubles and attempting to defeat the forces of evil) instead we get this Charlie.  He has a dirt bike and is trying to be popular. How…interesting…

So, Jerry (Farrell)  moves in next door to Charlie and his single Mom, Jane (Toni Collette! What are you doing in this mess?)  and is introduced as he does his yard work…as the sun is just beginning to set. Let me remind you, Jerry’s a vampire. Of course he’s charming, suave, built and ready to fuck and/or eat anything that moves and, true to form, the ladies around town are instantly drawn to this type of undead, evil, sociopath…

"And may your forehead grow like the mighty oak."

I think possibly the saddest thing about Fright Night 2011 is how quickly Jerry is revealed to be a full force vampire. Literally, ten minutes in and one of the main protagonists is attacked and turned.  Jerry’s reveal in the original takes time to build, the tension grows as does the suspicion and the paranoia until Jerry finally confront Charlie. In the new Fright Night he basically walks up a goes. “Hey, I’m a vampire.” Yep…quite the reveal.

The filmmakers try to punch up the long spells of boredom and Collin Farrel mugging sly smiles to the camera before sniffing the air in all directions, with uninspired car chases, cameos from previous cast members (of whom I felt deeply embarrassed for) and David Tennant grabbing his testicles for inspired comic relief as our new Peter Vincent, the leather pants wearing, premature ejaculating host of Fright Night. No, Fright Night is no longer a late night cable access spook show… now it’s a Las Vegas magic show.Tennant’s portrayal of Vincent is a dreadfully over the top performance that’s given no real gravity or sense of reality especially once the back story of this new Peter Vincent is revealed.

The Smarmy goes to 11.

Fright Night 2011 is nothing more than product. There’s not a whole lot for me to talk about in this review because there’s nothing there. It’s vapid, empty and a complete waste of time, effort, talent, money and celluloid.  Characters that were believable, that you once felt for whether they were human or monster, are reduced to terrible one liners and the most senseless and dull headed characterization I’ve witnessed since those fucking Transformers movies took off. Oh yeah, it’s that kind of bad. Perhaps, even worse, since Fright Night had such incredible source material to plunder.AND DON’T SEE THIS THING IN3-D! It’s a waste of money. Unless 3-D doorways and apple eating is worth an additional 5 bucks to you…

Maybe I am just getting too old. Perhaps references to Google, Ebay and excellent Century 21 product placements aren’t enough to make me laugh. It just makes me roll my eyes in my old man disgruntlement knowing what I am watching is nothing more that a cheap, piece of shit knock of of a once inspired and wholly entertaining story. A film that in 1985 reminded us of how imaginative and fun horror cinema could truly be! Hell, I watch it today and I still wish people strived to make movies as great as Fright Night (85). Movies where  you walk out of the theater feeling exhilarated and wishing you could spend even more time in that universe.

And then there’s the new Fright Night. Where you walk out feeling like you were the one who just had your blood drained. It seemed they tried to walk a middle ground where they might appeal to old fans and new. In the end, they ended up with something I feel will appeal to neither.

Perhaps you should just stop TRYING to be so cool, Brewster…

13
May
11

Tantacles or Who I Ripped Off on My Summer Vacation

a Primal Root written review

In the summer of 1975 there was this little movie directed by a no name filmmaker about a particularly blood thirty great white shark. You might have heard of it. It’s called JAWS. Yeah, the awesome horror flick that, along with Star Wars, ruined movies forever more because everyone wanted to make a blockbuster action movie. Fast forward decades later and we are gearing up for Transformers 3. Anywoo, the more immediate side affect of JAWS was onslaught of late 7o’s sub-par carnivorous water dwelling creature pictures.

And not to sell them short right out of the gate, to be fair, there were some really cool flicks to come out after JAWS trying to chomp the same chum.  Joe Dante’s excellent killer fish flick, Piranha (78).  Humanoids from the Deep (80) and even Alligator (80) re all unique and interesting spins on the JAWS formula and awesome Trash Cinema flicks in their own right that make for great summer time viewing.

And then there are the really bad knocks offs.greasy, lame-o copy cats who try to take the exact same premise and throw it back at the audience. Most notoriously, the Italian film ‘Great White: The Last Shark’ (81), which is the tale of a great white shark that terrorizes a small island community. Sound familiar? Universal thought so too and they sued the pants off those guys and had the movie withdrawn from theaters. Till this day it’s tough to track a copy of that sucker down.

But there is one films that ripped JAWS off properly. Remove the damn shark entirely and add a totally different vicious sea creature so no one can sue you for directly stealing the premise of the Speilberg’s blockbuster epic! That’s right, the 1977 film ‘TENTACLES’! The story of a blood thirsty GIANT OCTOPUS that terrorizes a small island community. Now we’re talking!

The movie begins with several mysterious attacks around the beach. First off, a 10 month old infant is snatched from it’s stroller when Mom isn’t looking and is promptly gobbled up. Later, at a marina, a scruffy man with a peg leg swabbing the poop deck is yanked from his work and chewed up post haste only to explode up from the depths all chewed up in front of some guy double tasking while he fishes and sucks face with some scantly clad 400 pound girlfriend…we later see him wrapped in a blanket starring into the distance with his mouth hanging open. I think he’s supposed to be in shock from witnessing Peg Leg Pete surfacing like a rocket from Hell, but in all honesty, it could have been because he envisioned his make-out partner in the nude.

No one is quite sure what could have done this. It was no motorboat, and it wasn’t Jack the Ripper and it sure as shit wasn’t any shark. The body of the womb fruit and the old geezer are found with flesh completely stripped off the bone. The local newspaper reporter, Ned (John Huston), begins to to think this might have something to do with the rock excavation being done by Trojan Construction (I can only assume they construct prophylactics as well.) which is headed by Mr. Whitehead  played by Henry Fonda, who has no scenes with any other cast members and vanishes half way through the movie.

And, believe it or not, Shelly Winters also shows up for this thing. She plays the aging, seductress (?) and single mother, Tillie. She also happens to be the sister of our roving reporter Ned. Her son is about 13 years old and we are introduced to her as she has some adorable, good natured banter about how she mashed fuzzies with one of the local bartenders last night. These are mental images far more troubling than anything those tentacles could ever hope to accomplish.

Shelly Winter’s main purpose is to wonder around this town in a silly, giant sombrero (not making this up) and look on in mock terror as her bastard son and his buddy are attacked by the killer giant octopus during a sail boat race.During the attack the kids are scene laughing their asses off (method acting?) however, only one of them makes it back to shore alive. This attack on the sailing race might be my favorite sequence in the film simply because it’s so ridiculously awful. It’s basically a bunch of sail boats toppling over without a single tentacle in sight. The editing used in this sequence is a hack job. I assume they wanted it to look like things were frenzied, but the end product, looks like some 6 year old was given several feet of film, a cleaver and a tub of rubber cement…yes, it’s that bad. But it’s also pretty amusing to watch. Especially when they cut away to the “hysterical” Shelly Winters…

The only hope this small town has is a street smart marine biologist named Will (played with deadpan accuracy by Bo Hopkins), his two trained killer whales and his his wife whose name might as well be Fish Food. She’s gorgeous, but don;t get too attached. Her death sequence, I assume, was meant to be the big high point of the movie. Her boat is charged by the octopus in the middle of the night and a tiny model is blown to bits by the impact. She tries to swim from the wreckage but is hoisted up and spun all over the place by the Octopus tentacle. Again, it’s edited together so haphazardly it gives the entire moment a comic appeal I don’t believe the filmmakers were aiming for…

This all leads to a climactic showdown between Will, our mean streets marine biologist who doesn’t seemed phased at all by the horrifying demise of his gorgeous and concerned wife, and the killer octomonster who wield the evil tentacles of the film’s title. Luckily, Will get by with a little help from his killer whale pals, Summer and Winter. As Will tells the story, he met his wife in Summer and proposed to her in Winter.  Not many romances spring up the belly of a whale, let alone two separate whales, so it’s really a shame she met her demise in such an untimely fashion and in a way so many anime school girls have gone before her.

I don;t want to spoil it for you, but the action packed finale features a dead octopus purchased from some fish market and two killer whale sock puppets purchased from Sea World. Oh yeah, it’s gotta be seen to be believed.

Tentacles is one botch after another. It’s so bad it’s beyond such trivial labels. It’s really a one of a kind aws cash-in, if there can be such a thing…where the filmmakers behind i lost the point entirely of what worked, stole all the elements that seemingly made Speilberg’s film so popular (underwater shots of flailing legs and shrinking crotches, water logged body jump scares, the death of children, enjoyable real world banter, greedy rich people more concerned with losing money than losing lives, etc.) and then fail miserably to deliver. The most egregious error is not giving the octopus it’s own enigmatic theme music. I imagine the filmmakers sitting at the premiere and looking at each other as they realize how they completely forgot to rip-off the score to JAWS.  There’s not a single drop of blood in the PG rated monster movie! I mean, even JAWS had some graphic content (Quint- Soft on the outside, crispy crunchy on the inside!) and managed to hold down a PG rating. I guess they needed to use that money to secure the rubber tentacles and octopus stock footage…

Tentacles is worth a look. I found myself chuckling through the whole damn thing and slapping my palm against my forehead in disbelief several dozen times as I witnessed the film’s numerous failings. Tentacles is Trash Cinema to the extreme. A rare bird that few have seen and, in all honesty, probably shouldn’t exist.  I am glad it does, though. Because these films are what those adventurous movie renting evening of yesteryear were all about. Grabbing that crusty old VHS tape with the awesome cover you knew would never deliver what it was promising but would certainly deliver the laughs.

Those were the days… Have an excellent summer, Gang! Be safe and keep watching the ocean!

Stay Trashy,

-The Primal Root

04
Mar
11

Drive Angry, That Old Drive-In Spirit

a Primal Root Written Review

“I could shoot you in the throat and watch you gurgle as I eat my morning grapefruit.” – Jonah King, Drive Angry

I was only recently even made aware of this theatrically released cheese-ball action flick after someone sent me the red band trailer. I saw cars, explosions, fights, tits, guns and Nicolas Cage, a man whose acting prowess I have come to dislike so much and whose choices of acting roles perplex me so that he has become a bit of a cult icon to me. And all of these elements were rolled in to bizarre concoction entitled Drive Angry. And this sucker was going to be in 3D. I was sold.

As I looked intot he film more I realized this flick is a collaboration between the same writer and director who brought us the tons of fun 3D schlock fest, My Blood Valentine 3D, Todd Farmer and Patrick Lussier. Sure, Todd Farmer also wrote Jason X which sucks cocks in Hell and, let’s face it, My Bloody Valentine isn’t much more than the sum of it’s assemblage of cool gore effects…

But Drive Angry promises something totally different. It’s not a remake or a sequel to a well established horror franchise. This is something else entirely. It’s an original film that works as hellishly fun tip of the hat the the very best of cheap-o 42nd street cinema and late 80′s action extravaganzas. It’s like a Frankenstein monster assembled from still very entertaining and classic parts from favorite cult hits from years gone by. There’s badass fight scenes.greasy spoon diners populated by gross, touchy feely chefs and foul mouthed flirty waitresses. Hardcore Hotrods. Blood drenched shoot outs. A tough as nails chick who knows how to fight like a tigress. A quiet stranger dressed in black that everyone wants dead. Tons of nudity and a fucking brilliant sex shoot out scene that plays like the similar scene from 07;s Shoot ‘Em Up on Jolt Cola.  And even a satanic cult led by a molesty, necrophiliac, baby killing, scumbag sans penis played by Bella’s Dad from the Twilight series.

Someone did not put the bunny back in the box.

Our film is the story of a vengeance seeking father by the name of Milton ( Nic Cage) who has escaped from Hell to avenge the murder of her daughter and save his grand child from the satanic cult who killed her lead by the villainous Jonah King (Billy Burke). He gains the help of a young woman named Piper (Amber Heard) who is a force to reckoned with as illustrated after she finds her fiance fucking a skank in their stink hole apartment. The duo head south to Louisiana where the final showdown awaits, all the while, having to duck the authorities lead by Cap (Tom Atkins, a true Trash Cinema Legend in top form here.) as well as a smooth talking, sharply dressed supernatural force known as The Accountant (played by a scene stealing William Fichtner) who might be one of the coolest anti-heroes in recent memory.

The Accountant: Redefining awesome on a scene by scene basis.

Drive Angry has it all and, man, it’s just so goddamn tasty. It’s jam packed with that old Drive-In spirit fueled by excess and meaning to do nothing more than deliver the goods and entertain it’s audience at any cost. There is something to be admired in a film that enjoys delivering the filthy, blood smeared goods without making fun of itself or those of us who love this type of flick with every faint beat of or twisted black little hearts.  And after all the thought provoking and well made films of the Award season releases,  I have to admit, it’s a load of fun to simply switch the old gray matter on cruise control and take a trip with a guilty pleasure to most like Drive Angry.

As a matter of fact, yes, she knows how to use them.

Trust me, if you enjoy the kind of films that were once readily available as double and triple bills decades earlier when you could enjoy cinema under the stars, this film is something you will eat up like so much buttery, salty concession stand popcorn. Not since Piranha 3D and Machete have I had this kind of fun at the movies.

And yes, the film does give a Special Thanks to Bill Murray and Punxsutawney Phil in the end credits.

I would gladly come back fom Hell for Ms. Amber Heard.

Stay Trashy,

-The Primal Root

01
Dec
10

Samurai Cop: Six Essential Moments

Hey Gang,

I’ve been asked by quite a few of our fellow Trash Collectors what my favorite Trash Cinema Classic is. Many assume it would be a popular favorite like the recently embraced Troll 2 or the break out craptastic hit, The Room. Is it a big budget bomb the likes of Howard the Duck? A filthy, pervy hunk of garbage like Showgirls? Or possibly an exploitation sleaze fest like Pieces?

Now, the above mentioned films and their ilk all hold a special place in my heart and have their own trashy merit. My favorite is still slowly and steadily being discovered. You know the term, “So bad, it’s good”? Yeah, that doesn’t even begin to describe my all time favorite Trash Cinema film, Samurai Cop.  A no budget, shoddily made piece of action goofiness that surpasses the “So Bad, it’s good” genre and manages to ascend to a higher plain of cheese entertainment. It find brilliance in it’s mental deficiencies.  Strength in it’s countless weaknesses. Panache in the poorest performances. Samurai Cop is…remarkable crap.

In all honesty, Samurai Cop is a film that has to be seen in it’s entirety to be believed. Lucky for you it is available on DVD for super cheap and even includes a hysterical audio commentary track from legendary Drive-In Movie Critic and my personal hero, Joe Bob Briggs which enhances the viewing experience.

However, I have put together a list of six ESSENTIAL clips from the classic action film, Samurai Cop. It’s incredibly difficult to narrow it down to six scenes in a film crammed full of beautiful trashy gems. Really, on a scene by scene basis the amount of ridiculously awesome shit just keeps pouring from the screen. So I did my best to put together these six scenes that I feel define the movie, Samurai Cop. Enjoy!

6. Samurai Cop calls Fujiyama out!

Our hero Joe (Samurai Cop) along with his partner Frank show up unannounced at evil be-mulleted mob boss Fukiyama’s luncheon he has thrown for all his evil henchmen. The scene is incredibly tense and in a barn burner of a scene, Samurai Cop unleashes a powerfully performed cautionary monologue about what America is all about. Prepare to be shaken to your very core.

5. The Black Gift

Samurai Cop may be the star of this film but the man who steals the show is his side kick, Frank. The man has a knack for simply rocking every scene he is in with his natural delivery and ever present sense of humor. At this point in the films Fujiyama has sent out his goons to kill off all the law enforcement officials involved with the investigation into his crime syndicate. Two of these henchmen make their way into Frank’s home just after the man has taken a shower. What truly makes this scene special is how the henchmen threaten Frank, the colorful choice of words and the awkward blocking. Simply, incredible.

4. The Opening Chase Climax and Sex Scene with Peggy (AKA: Keeping it Warm and Ready)

Now, anyone who knows their action movies will tell you any action film must be judged by how badass their opening chase sequence is. Samurai Cop has possibly the funniest, fastest most carnage filled opening car chase battle ever committed to film.  I am serious, it has every cliche in the book as Samurai Cop and Frank drive from a busy marina, through the suburbs and onto a dirt road through the mountains after some drug dealers shooting at random as innocent civilians duck for cover and bad guys fling themselves out of the van as they die.  But the scene reaches it’s apex as our our heros gun down the last man standing, and what goes down directly afterward (before they bother to report back to the chief) with police helicopter officer, Peggy.

3. The Color of Your Ass

Again, Frank is here to save the day as he and Samurai Cop regroup after a horrific stand-ff between themselves and Yamashita’s (Robert Z’Dar’s) henchmen. They dust themselves off and make an ass joke and move on with their investigation.

2. Feminine Costa Rican Waiter & Suicide

Samurai Cop was written and directed by a fellow named Amir Shervan. If you haven’t noticed already, this guy has a peculiar sense of humor. Never is it more apparent than in this scene that springs up out of nowhere between Samurai Cop, Frank and a Costa Rican waiter.

1. Circumcision, Jumbo Jets and the Majesty of Frank

If there is only one scene every must witness from Samurai Cop this is the one. This is the moment where everything falls into place and illustrates just why this film is at the very top of my Trash Cinema pile. I don’t want to ruin a thing for you. Just watch this scene and be amazed.

Like I said earlier, these are just some of my favorite scenes out of a film bursting with great moments just like the ones posted above. By all means, track this classic down and give it a watch. I promise, you will laugh yourself silly. Everyone plays it straight and I really think they all felt like they were making a serious action movie. The finished product comes off as one of the greatest 80′s action parodies ever produced.

So do yourselves a favor. Watch Samurai Cop. And keep it warm and ready in case I decide to drop by later.

Stay Trashy!

-The Primal Root

01
Nov
10

Rotten Reviews presents Saw V

SawV_FM

Hey Gang,

The Primal Root here. I just woke up and I have no idea where I am. Somebody kidnapped me while I was a t work and now I am stuck in this place. I have some kind of contraption fastened around my neck and there’s a TV in front of me. I don’t want to jump to conclusions but I have a feeling this is one of those dang Jigsaw traps I’ve heard so much about. I am not sure what I did wrong or what lesson I am going to be forced to learn but it looks like I may have to watch something…something terrible…

Well, if that’s the case I shouldn’t have a problem. Some of my favorite movies are the strangest, sickest, most perverse films ever made! What in the world could Jigsaw possibly show me that would make me consider hurting myself…oh shit…

But is it really Jigsaw behind all this? I guess I’ll have to wait and see. I sense something truly sinister at work here far worse than that megalomaniacal asshole. I guess I’ll have to see this sick game through to the very end and see what twists are in store. Because if I am stuck in a Saw film, there’s one thing I can be sure of…nothing is as it seems.

Stay Trashy,

- Root

13
Sep
10

To The Limit: The Epitome of Trash Action

a Primal Root review

Whoever thought a person possessing a pretty face could be counted on to be a convincing actress was sorely mistaken. Never more so than with Anna Nicole Smith, the legendary Guess Jeans Girl and Playmate of the Year of 1993. The woman had a one of a kind look. Tall, striking facial features and a buxom body unlike most of her contemporaries at Playboy magazine. She was a fully stacked young woman, bred in the dirty south, and bringing that mentality into pop culture. A kind of trash glamour. There was a strange progression in the 90′s of models  making the leap from photographs to motion pictures. Cindy Crawford did it with Fair Game and never made that mistake again. Milla Jovavich took a stab at it and has been gainfully employed ever since. And then there was Anna Nicole…

Smith had an appearance in the Cohen Brother’s film The Hudsucker Proxy before going on to co-star with Leslie Neilson in the 3rd Naked Gun movie. She was pretty and spoke her lines…well, but these appearances did little to further her career. It wasn’t until 1995 that Anna Nicole landed her first starring role in the craptastic action extravaganza, TO THE LIMIT! It didn’t do anything to further her career either, but hey, she was the star. I’m pretty sure this thing went straight to video and late night Cinemax.

Anna Nicole plays ex-CIA Agent Colette Dubios who is tracking down the man who murdered her husband and also gunned down mobster Frank DaVinci’s (Joey Travolta)  wedding party with the aid of his trusty band of expert assassins who are willing to die for him. And have their tops ripped off and their breasts groped before being shot in the head by him. This militant Manson-esque psychopath, Arthur, is played with gusto by Jack Bannon. A couple years later Colette and DaVinci cross paths and reluctantly decide to join forces to take down the dick head who killed their respective spouses.

To The Limit is actually a pretty entertaining movie. Between the video game graphics passed off as actual footage, to te $200 dollar stunt work and passing off the dining room of a Shoney’s as a high scale Las Vegas Casino’s VIP room there’s a lot here for a Trash Cinema fan to love. Possibly my single favorite sequence is our dignified introduction to Colette, the CIA agent. The first time we ever see her she is stark naked in a warm bath masturbating. The sequences goes on for at least seven or eight minutes before her husband calls for her off screen and she utters her first line. “I’M COMING!”

Now that’s class.

Directly after this, Colette gets out of the bath and we are informed that she and her husband are late to DaVinci’s wedding. So they hurry, get dressed and head out…right? WRONG! No, they have an extended sex scene with Anna writhing and bouncing her massive chesticals all over the place. Hey, you cast Anna Nicole Smith in your movie, you damn well better get your moneys worth. Once they finish up, her hubby hops in the car and is blown to smithereens . The blast throws Colette back into the house where she coughs up blood upon hitting the ground (???) and lets out a couple yelps of sadness.

To the Limit is an excellent piece of garbage, and what makes it that much better, it doesn’t try to be anything else. There are hardly any breasts that go unrevealed, no ambush murder too obvious, no death too undignified. A perfect example of this comes in the form of the contract hit of womanizing mobster, Joey Bambino. The guy is holding auditions for dancers up in his hotel suite when he brings in this cute asian girl. She not only claims to be a dancer, but a masseuse. So, of course, the attractive, nubile young woman and the hairy, saggy, pock marked mafioso undress and get to the rubbing. The scene goes on longer than it should before she breaks out her special massage oil which, only after totally doused in it, does Joey realize smells an awful lot like gasoline. You can guess what happens next. That place starts smelling like charred hair and Italian sausage.

Along the way Colette and DaVinci end up bonding over the deaths of their spouses. They shed tears and then their clothes as they start banging the hell out of one another. It’s made all the more uncomfortable by the fact that DaVinci is a white haired fellow five years shy of being a senior citizen. But, hey, I guess there’s no better way of getting over your spouse’s horrific and haunting death than giving or receiving some deep dicking.  Soon after the two make the sign of the double backed wombat they are ambushed by Arthur’s gang of hard boiled professional assassins. All of which are killed in less than five minutes by a playboy playmate and an over the hill mobster.

It all leads up to a climactic face off at the top of a dam where DaVinci comes face to face with the man responsible for crashing his wedding and also must decide if he can truly trust Coletta, the woman he dunked his doughnut in the night before. Now, I don’t want to spoil anything for you, but the climax is one of the greatest moments of sheer action goofiness I’ve ever seen unfold. Remember CD Face from Hellraiser 3? Yeah, let’s just say someone expected us to take this kind of fatality seriously outside the horror fantasy genre.

To The Limit hits the bullseye of the “So Bad It’s Good” term. Really, it’s a terrible, terrible, film but I can’t help but enjoy everything it doesn’t have going for it. And you know what the best aspect of the film is?Anna Nicole Smith. The woman is one of the worst actresses of all time. But unlike Julia Roberts, Anna Nicole Smith knows she is terrible. And there’s a sincerity to everything she does on screen. She’s trying, man, but she just can’t do it. She has a serious face, a sultry face and a happy face and they all look completely clueless. The most endearing moment of Anna’s arrives somewhere in the half way point of the film where she realizes an important file has gone missing. She looks at DaVinci so sadly and exclaims, “It’s been STOLDID.” Yes…stoldid. I rewound and listened to this scene a dozen time and  she really does say “Stoldid.” Did director Ray Martino just not have time for a second take? For my money, I am glad he left this little treasure in the film. I mean, the dialog is pure nonsense anyway, you may as well let Anna Nicole spice it up and make it a little bit engaging with her mispronunciations. I still have no idea how she didn’t, at one point or another, show up in a John Waters film. It seems the two would make a natural fit.

Anna Nicole Smith is a Trash Cinema Legend for the ages. Her brief film career gave us some of the funniest and most outlandish action films ever made.  It really is a shame Anna Nicole didn’t have the opportunity to make more of these hilarious action films. It was a blast watching her kick the shit out of some hired goons, flubbing her lines and getting naked in every other scene. Anna Nicole Smith was the trashiest of stars. She brought a sense of  sweet, backwoods, naivety to everything she was a part of and it’s something I miss. I have a feeling it will be a long, long time before we ever have a sex symbol as trashy as Ms. Anna Nicole. Thank you for your contributions to down and dirty, low budget action. You may not have been the greatest actress but you sure were fun to watch.

Stay Trashy,

-The Primal Root

10
Jan
10

Daybreakers: Draining the Genre Dry

a primal root review

Here it is. Our first major horror release of the decade. (Well, besides the Renee Zellweger flick Case 39. But where the hell is that playing?) A vampire horror/science fiction amalgam starring pedestrian actor Ethan Hawke, and the glorious awesomeness of Willem Dafoe and Sam Neill and helmed by the two brothers whobrought us the 2003 zombie action flick, Undead, Michael & Peter Spierg. The film was completed in 2007 and, for whatever reasons, is only now being released early in 2010.

The film I am talking about is, of course, Daybreakers, a strange little film (93 min.) that’s being released as this new vampire craze is at it’s peak. As opposed to the current run of romantic love story driven vampire vehicles Daybreakers takes a different approach to the material with a uniquely topical premise.

Always cool to see Sam return to the genre.

In the year 2019 vampires have populated planet earth. Over the ten years between now and then humans were given the chance to convert. Those who did not were hunted down and used as a blood source for the vampire population to snack on. In fact, humans are nearly extinct and Charles Bromley (Neill) runs the business that happens to be the leading supplier of blood and the supplies are running woefully short. As the vampires are deprived of blood they begin a horrifying mutation into completely psychotic rubbers bat monsters. Edward Dalton (Hawke) is on the payroll as a scientist trying to find a solution to the problem in the form of a human blood substitute. Dalton is a human sympathizer and ends up on the side of a group of human revolutionaries lead by Elvis (Dafoe) who claims to have the key to reversing the effects of vampirism and getting the old ticker thumping once again.

Staying true to the very basic vampire tradition of the rich feeding on the blood of the poor and underclassed Daybreakers had an interesting premise resting in its hands. It is used as an allegory for man’s usage and abuse of natural resources. As the supplies run short and lower class begins to fall away a new lower class must take its place. It just so happens to be a lower class populated by ravenous, maniacal, blood lusting rubbery bat people.

Spare some blood for a starving vampire?

I went in expecting a bit more social commentary wrapped within the pretty, dark and steely frame work and for the first ten or fifteen minutes they served up some pretty cool food for thought. But slowly and surely the brains of the piece take a seat and let the throbbing action boner take over as car chases, shoot outs and vampires explode into hundreds of meaty, juicy bits all over the set. Who knew that staking a blood sucker through the heart activated a self-destruct mechanism? Kosher!

Now, don’t get me wrong, I love my action crazy, wet, and sloppy but Daybreakers seems to have a bit of an identity crisis. As if it’s not so sure of the picture it wants to be. “Do we want our audience to think or would we rather shower then with vampire viscera?” Sadly, what could have been a brilliant vampire film about the growing struggle between the haves and the have nots is more of a vampire movie that looks to take place in the glossy, highly stylized world of The Matrix.

Daybreakers is competent but bland and routine genre piece that had a lot to offer, but in the end, didn’t want to dig too deeply beneath its own surface. And what we ended up with is a sleek, polished little bit of filler.

Hey, at least there were no high school love triangles or glamorizations of teen suicide.

Stay Trashy,
-The Primal Root




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